Sorry for the Debbie Downer

I got a big rejection last night — CRAFT’s first chapter contest. It would have provided lots of opportunity and support toward publication of a book. It was a long shot submitting, because I think they favor literary fiction and I write genre/literary crossover. 

It was worth a try. I’m trying to analyze whether the effort I spend writing and improving is worth the results. Whether the money I invest (in dev editing, in reader’s fees for short fiction, for writers conferences) is yielding enough return on investment. Whether staying in writing because I’ve invested so much is just the sunk cost fallacy in action. 

I keep going back to writing, fancying that it will be my retirement career. But for it to be a career, I have to go someplace with it. I need to be published; otherwise it’s just a hobby.

I really have to figure this out.

Snow. In October.

Snow. In October.

We had flurries last night here in northwest Missouri, just enough to notice, not enough to coat the ground. I wouldn’t complain about that, but we are getting a freezing rain/snow of up to three inches precipitation tomorrow, just in time for Halloween. 

Between the unseasonably warm weather and the snow, we have had about two weeks of autumn. I demand an explanation.

There’s an old adage that cautions against complaining about the weather, but snow. In October. I think this is an extenuating circumstance.

The snow will melt, leaving our lawns drab, sodden leaves and dun grasses. Because this is Missouri, home of the four seasons in one day, we may even see temperatures in the sixties — or, who knows, the seventies — before December. But the damage has been done. November will be a child of winter, not autumn, and we will be tired of snow before the year is out. 

Halloween is Thursday, right smack in the middle of the snow. Maybe I should go as a snowman.

Feeling the need for inspiration.

I’m wrestling with the whole writing thing again, which I understand is part of writing.

In my mind, the struggle manifests itself as a lack of inspiration, a general blah. I’ve written five novels (and need to edit two but have lost my dev editor), which is a big accomplishment. 

I think what bothers me most about not getting published — when I accomplish something (a novel), I want a stretch goal, and getting it published is a stretch goal. Otherwise, once one has written one (or five) novels, what else is there?  I’d like to be published so that I feel that the goal isn’t totally unattainable.

Lately I’ve written some short fiction, which gives me something to enter on Submittable for a feeling of accomplishment, and hopefully publication. I have nine items in review, another nine waiting (I think I’ve said this before). I still wish I felt motivated toward editing/writing the longer stuff.

 Oh, yes, my flash fiction, Becky Home-ecky, now can be found in the A3 Review Volume 11, found in finer bookstores somewhere in the UK. 

I just hope I get out of this slump soon.

On Second-Guessing My Ability

This picture has nothing to do with today’s topic.



I second-guess my writing talent all the time. I live with a constant critic who has no trouble getting into my head (as it is already in my head) to tell me that my writing isn’t enough — not interesting enough, not good enough, not publishable enough. The voice insists that I am writing the same stuff I wrote back in sixth grade.

Despite this, I’m not adverse to critiques. In fact, I relish getting better. But I’m still afraid I’m not good enough.

I hear this is not uncommon to writers, that most writers feel a constant sense of doubt, and that we wouldn’t want to meet one who doesn’t. But I need to shake this sense of self-censure (and self-censorship) for my long-overdue re-editing of Gaia’s Hands. I have to believe in the book to make it better.  

So, how to believe? Cognitive journaling might help — counteract all the mind-reading (“the critics hate it”) and fortune-telling (“I’ll never get published”) and name-calling (“I’m so talentless!”) and awfulizing (“my stuff sucks”). 

I joke about a magic spell, because I feel like my writing career is cursed. Of all the things I pooh-pooh in my life, curses are not one of them. I half-way believe in curses, even as I suspect they’re an externalization of one’s failure scripts. I’m looking at how to break the curse.

I suspect, though, I will have to live with it and create despite it. And someday, when/if I get published, I will celebrate all the harder.


Another Homecoming and the Words that Come With It

The leaves have finally turned, orange and red and brown, dazzling the campus for Homecoming. I remain convinced that Homecoming is the remnant of a pagan ritual that captures parts of the harvest festivals and part of the sacrificial king (in the guise of a football game.) This would make pumpkin spice latte a sacrament, and I’m not sure I want to go that far.


It’s been a long time since I’ve thought this way, of the seasons of the year yielding a mythology we live by. I had no reason not to think this way, given that both Quakers and Episcopalians can skew romantic about the seasons, and rare individuals of each even call themselves pagan. In fact, the liturgical Christian traditions follow a liturgy of seasons, and mystical Christian traditions offer a glimpse of the movement of the year as well.
When I was younger, I was what I called a kitchen witch, making my own rituals in solitude, following the seasons of the year. This faded with my years as a professor, even though my religious life didn’t give me the hands-on relationship with life that I wanted. (Correction: Membership in the Religious Society of Friends did, but I’ve been 90 miles from Meeting for 21 years. The Episcopal Church put me too far from the feeling of sacredness.)

We need our rituals, whether dressed Wiccan or pagan or Christian (or one of the many other religions we profess). Those who have stripped ourselves of rituals because they’re “pagan” lose our moorings to the seasons and to the earth. Those without rituals that speak to them frantically try to rip rituals from others by brandishing the word “Satanic”, or create a mockery of ritual that worships hatred, bullying, and totalitarianism (MAGA rallies, I’m looking at you.)

I think about what Autumn says to me — golden and bittersweet, rejoicing at the leaves and wrapping up against the chill. Saying goodbye (Les’s death still resonates) and hugging the last of harvest to my arms. Snuggling with cats — always snuggling with cats. 

Hoping it makes for good poetry now that I vow not letting work become everything.

Loving and Nurturing my Story

I’m struggling to get back into writing. No, I’m writing poetry and short/flash fiction pretty well. I’m having trouble getting back into editing Gaia’s Hands.

Gaia’s Hands is my problem child, as I have said before. What do you do with a problem child?

My friend Les, who we memorialized last weekend, would say we love and nurture our problem children.

So, how do I love and nurture the story? I need to go back to the characters, because without them the story would not exist. I probably need to converse with them again, to get back into the game. 

The editing will be my project for NaNo, so I have time to get back into it. 

Time to nurture my problem child.

Back from my journey

I’m back to Maryville, and back to my routine, changed. 

The things I forgot while living out here, far away from home: 

  • There are people who love me unconditionally, who don’t seem to care that I have and have always had bipolar disorder. 
  • I know how to hug and I, as a matter of fact, love hugs
  • Time passes, but what matters endures.
I don’t have too many words yet, because I am very tired still from the journey. 

I love you all.

Eulogy

Mother Magpie leads me
past sere cornfields and buried bones
to the place where people say their goodbyes. 
There we eulogize the man
whose fireplace we huddled by,
who shone light in our dark corners,
and we leave that place with light in our pockets
to bring to others.

On returning home

No matter how far I’ve strayed, I feel at home when I come back to Champaign-Urbana. It’s not the landscape, which has changed so much since I’ve gone with all the new, taller downtown buildings, and it’s not the old hangouts, which aren’t what they used to be. It’s the people I used to know, and how we still talk as if we just talked yesterday.

Jodi and I talked yesterday as to how convoluted our lives were and how intertwined the different groups who knew Les really were. I know of people Jody didn’t know who knew Les — I’m not expecting them to come to the wake or memorial, because they’ve grown away. 

How to articulate this feeling? It’s like being home.

Home is a strange concept. My family doesn’t feel like home since my mother died, perhaps because my mother died in the Christmas season. I feel home at Starved Rick Lodge, however, because it seems welcoming. 
I’m glad to be here, even if it’s for a sad reason.