Prodigies is still sitting at DAW, probably in a slush pile somewhere, as the status hasn’t changed since I sent it in.
DAW publishes science fiction and fantasy. They’re one of the big publishers for fantasy and science fiction; the others being Baen and Ace. The interesting thing is that these publishers will take submissions without an agent, and ask for the whole book instead of a query.
But submissions begin in a slush pile, or a pile where unsorted books get a first read, and most people don’t make it out of the slush pile. What gets the book out of the slush pile and into another set of hands is less how good the book is (though that helps) but how sellable salable the book is.
I admit I fantasize that my book is on someone’s desk, a someone who has influence in making decisions. Or in a meeting. Or on the “Congratulations!” pile. Realistically, however, it’s probably still on the slush pile, waiting.
At least it hasn’t been rejected yet. There’s always hope.
Working on a marketing plan
Even if I don’t have a book to sell yet, I (optimistically) will. So I’m going to start playing with a marketing plan here.
Who is my audience — other than my current followers here?
- Readers of intelligent contemporary fantasy/magical realism.
Where do I find them? (I have 20 regular readers of this blog and 100 readers of my page on facebook — I don’t think new people will find me if I don’t look for them). So where are they hiding?
- fantasy writer groups on facebook
- fantasy READER groups on facebook
What will I talk about?
- being a writer
- progress on books
- anything published
How will I present the message?
- craft messages/blurbs about my writing
- consider excerpts of my work
- use hashtags: #gardenofeden #archetypes #prodigies #talents #fantasybook
- use instagram and twitter (I hate twitter; I don’t ever have good pictures for instragram, but time to up my game)
How often will I send messages?
- continue to blog/hootsuite the blog to twitter and facebook daily
- newsletter monthly
Ha! A marketing plan!
Not home quite yet
Two hours into my drive, I needed to stop because I got too sleepy to drive safe. So I’m about to leave the Holiday Inn at the edge of Columbia for the rest of the ride home.
I have documents to edit (kill the ellipses!) when I get home, a small business plan to make (with help from our local small business council), a marketing plan to make, 30 pages to shoot to Marisa Corvisieri, hope DAW can let me know what they thought of my manuscript (probably a rejection) …
The Conference
Sorry I haven’t written for a couple of days, but I’ve been busy busy at the conference. It’s been a very positive experience, and here are some of the things I’ve learned:
- A lot of the people here write science fiction and fantasy. And the stories are all very different from each other.
- Character may be more important than plot in hooking an agent in.
- My work is good — I was told by one editor that my work was “going places.” I hope so.
- The same editor told me I need to back off on the novels (high effort) and start writing some short stories to submit to journals. I have 5-6 novels, none sold yet. He is probably right.
- The same editor teased me about my character padding her calves to look like a man, saying that several females he knew had more muscular calves than he did. Well, shit.
- Comp titles (“Twilight meets Hunger Games”) really exist for a reason.
- I made a friend who’s about my age who introduced me to Broad Universe, a writing space for women (love the pun) and might get me into a critique group if there’s a space.
- I made another friend in Kansas City (about my age) who writes stuff with similar worldview quirk (turning mythologies on their head).
- I need to put the fact that I was a runner-up in Cook Publishing’s Short Story contest in my query letter.
- I need a business plan
- I need a marketing plan (this blog is part of it)
- I need to quit using so many dashes — and ellipses …
- The conference has coffee service ALL DAY.
That’s probably not everything, but the experience has been affirming and I’m a little giddy thinking about it. I’m sure the impostor syndrome will take hold tomorrow, but for now, I feel like a writer.
Waiting for Things to Happen
I’m drinking coffee in my room while I write this, hoping for a productive conference.
The writers’ conference starts at 9 CDT and I already have some ideas for places to get peer reviews. I have to remember to give business cards — I have plenty. Networking does not come naturally to me, especially as I have a hearing problem that’s getting worse with time.
