I don’t feel like writing (personal)

Not in the Mood Today
I have two ideas for short stories, and one novella (or a short story, I don’t know) and I don’t feel like writing yet.

I think it has a lot to do with the fact that I’m editing from beta readers’ suggestions for two novels and I want to get some queries out! I have two months before I can query again.



The Wise Advice Someone Gave Me
I really should take the advice someone (I don’t remember his name!) gave me at Archon (a writers’ conference in St. Louis): I should concentrate more on short stories and poetry and submit them in contests and for publication,

I’ve been submitting, using Submittable as a platform for finding and submitting my works. I’ve had a 10% response rate, which I consider good. I’ve noticed, strangely, that my work is received better overseas. Not so strangely, I’ve noticed that I don’t score so high with literary journals

I’m Tired
It may be the weather or seasonal depression or something, but I’m really tired right now. The moment I get more beta reader feedback, I’ll wake up and modify my novel like a maniac.

And there’s always coffee.

In praise of competency

I’ve always had a good imagination. This gave my parents and school psychologist a turn when I told them “the monsters are my friends!” (I was ahead of my time. Nowadays monsters are all the rage among little kids).

When I write, I get to make my imagination real, after a fashion. Not flesh-and-blood real, but living an existence in my pages. My monsters are now preternatural beings and people with special powers, but others can now see them.

I’ve always had a great vocabulary as well. In fifth grade, I used the word “flabbergasted” to describe my reaction to a classmate. When my sister protested my use of fancy words, my mother pointed out the value of the right word: “I was surprised when my classmate gave me a present. I was flabbergasted when he dropped his drawers in front of me.” Obviously, I got my love of vocabulary from my mother.

What I didn’t have, as a beginning writer, was competence. Things I thought were stylistic quirks were taking people out of the story, and I didn’t recognize that. I could have found out if I’d sent my manuscripts to a developmental editor, but I didn’t know I needed to. I thought a utilitarian query letter would work. I didn’t utilize beta-readers, because I didn’t think I needed those either.

I had ideas, I had imagination. I had the drive to be published. What I didn’t have is competence in the skills needed to make the story understandable and engaging.

I’m working on those with the help of developmental editors and beta readers and diversity editors and publishing coaches. I’m learning from them and incorporating it into my work. This gives me competence — enough, I hope, that I will get published.

What am I going to write about next?

I know it’s a little early to think about this, as I am about to send Voyageurs to the developmental editor and my beta-readers have a hold of Prodigies, but I don’t know what to write about next!

The problem is that most of my new ideas are based on either Voyageurs or Mythos (the book that will go to developmental edit after Prodigies, because my betas get lost in the middle of it)  and I don’t want to make the mistake I made before of basing 3 other books off a first book that I can’t publish.

No, I still don’t have an agent  yet, but I remain optimistic.

Anyone have any ideas?

What I look for in Beta Readers

I need more beta-readers.

Before you all rush out to volunteer, here’s what I look for in a beta-reader:

  • First and foremost, the beta-reader should be willing to read a whole book, unless they find it so unbearable that they cannot finish. Then they should have the courage to tell me that and give specifics.
  • The beta-reader should be honest and specific. “I hate this book” may be honest but not specific. “It’s a nice book” is neither honest or specific. “I like this book” is honest (I hope) but not specific. “I loved finding out that X …” (no spoilers here) is honest and specific.
  • The beta-reader doesn’t have to be a copy editor or proofreader. If they want to point out the extra period on page 53, that is fine, but that’s not what I expect.
  • The beta-reader should focus on:
    • Readability — Are the words too big? Are the sentences incomprehensible? Does the book bog down in places? Does the reader get lost? Does the narrative “flow”?
    •  Characters — does the reader identify with the characters? Believe in the characters?
    • Plot — does the reader follow the plot? Is it confusing? Is it internally logical? 
  • Finally, the beta-reader should not be afraid to hurt my little fee-fees. As long as you don’t say “This is the worst book I’ve ever read” (which is not specific and hopefully not honest), I can handle it.
The benefits of being a beta-reader:
  • You will be named in the acknowledgements.
  • You will get a free autographed copy if I ever publish.
  • You will have read the book before anyone else has.
  • Although you will not get paid, you will have the satisfaction of helping make something happen.
Now, do you want to be a beta reader? Find me at lleachie (at) gmail.com

Progress and Struggle

Sorry I didn’t write yesterday, but I was busy getting a good stream of writing done. I’m actually about 2-3000 words from the end of Prodigies, doing the wrap-up and solidifying a few surprises I added in. I can’t believe I’m getting done with this!

