If I’m going to put Voyageurs in Kindle Scout next month, I might as well give you a segment now to tweak your curiosity:
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If I’m going to put Voyageurs in Kindle Scout next month, I might as well give you a segment now to tweak your curiosity:
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In my dreamtime,
you stroll with me on a bone china morning,
holding my hand, whispering a secret
so childlike, so giddy,
the dream ends with a dream again.
It looks like I’m going to subject myself to another round of the Kindle Scout campaign process.
I’m just finishing one more edit of the book Voyageurs for a possible Kindle Scout campaign. It, like Gaia’s Hands (which, with fewer than 15 days left, will not make the cut for publication), is a standalone book for the moment. Voyageurs doesn’t happen in the same space as the Archetype series, so it wouldn’t break up a series (which would make it unattractive to an agent).
Voyageurs is very different than Gaia’s Hands. Where Gaia’s Hands is a delicate, pastoral slice of magical realism, Voyageurs features the sardonic daredevil Kat Pleskovich and the bookish Ian Akimoto from the disastrous ecological future called The Chaos. What begins as a string of suspicious deaths among the Travellers, or time-jumpers, becomes the uncovering of a plot to destroy the world.
Although it would be easy to dismiss this book as a time traveller romance, I’ve skewed things a little too much to use that label comfortably. Present-day Kat’s streetwise manner and her prickliness make her anything but the girl who needs a big man to protect her. Ian from the future, frail and bookish, has more empathy but a tendency to try to ingratiate himself to Kat. Their mentor, Berkeley, is a frustratingly droll time historian who revels in the Socratic Method. The bad guys? You’ll have to read the book.
I would call this book a crossover — soft SF with a touch of mystery and a relationship that helps pull things together.
If you have any ideas about the timing of the book campaign, please let me know.
Thank you for sticking with me!
I have to share this, because even though it doesn’t have to do with writing (directly), it’s so funny I have to share:
I’m going back to school.
I had long been of the opinion that, once you got a Ph.D. and hit a certain age, you would never need any more schooling. I would have been correct, except for a perfect cluster* of events:
I dream of the first emerging sprouts speaking to me.
The stretch of the first seedling breaking through the soil with the tiniest pop assures me that change is possible. And each seedling, each plant, has purpose. The lowliest weed has purpose — dandelion makes a wine whose pale nectar will break your heart. The scrubby lamb’s quarters tastes better than spinach, and purslane is rich in Vitamin A and Omega-3 fatty acids. What is toxic to man may treat your illnesses — the toxic foxglove can be processed into digitalis, a heart medicine that you might have heard of. Even the otherwise useless Cannabis sativa* is a bioaccumulator, pulling heavy metals from the ground and sequestering it in its leaves.
My basement is full of seedlings to go into my summer garden. They live in the former coal room, now a room of grow lights and reflective insulation material on the far wall, with a window that the law enforcement officials can look at and make sure I’m growing tomatoes. This may not be enough.**
Right now, the tomato/eggplant/pepper plants are partying on the top shelf with the cardoon which I thought I wouldn’t get to grow. The perilla seedlings are numerous and vigorous. Hablitzia, yarrow, pinks, and savory are popping up a little more leisurely, and I still can’t get sea kale to grow from seed. The basil — I’m a basil fanatic, but I still may have to give some away. That’s not all the seed flats — I am nearly out of room on my plant shelves, and there’s a dwarf lemon tree I hope gives me lemons for lemonade someday.
At night, when I go to bed, I imagine I hear the plants sighing in their sleep. When I feel down, I contemplate sneaking down to the basement and joining them in the dark. But I am human, and cannot sleep in a garden bed, so I wish them a silent goodnight.
***********
I’ve gardened since I was about five years old, when my second cousin Dale Hollenbeck gave me a plant of his that was dying to see if I could nurse it back to health. I did, and I did the next one he gave me. I had a lot of failures, largely because of my lack of understanding about soils — it turned out that Illinois’ hardpan soil wasn’t a great planting medium for cacti — or much else. It was at that point that I wanted to learn anything I could about plants.