During the conference, I have a pitch session and a session with an editor during the conference (short selection, not the whole book) and a 5×5 critique session during this conference.
Anything to get better — my only fear is that my book doesn’t have good bones. By “bones”, I mean the bedrock of the book. Ok, enough of the metaphors — the basic idea and structure of the book, the language, the characters, the plot.
I still have a manuscript out at DAW (Prodigies); not expecting them to bite, but there’s always hope. Apocalypse is back in dev edit, and the editor is doing a thorough pass after all the changes I made. My dev editor (shout out for Chelsea Harper here) says she believes in Apocalypse. Keeping my fingers crossed.
Short note
So the writers’ conference is tomorrow. I’ll be going out there today because it’s a five hour drive from here and I’m impatient. I’m as prepared as I can manage — all packed, with copies of the first few pages of Prodigies for further critique/editorial exercise, business cards, my pitch (which I really need to memorize, because it’s succinct as it should be), my business casual garb.
My friends assure me I’m already a writer, so I have this. I think my idea is to have fun with this and see where it gets me.
Thank you, friends!
Petrified
I’m going to this writers’ conference this weekend, and I’m petrified.
I shouldn’t be. I have been to many professional conferences, presented my work in front of other professionals in my field, taught 25 years of classes — but I’m petrified of going to this conference.
I can count the reasons:
- Because now I have to admit I’m a writer
- Because I don’t know how I come off in person
- Because I’m going to be around real published writers, of which I’m not one
- Because I have handed off ten pages of Prodigies in an editorial review and I don’t know what ELSE I’ll be expected to change.
- Because I’ll be giving a verbal pitch to real people instead of just online
- Just because
I have no choice but to go. This is going to be a learning experience for me. Probably not my big opportunity, but a learning experience.
Deep breath.
Riding the Struggle Bus with my Novel
I’m struggling with Gaia’s Hands again.
I just don’t get a feeling of cohesiveness. I feel like I’m blobbing paint on a sculpture randomly and it’s not smoothing out. I’m not sure what to do about it.
If ever a novel needed to be burned in a bonfire, this is the one. Or is it?
Sometimes, my negative notions of a book I’m writing are based more on how I’m feeling at the moment than the book itself. So I have to ask myself if the book is really as bad as I think it is, or whether I’m just feeling discouraged. Conversely, I have to ask if the book is as good as I think it is, or whether my opinion is being buoyed up by a bubble of optimism. I don’t come up with many answers, which frustrates me.
My husband is not much help. No matter what I write, he says it’s good. First draft, good. Twenty-times edited manuscript, good. Never great, never bad.
So I have to go back to that beast of a novel and try to smooth the random lumps:
- Does the relationship between Jeanne and Josh (given the 25-year age difference) make sense? (This is a fantasy novel; suspend your disbelief.)
- Are their connections with Gaia developing at a reasonable pace and/or precipitated by plot factors?
- Is the plot with Growesta/her department (the bad guys) developing?
- Does anything feel just “stuck in there” for no reason except to pad out the word count?
I didn’t understand what editing was all about for the longest time. I copy-edited (proofread) and considered it editing. Now that I know what real editing is like, I understand why editing takes longer than writing the book. It’s challenging, and often bereft of hope.
Wish me luck, folks. I’m considering building that bonfire.
Interrogating my characters: Josh Young
I arrived at my favorite chair at the coffeehouse to find Josh already there, mug in hand.
“You’re looking for me, I take it?” I asked, setting my things down.
He looked up at me, brown eyes laughing. “You were looking for me.”
“You are going to give up my chair, right?”
Grinning, he moved to the other chair. “You have some questions for me, right?”
I study him — a slight young man with brown-black hair barely long enough to pull into a tail; big brown eyes, slightly oblique; a long nose, a full lower lip, a fey smile.
I cut to the chase: “Why Jeanne?”
“You make the assumption everyone does, that there’s no sane reason I should be in love with someone old enough to be my mother. Is there a sane reason to be in love with anyone?”