My next steps are:
  • Waking up my beta-readers for Mythos and see if they’re having trouble starting the document or it’s just life stuff keeping them from reading.
  • Finishing Hearts are Mountains 
  • Revising Prodigies and Hearts are Mountains
  • Find more beta-readers
  • Keep myself from falling into an ugly cycle
More on the ugly cycle. I’m struggling in the aftermath of Anthony Bourdain’s suicide. I think it’s hitting me, even though I didn’t know him personally, but because I share his philosophy of experiencing cultures through their foods. I don’t have the ability to travel as much as he did, but I still let that desire for adventures with people and hospitality to guide my steps.
I’m also struggling with it because I’ve had times where I have had suicidal ideations, those moments where I consider dying as the only way to get rid of an avalanche of pain. The surprising thing is that these moments don’t often happen in a depressive state. They’re just as likely to happen when there’s a triggering event that results in a downward spiral of emotion. During these times, I actually try to talk myself into a suicidal state out of habit, choosing the darkest and most miserable things to think about. The typical dark thoughts go as follows:
  • I’m not good enough
  • I’m too weird
  • Nobody loves me/cares about me.
These are hard to argue against, because they’re opinion and not fact. Depending on one’s yardsticks, my viewpoint is just as legit as an outsider’s, and my proofs are just as valid as someone else’s. Fighting these rationally only drives me further down the hole.
What I have to remember is that these feelings come from a place deep inside me, where my child-self hides and needs to know that she is loved no matter what. And she wants to test it and make it real, because she’s been disappointed too many times. 
I love her and will stay with her no matter what. I will not threaten to leave her if she’s not perfect, or if she’s a bit embarrassing. I will always be here for her no matter if she panics, or she snaps at me or argues with me. 
I will not let her fall.

What am I going to do with Voyageurs after the beta-reader revision?

Probably go through the cycle of submitting again. If I don’t get an agent, I can at least say I tried. And if I get rejected, I know I gave them the best product I could.

Now for finding beta readers for Mythos, the first book in the Barn Swallows’ Dance cycle (Duology plus one related book)… anyone want to volunteer? Please let me know at lleachie.

********
But for now, I’m going on vacation! It starts with a seven-hour drive to the hinterlands of Wisconsin, where I will stay in a cheap hotel with my husband so that we can spend the last night in a spendy boutique hotel. I will fish, eat bratwurst and brick cheese (think limburger without the stink and strong flavor, although I like limburger too) and visit my dad, and collect more stories. My sister and possibly her husband and possibly my niece will be there, and dad will cook a crockpot dinner and mix drinks for us and all his friends. My father is very introverted, maybe even shy, but he finds his human contact through sharing. And he is an incredible cook, even now.

I hope this recharges my batteries toward writing. My computer will be going with me, so expect some missives from the road.

Love you all.

Really fun revising

My new beta reader is likewise challenging me, in a good way! Her first chapter notes on Voyageurs is that she didn’t feel close to Kat, even though Kat narrates that first chapter. If a reader doesn’t identify with a main character, they don’t read further.

I had to go through that chapter and figure out why she didn’t feel close to Kat, and why she felt closer to Ian (who was Kat’s partner in the scene). I came to the conclusion that Kat made a lot of observances but had very few feelings and reactions. There’s someone on the bench dressed like a widow in all-black, she sits like a man, oops — she is a man. But I didn’t have enough of Kat’s reactions — scared, agitated, frustrated, conflicted.

I had been told “show me, don’t tell me” at some point in my writing development. The problem is, when I take a piece of advice, I take it to the point of applying it perfectly (hello, I’m anal-retentive) and go too far in the other direction. So Kat observed, and I figured her observations would give her an edgy, defensive feel — they didn’t.

The trick here is to let Kat have reactions and emotions without it sounding like “I felt sad”, “I did this,” although I guess this has to happen a little. Here’s the introduction after two beta-readers. Beta-readers: have I addressed your concerns? Other readers: Do you want to know Kat better or is she a little too prickly?

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May 19, 1814 (Kat)

I stepped out of shadow and stepped into the line at the gate. I had dressed like a gentleman in a smoky blue coat set off with a cravat and a striped vest. I hoped the trousers set off my tall stature and disguised the lack of manly bulge of my calves. I glanced down at myself; I looked like the men who had money, as I intended to. It took a short time jump to the Regency era and light fingers to liberate the outfits from the racks at a London clothier. 