My neighbor Johnny Belletini, who was somewhat of an adopted grandparent (I adopted him), taught me one day that weeds weren’t nameless and had uses people didn’t know about anymore. I was fifteen; he taught my his recipes for dandelion greens and dandelion wine that day, and I made my parents leave the lawn unmowed until I picked all the flowers to make dandelion wine***. We did everything wrong, but the result (don’t ask me how I know) was a sacrament, sunshine in a glass.
When I was seventeen, my second cousin Francis Koenig**** worked in a state park for a while and had an encyclopedic knowledge of those previously nameless weeds. At the time, I had begun my lifelong interest in edible plants. He would visit me at my parents’ house, and my family would sit mystified as he and I talked about plants — their genus and species names, appearance, habitat, and uses.
Nowadays, I have an odd quest, and that is to landscape my entire yard with edibles. I have raised beds for annual vegetables and for perennials, I will add edible weeds (tastes like spinach) like quinoa and orach and giant lamb’s quarters, and I will add herbs to the rubble-and-dirt hill by the stairs to the backyard.
Many of the edible plants I’ve never eaten before. The moringa thicket in a pot in the basement apparently has excellent nutrition for a green tree, and the scarlet runner beans are a favorite in Britain. But I’m fascinated by vegetables and fruit that can’t be found in a grocery store, just as I am interested in people and places you couldn’t find near a shopping mall.
Later this spring, I’ll give you a virtual tour of my garden (if I can get my SketchUp software running on a four-year-old Mac with no graphics capability to speak of. If you want pictures, let me know.
Thanks for keeping me company.
******************
* I do recognize that C. sativa is not useless; I was just having a little fun. The plant has proven useful for wasting syndrome PTSD, chronic pain, muscle pain, glaucoma, and mental health issues. (Grinspoon, 2018). In addition, it is used as a sacrament in the Rastafari religion.
** There is also a window where any curious law enforcement officer can look into to assure themselves that there is no Cannabis grow operation here. I still feel a certain sense of unease about having a grow room in my basement. I’m not kidding. Not Marijuana
*** I made my first batch of wine at age 15. I did my research first — although there was a law against drinking until age 21, there was no law against making wine at any age unless you made over 200 gallons a year and/or sold it.
**** Francis Koenig died of drowning in 2009. I point this out where I otherwise would have because 1) he was family and 2) he lived lonely because of his neurodiversity. I believe he was on the autism spectrum, as he worked at a sheltered workshop until he retired. I want you all to see that the neurodiverse have lives and feelings and deserve to be members of society to the extent they feel they can. Thank you, Francis, for telling me that hawkweed had edible roots — I look for it often, and I think of you.
************
Grinspoon, P. (2018). Medical marijuana. Available: https://www.health.harvard.edu/blog/medical-marijuana-2018011513085. [March 13. 2018].
It can’t be helped.
As I crawl out of the other side of my depression, I find that writing is too much a part of my life to quit it.
My characters are almost family members, their stories important to tell. My husband and I talk about them:
“Do you think Grace’s parents had talents?”
“No, but I think they figured Grace had a latent music talent, and that’s why they hid her in the Renaissance Children school.”
I sometimes wish I could have coffee with one of them — the fey Josh; the acerbic Lilith; androgynous, impish Amarel; intense and troubled Greg.
Their worlds are hidden in plain sight from mine, and if I turn around just right, I’ll be at Barn Swallows’ Dance or the coffeehouse where Jeanne and Josh met or the Ancestors’ Room in the Chinese restaurant in McKinley Park neighborhood or the meeting room in the main Kansas City library, sitting in while Future Past meets. I have not managed to find these places in real life, so I write to create them.
About publishing — I’ve decided I will try Gaia’s Hands, the one that’s currently not winning the Kindle Scout process, with a Quaker press. My only sadness about this is, if it’s published, it will be preaching to the choir. I’ll turn Voyagers in to Kindle Scout somewhere around then. If those don’t sell, at least I’ve published and can kick that off the bucket list.
I will always be looking for leads. If you have a friend of a friend who knows of an unusual publishing house, please let me know.