“Probably not, come to think of it,” I muse.
“So, let’s look at the insane reasons,” Josh continues. “No woman has ever stood out to me the way Jeanne does. It’s like walking through a forest in a fog, and you can’t see any of the trees clearly so they don’t seem real, and then there’s one tree you see with perfect clarity, and you realize that’s the tree you’re looking for.”
“Except the tree is a woman, and the woman is Jeanne.”
“Exactly. And she wasn’t just a good enough tree — ” Josh chuckles. “Enough of that metaphor. When she said we should just be friends and see what happens, I couldn’t be mad because that’s what needed to be said. And that’s another insane reason — we balance each other. Like the taijitu — the yin and yang. My yin, her yang and vice versa.
“And then there are the visions …”
“Visions?” I ask.
“When I first met Jeanne, I had a vision of her as the tender of a riotous garden with vines and plants and trees laden with fruit. More greens than I could put a name to, and she, a voluptuous woman, stood in their midst. How could I not engage with such a woman?”
I consider telling him he’s not the typical twenty-year-old male, but that goes without saying. “What do you think the vision is about?” I ask.
“I think,” he reflects, “it’s about Gaia.”
Bonus post: Interrogating Jeanne Beaumont
(For those of you relatively new to the blog, “interrogating” is when I interview a character in my novel to get insight into their character and motivations.)
I sit on my favorite easy chair at the coffeehouse, musing. How do I explain a relationship — a solid relationship? — between a twenty year old male and a forty-five year old female? Is that even possible? The biology is against it …
A sturdy woman with greying chestnut hair in a ponytail sits down at the chair next to me and sets her latte on the table. “You want an explanation, don’t you?” she shrugs. “What if there is no explanation?”
“Jeanne,” I caution her. “There’s always an explanation. Even for you and Josh.”
“Look, I’m a biologist. A plant biologist, maybe, but I know at least some of the animal side of things. A sociobiologist would say my relationship with Josh shouldn’t exist — he should be looking for a young thing he can make babies with, and I — well, I shouldn’t bother looking. Older women are obsolete in the biological world.”
“You don’t buy that,” I challenge. “You and I are both here, and biologically, older women notice young men. After all, cougars exist.”
Jeanne burst out laughing. “I’m hardly a cougar. I’m a pretty solid woman who’s grown comfortable with her single life. And then came Josh.” She took a long sip of her latte. “I can’t find an explanation. Society says — those pesky sociobiologists again — that women should have no patience with young men because they don’t know where they’re going in life. But then again … ” Jeanne paused for another drink of latte. “Then again, isn’t the belief that any of us know where we’re going to be tomorrow a bit of an illusion?”
I think of my marriage late in life, my developing career as a writer. “I think you might have something there.”
“Understanding that something, anything can interrupt our trajectory frees one up to look at a situation differently. Stability has to be balanced with resiliency. Although evolution favors the random mutation that happens to work with change in lower creatures, humans can adapt on the fly to changes. So someone like me can be an outlier and maybe that’s a good thing.”
“Enough of the biology, Jeanne,” I chuckle. “Why you and Josh?”
“I have trouble believing in mysticism, you know, but it’s almost something like that. Like, when he showed up at that table that night, we connected. I do alone pretty well, listening to the music and typing on my computer, but when he showed up, I wanted to be in his presence. It was a momentary ego trip spending time with such a beautiful young man, I suppose, but it was more than that. It was like he said to me, ‘I know where I want to go, and I want to go there with you.’ And what he said made perfect sense, if I wanted to tell society to go hang. And I did. I never have regarded what I’m ‘supposed’ to do with much love.”
“So you and Josh were supposed to be,” I teased Jeanne. “Which flies in the face of biology.”
“You would have to say that,” Jeanne muttered. “I feel foolish looking at it that way.”
“But that’s the way Josh would look at it.”
“Yes, it is,” Jeanne mused. “And he might be right.”