The red-faced man collecting money, who resembled a walrus I had seen in the Kansas City Zoo, waved me on. I strode confidently through the gate of Vauxhall Gardens, as men do. From a grandstand, some musicians played something I didn’t recognize, something that sounded jaunty and Germanic. 

A woman in widow’s weeds passed through the gate right behind me like a wraith and strode around me. I knew she would receive scorn not only because she walked in alone, but because she marred her period of mourning for frivolities. I admired her gall and wished I could accompany her to reduce some of the harsh judgments against her, as a daring gentleman would, but she slipped away before I could offer.

However, I had come here to solve a mystery, not to engage in gallantry. An unknown someone had left a note in my (Twenty-First Century) mailbox that read, I know you are a Traveller. Meet me at Vauxhall Gardens at 8:00 PM on May 19, 1814. I will be on the first bench beyond the lights to your right. As we Travellers — time travelers from legend — kept our lives and talents secret, I felt a queasiness in my stomach thinking of that note. It could be an ambush; my contact could try to kill me or disappear me, as had been done to my mentor Berkeley back in 2015. Still, I stood in Vauxhall, the setting the stranger had picked, a land of perfume and intrigue and dalliance. 

I thought I knew of all the Travellers. A few of us had met up recently at the 1904 World’s Fair, Wanda and Harold and I, to see the wonders there. We had connected by email to set a rendezvous, as we lived in far-flung cities, and Wanda had to make her face look pale under her bonnet because St. Louis had been even more racist then. We interacted as we always had — Wanda, fretful and suspicious, Harold egging me on to do something outrageous by the rules of that time, me on my guard against Harold’s capriciousness. I think that time he wanted me to raise my skirts up to my knees, which would have been disastrous socially.

We all ate ice cream cones, of course. That was what Travellers did — lived as sightseers through time, observed, partook in the activities only as much as it wouldn’t break the Time Laws — although the natural laws of Time tended to prevent influential changes to the time line.  It was not like Travellers to experiment with Time, except perhaps for the daredevil stunts of the Voyageur game, such as crossing oneself in time or base jumping into another era. As I was at the top of the Voyageur boards, I guessed I experimented with time a bit. I flirted with painful crushing death from crossing myself, and I stayed alive. I was rather proud of being legendary.

As I walked toward the dark, I felt the note in my pocket as a talisman.  My foray into meeting an unknown Traveller could be dangerous. I carried a sword cane, standard for gentlemen of this era, as defense. I had practiced the maneuvers needed to arm it, with a flourish that would speak of my experience. I, of course, didn’t have experience.

 Torches set along the perimeter lit my way, throwing suggestive shadows on sheltered nooks. I heard a cry in the night; I would interrupt the unseen couple’s intimate business if I guessed the wrong nook. I walked toward the first bench I spied to the right, set in one of those nooks in the darkness, and there sat a single figure in all black — the widow. She had pulled knitting from her bag and set to it amid the strains of a single trumpet.

Still, this was the first nook. I would ask the widow if she had seen a man nearby. 

 Through her veil, I tho
ught she watched me.

I ventured into the deeper darkness, and her words, said in a husky voice, startled me. “You are not a man. You walk like a woman.”

I grumbled, annoyed at the fact that I had been made. I had learned to fool numerous mooches in games of chance as well as the occasional cop, but I couldn’t fool this widow. I knew that, with my tall, slender build and choppy hair, looking male was as easy as binding my breasts, wearing a proper male costume — which I lifted from a shop down the road — and walking like a man, which I apparently hadn’t done. 

 I peered at the widow’s black skirts and lace which blended into the night, and I realized that she sat with her legs slightly spread – “You sit like a man,” I countered.
I had missed the most obvious sign of a Traveller out of time because of the dark — a Traveller sees other Travellers out of their timeline in slightly diminished colors. We are so used to this that we react instinctively. An ordinary person would never notice, so we stay hidden in plain sight. But the darkness of Vauxhall masked all the leaching of colors, and the widow wore black, so there was no way of knowing.

“Katerina Pleskovich,” the other said in a voice slightly changed. “It’s good to see you in person.” I could have sworn the stranger chuckled. The flicker of a nearby torch revealed, under a black lace mantilla, a fine nose and dark lakes for eyes.