Last night, I had a vision of looking out a window at a muddy sky at rain sheeting down upon the tops of buildings. I felt like I was waiting for someone, and that if he arrived, there would be an intense conversation. The room was a chunk of the top floor of an old brick building, spacious and dark but for the light from the window.
When I tried to write a poem about it, I realized that I wasn’t the person looking out the window. I told my husband, and he pointed out that I was Ayana (from my book Prodigies) waiting on Grzegorz (another character from Prodigies) that would happen in the next book. (I have visions and Richard interprets them — we’re spooky around here sometimes.)
Maybe I better keep writing.
***********
Reader from Poland — I need your help with the highlighted portions below. The XXXXs are where I need the Polish phrase for the English phrase that is also highlighted.
*************
Ayana stared out the window of her garret apartment, hardly noting the amber-grey clouds dumping sheets of rain on the tarred roofs of the shops surrounding her. It had been a week since Greg had left the apartment with nothing but the clothes he wore and what he could stuff in the worn military backpack he carried.
She had made a mistake, she had intuited in the aftermath of the argument that broke their relationship. No saving face there — the bout had scoured civility away. She couldn’t figure out how the fight started, except that he had said one word — “xxxxx”. Marriage. And then he had said he’d take care of her and the child she carried low in her body. She had panicked, fearing the loss of her autonomy. And out of her panic, she had lashed out at Greg. And he had lashed out at her. She couldn’t tell if it was her rejection of his offer or the words she used. She didn’t remember what she has said except that it was in his native tongue.
The knock on the door startled Ayana. She stood from the chair by the window, feeling the discomfort in her back as the baby’s weight shifted. “Who is it?” she called out both in English and Polish as she plodded toward the door.
“XXXXXXX,” she heard Greg’s low, rough voice say.
We need to talk.
She flipped the light switch and a soft but inadequate glow bathed the room. She gazed out the peephole to see Greg, wet hair straggling around his face and down his shoulders, his coat soaked. The peephole distorted his wild-eyed looks so he looked like an oni, a demon, and the expression on his face did not bely his seeming.
“Yes, we need to talk,” Ayana murmured as she turned the locks on the door.
Greg stepped in, and he didn’t look any less frightening. His eyes looked shadowed, his skin bone-pale. He bent and tugged his boots off at the door. That was oddly the custom in both their cultures, odd because those cultures were otherwise so different. Ayana watched him, her heart aching at the familiar scenario.
Ayana stood frozen, speechless, because she wasn’t prepared to cut all ties with Greg. She wasn’t ready.
“I brought blackberry syrup,” Greg twisted his mouth. “We can’t make the baby unhappy, can we?”
“Why do you feed me?” Ayana seethed as the two of them walked to her couch that folded out as a bed. “I think I can fend for myself.”
“Hasn’t anyone ever done anything nice for you?” Greg muttered. “I want to do for you and the baby like I never got to do for Anna.”
Ayana felt a hint of what she feared, being trapped by Greg’s solicitousness. “Where is Anna, anyhow? Tell me she is not with her mother!”
“Anastasja will never be with her mother again. She would be always in danger of her life if she were. No, I have taken her to Shemisław’s. She happens to think of Shemisław as her grandfather. She’s safe while I go through this madness.”
“Madness? Is the PTSD with you again?” That would explain the hollow eyes, the beaten down demeanor.
“No. I was mad when I last left you, and I was mad when I didn’t come back sooner. I walked around like a zombie –“
Ayana studied Greg’s Medusa locks. “I thought you were a demon,” she smirked, feeling a bubble of optimism, then sobering again. “This food thing — is this part of taking care of me? Will you keep me small and harmless? Will you make me stay home with the children and not work with you and Shemisław?”
Ayana glanced again at Greg, and he looked as if he was stifling a laugh. “It’s hard to picture you being small and helpless when you can swear in — how many languages?”
“All of them,” Ayana shrugged. “Including ASL.” Again, the bubble of amusement tickled her mood. “Don’t forget my skills of evasive driving.”