“Okay,” I said sternly, shaking the clouds from my mind, “You have the advantage on me, and that makes you look like a stalker.” I stiffened up, my hand ready at the handle of my cane in case he was a threat to me. I didn’t know how to use a cane, but I understood how to use a knife, and hoped the cane sword was similar. 

“Ian Akimoto,” he said, standing and pushing back his bonnet. In the moonlight, he was truly post-racial with glossy dark hair, wide-set Asian eyes, a long, thin nose, full lips. And an odd swirl of freckles on his high cheekbones.  Not handsome, exactly, but perhaps appealing. I could not help but chuckle at this innocent boy.

He took my hand. He still wore the black gloves, which accentuated his blocky hands. He brought my hand up to his lips, a courtly gesture of the era we found ourselves in, until I pulled it away. “How do you know about me?” I snapped. I glared at his beautiful eyes, his parted hair. The darkness around us revealed no secrets of how he knew about me.

“Berkeley told me all about you,” he sighed. “And you’re even more magnificent in the flesh.”
“Berkeley?” My stomach turned into ice and I struggled to breathe. I thought as quickly as I could, a talisman against my shock – My mentor had gone by Berkeley; his real name was Alexander West. Only other Travellers would know him by Berkeley; I did, as I was the last person he had mentored. Or so I thought. 

“Berkeley disappeared ten years ago. Nobody, none of us – “ by which I meant Travellers, but not necessarily the man who stood before me — “None of us know where he is.” I felt tears in my eyes and strove to keep them hidden, knowing that weakness could be dangerous.

“He’s in hiding; I’m sworn to secrecy as to his location.” He raised his hands in front of him to stall questions.  I still stood – my knees wobbled, but standing gave me the appearance of control.
“Trust me, Berkeley’s okay.” Ian sat again and patted the wrought iron bench beside him. I sat. “I can’t tell you further. It’s a Traveller thing.”

“How do I know you’re even a Traveller? You could have heard some old stories from Berkeley and thought to impersonate one of us.” I was on a roll, spurred on by my suspicion. 

And not very much sense, it turned out. Ian quirked an eyebrow. “Don’t you trust the evidence of your eyes? You can see I’m slightly bleached, can’t you? I’m sorry I have to stay silent about Berkeley, but it really, really is for your own good.”

I could not see the bleached colors because of the lack of light. “You don’t get to tell me what is and is not for my own good,” I shot back. “I’m not from Regency England.”

“And Berkeley’s safety,” Ian added softly. I felt a chill.

“It doesn’t make sense,” I muttered, clutching my cane. “I’ve never heard of you.” He wasn’t a Traveller I knew, nor did he frequent the Voyageur website, but then again, only a select group of Travellers played that daredevil game. I would know, being a seasoned Voyageur myself. 

Where did he know me from? “Do you have a flight name?” I insisted. If he was a Voyageur, he’d have given himself a nickname, a flight name only known among comrades. I remembered that Berkeley but would not let me choose a modest nickname —

“Kat,” the rotund, balding Berkeley had said, steepling his fingers together in his easy chair, a customary glass of brandy at his side. “You stand there in front of me with a crimson wingsuit, and you mean to tell me you want to name yourself “WildKat”? You are the most skilled Traveller in this generation, a female who has to stand up against these self-aggran
dizing men – you need a name that represents your rank, not one that makes you sound like a football mascot.” 

“Ok, then. What should I call myself?” I snapped.

“Wizard. That’s the name given to all the most daring and skilled in technology, in sport — computer wizards and pinball wizards and medical wizards and word wizards dot our history. Most of them are male. You, Kat, are a woman — and the wizard of  jumps even at your young age. As much as I don’t like the risk, at least own your heritage.”

Berkeley’s acerbic voice rang in my ears as I looked up and Ian looked at me with feigned impatience. “Seabhag,” he said, breaking the silence I had left. The bh sounded like a harsh v. I wondered what language it was.

“Mongolian?” I asked. The band had started up in the distance, playing another oom-pah sort of tune.

“Scots Gaelic,” he smiled. “Hence the freckles.” Seabhag’s grin gave him a sly masculinity which warred with his black mantilla.

As Ian had told me his flight name, I felt obligated to give him my flight name, but he beat me to the punch after a short pause. “And you are Wizard. Berkeley said you’re aptly named.”

Before I could unleash my indignation toward him, he laid a gloved finger to my lips and said, “More people walk toward us. We should take the hint and leave.” Ian linked his hands around my waist and we blinked into elsewhen.

June 1, 2015
I credited Ian for landing us safely in a tight space – that maneuver showed at least an intermediate-level skill. I tried to assess where we were in the absolute darkness, but I couldn’t for one reason —

“Ian?” I said. “You can let me go now.” I must have twisted around in the jump, because I had buried my face in his dislodged bonnet. Historical garb didn’t mysteriously evaporate once you got – oops, I couldn’t unsee that mental picture.

Ian turned his back to me and pled, “Could you please unbutton those maddening little buttons down my back?” 

“There’s no light in here. I don’t want to have to grope to get your gown off.” 

Ian worked his way to the far wall, skirts swishing, then flipped a light switch. I saw his colors resolve, the subtle washed-out colors of a Traveller who had stepped outside his natural timeline.

“Now can you get me out of this evil dress?” Ian cajoled as he stomped back, holding his skirts off the floor.

I glanced around at the whitewashed stone walls and dark wooden furniture of the one-room cottage. I had fallen down a rabbit hole where little made sense. As I unbuttoned, I saw the white muslin and stays of a proper corset.

“Corset?” I asked him, stifling a giggle.

“I’m a Method actor,” he mumbled as he untied the laces so that I could tug the corset over his head. 

I intended to do more than release him from the fussy trappings of Regency women’s clothing. I pulled the back of his corset wide to make sure I saw what I thought I saw – coffee-colored, freckled swirls on his otherwise golden back, the irregular swirls of Blaschko’s lines. Although all people had Blashko’s lines as part of their embryonic development, visible swirls were a sign of chimerism, or of two embryos fusing; or an outward sign of a Traveller as if we came from fused embryos. Though the Travellers knew nothing of our origins, all of us had Blaschko’s lines dark enough to be seen without ultraviolet light. I had my own lines — light caramel swirls on milk-white skin, in contrast to my dark-haired, large-eyed waifish looks. My index finger, of its own volition, reached out to trace one of the swirls, and Ian caught his breath.

“I’ll give you till forever to stop that,” he whispered.

“I’m sorry,” I muttered, and stepped back. I wanted to lazily trace those swirls all evening. They mesmerized me, like bodily imperfections often did. 

Without warning, he dropped the dress and petticoats to the floor. Below the clothes, he wore black stockings with garters – black, of course, which he quickly dispatched. Then the pantalets hit the floor. I didn’t know whether to laugh hysterically or scream. 

Although it felt illicit, I enjoyed his casual nudity – compact, lightly muscled, the Blaschko’s lines undulating across his torso. He had let his hair down from its bun, and it was dark brown and wavy and touched his shoulders. My first impulse was to – no.

I did not know him. I had been burned by impulse before. I couldn’t go there.
Ian turned around, saw my face, and said, “I’m really sorry, but those pan
talons were scratching me in a sensitive place.” 

“I don’t know you,” I snapped. “I know I sound like a total bitch here – whenever here is – but if this is an invitation, I can’t. I won’t.” I noticed I had clenched my fists. 

He crossed over to a large black trunk. I suspected he rummaged for clothes that weren’t black, scratchy, or feminine.

I asked him, “When are we?” It had to be somewhere between the 1970s and my present time.

“Modern time — your time. The middle of uncharted Scotland, where I somehow inherited an ancestral cottage.” That explained the stone walls, the use of conduit to provide electricity to lights and appliances, and the tiny size of the space. The space held a kitchen and a wood-framed futon and a dresser and very little room to stand except the space we occupied. He had landed us both in that space in a time jump from 100 years ago without collisions – I upgraded my assessment of his skill.
After he had dressed in a pair of black sweats and a t-shirt that said “University of Okoboji”, he strolled back over to sit on the couch. For the second time that night, he patted the couch and I sat down next to him, heaven knows why.

“Can I ask you some questions?” I leaned toward him. It seemed natural, because he seemed unprepossessing, personable, and gosh darn nice despite flashing me. Then again, the last man who I’d thought that about turned out to be none of those things. I leaned back, thinking of questions.
“Sure. Be aware I can’t answer all of them. And in advance, I apologize. I truly can’t. I hope you’ll trust me despite this.” His shoulders had slumped and his eyes grown weary – I would recommend he never take up poker, because his face wore emotions so completely. 

“Love the freckles,” I said as I patted his cheek in an impulse.