“I don’t know if Iwanow Jr. will ever forgive you for what happened with his Varsovia outside Wroclaw,” Greg grinned, and Ayana remembered her joy in Greg’s fey moods, his quirky sense of humor, and his daring. She had become daring, a spy against the Renaissance movement because of him.
“When you said you’d take care of me, did that mean keeping me shut up inside the house and not working with you?” Ayana hadn’t spoken so clearly in their last argument, choosing instead to use the subtle language of her homeland. She heard the sharpness of her voice, and wondered if she had lost her Japanese communication style forever.
“Oh, you don’t know how much I’d love to,” Greg’s face fell into grim lines. “My whole family died in the bombing of my parents’ house, and I think now and again that I could have saved them if I had only been at Sunday supper instead of busking downtown. Especially now that I know my talent, although I would have exposed myself — and possibly killed myself — resurrecting five people. I would die to keep you from getting killed.”
Ayana noted that Greg had scooted closer to her. She felt his warmth, and it was welcome. “I would die to keep you from getting killed as well,” Ayana sighed. “And I want to work with the others, the Renaissance Children, and to do that I would have to carry at least some of the load and use my talent — and my skills — to help with our forays into Second World Renaissance and their compatriots.”
“I should have taken that into consideration. I warn you, though, I am going to try to protect you from danger from time to time, and feed you whatever you want when you’re pregnant, because I’m a bit of an old-fashioned chauvinist at times.” Greg took her hand in both of his.
“And I’m going to have to tell you to back off, because if you were expecting me to be submissive, they failed to teach me at the orphanage.” She waited a beat or two, and asked the question that sucked all the air out of her lungs when she thought of it. “Are we still together?”
“Would the thought of marriage scare you — that is, if I make my best effort not to make you small and harmless?”
“Could we not do a Catholic service? I’m not willing to convert.” Her Buddhist/Shinto roots kept her from being totally assimilated into a Western culture that more openly courted violence.
“As I’m sure my talent would send me to Catholic perdition when I die, I think I should avoid the Catholic church myself. Can I tell you I love you? I’ve tried to tell you, and you’ve not been receptive to that.”
Again, the bubble of happiness, the effervescent feeling of joy filled her.
Maybe Gaia’s Hands wasn’t the best book to enter to Kindle Scout.
I’ve proofread it, demolished it, paired it with another book, trimmed that back so that I have two instead of four main characters, re- and re-proofed it, and still when I look at it I wonder if it’s a solid novel.
I’ve never known what to do with it. I love its plot lines — discovering one’s mystical abilities, a convincingly menacing pattern of harassment to one of the main characters, a taboo May-December romance (taboo because the woman is older than the man). I adore its characters — a talented botany professor, a precocious young poet, his best friend the surly engineer, the refined yet hangdog lab assistant Ernie, enigmatic waitress Annie, and even the smooth dean and hostile department chair Jeanne has to face.
But I’ve never known what to do with the book. The scenes almost come off as vignettes, with the connections between strands unapparent at first. The plot is subtle, not as action-packed. The characters carry it, but I always wonder if the book starts too slowly. I edit it again and feel something’s not quite there, I don’t know what the “something” is. With all the improvement I’ve done in writing for the past six years, there’s something in Gaia’s Hands too quirky for prime time.
Gaia’s Hands strikes me as a YA, except the male protagonist is too old at 20, the female protagonist is way too old at 50, and there’s not enough angst. (For all the harm Twilight did to women’s expectations of men — it’s okay to be a stalker? Really? — it did angst exceedingly well. And it sold.)
I look at Gaia’s Hands and feel like it’s missing something. Despite my greater level of experience, my writing skills, better knowledge of writing dynamics — my writing is missing something, and I can’t tell what. Maybe my style, my “voice” isn’t acceptable. I don’t know, but I wish I could figure it out.
Trigger warning — this excerpt deals with PTSD/rape. The description is not from a salacious point of view, but from traumatic memory.
This is an excerpt from Gaia’s Dance, which I don’t know if it should be in the book even though it survived three edits. But it mixes trauma, magical realism, and relationships, and may be a quintessential part of the plot, even though it’s a sideplot:
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