“Woof!” he grinned and rubbed his head against my hand and buried it in his hair. Dangerous. I pulled my hand away from that thick, vibrant hair.

He looked sad, but he simply sat silently and let me ask the next question. “How do you know Berkeley?”

“He taught me advanced Traveller lessons. My parents were Travellers, but they died when I was fifteen in a time travel accident. They were not Voyageurs, not even on the Voyageurs’ radar, so you may not have heard about them. They hadn’t taught me all I needed to learn when they died, so I felt fortunate I found Berkeley when I did. He got me caught up.”

“He did more than that,” I replied. “You have higher competence than average – I haven’t assessed your full competencies yet, of course.”

“You can any time you want.” he replied softly.

“I have time, then?” This was danger, yet it called to me.

“All the time in the world.” I suddenly realized that I didn’t really know what competencies he wanted me to assess, nor which competencies I wanted to assess. So I leaned over and kissed him on his pale, freckled cheek. 

Before I knew it, we lay on the futon, his body on top of mine. He laid his hands on my cheeks as he kissed me open-mouthed. As I kissed him, I felt like I had jumped off a cliff only to have my wing suit catch my fall so that I could follow the lines to sometime new and unknown. But I dared not go further.

So I executed one of the most advanced maneuvers of all – I rolled out from under him and traced my steps back home via 1814 London.

I landed in my home – Berkeley’s former home, a well-preserved Painted Lady in 2015 Kansas City, Missouri. I landed prone, on my back, on the bedroom floor, like I had been thrown in judo.

I called out to Berkeley as I always did. The house was silent, of course.



Of course we want to be read.

I feel invigorated, simply because I’m being read.

I have three beta-readers now, and I’m getting constructive feedback that’s helping me make good substantive changes to Voyageurs. And, occasionally, expressing what they like about the book.

You, the reader, have read excerpts from this and other books here online, but it’s different. I don’t know if any of you are real or just bots. I assume some of you are real, or else I wouldn’t be talking to you right now. But its murky, and since I know only a few of my readers, and I know nothing about whether you’re enjoying what you read, it hasn’t been like being read.

As a result, I am becoming increasingly convinced that writers don’t write just for themselves.

If they did, there would be no self-publishing. There would be no Wattpad. There would be no FanFiction.net. There wouldn’t be a whole industry based on improving writers’ skills if writers didn’t want to be read.

There would be no hashtags on Instagram like #writersofig. No writing-related memes on Facebook that the writers (usually the unpublished ones) reblog. There would be no shirts like the one in my closet that says “You’re coming dangerously close to being killed off in my next novel”.

There’s enough of us who want to be read that there’s a multi-million dollar industry who wants to make money off us.

Therefore, I will quit apologizing for wanting to be read, and for agonizing over rejections. I write for myself, but I want to be read, and I am willing to craft my message accordingly, even if I won’t change my themes or characters.

A Sense of Purpose

Having a beta-reader read my work has been a revelation.

All the frustration at not being published has dissolved in a sense of purpose I hadn’t expected to find. It seems I want my writing to improve more than I want my writing to be published. I actually anticipate the latest chapter report from my beta-reader as an opportunity to refine the book, to allow its message to shine.

This is who I am. At least this is closer to my self-image than the frustration I felt when getting rejections that gave me no idea of what to improve. With my writing, I don’t want to be told “It’s not you, it’s me,” I want to be told what didn’t work. (On the other hand, in relationships, I’d rather be told “It’s not you, it’s me.”) To tell me what’s wrong and what needs improving communicates that my work is worth improving.

So I welcome my beta-reader making comments on “This scene goes by too quickly” and “What’s all this focus on smashing his eggs?” and I’m taking her out to dinner when this is over. Thanks, Sheri!

****************
I know my blog posts have been really short lately; I hope that isn’t a problem. revising a class of mine from the ground level. All my deep thoughts are going toward family resource management, poverty, and basic financial skills — which is my field of study, but still requires wrestling up a lot of material to inform the class.

I’ll keep writing because I enjoy talking to you, and I hope you enjoy reading. This too will pass. And if you want to be a beta-reader (or just want to say hi), drop me a message!

Seeking beta-readers

I would love to invite you to be beta-readers, now that I understand how absolutely invigorating they are to the writing process.

I know this is a little bit of work on your part, but on the other hand you can say “I knew her when…” someday (ha!)

All I would need from you:

1) read a manuscript
2) comment on it honestly (at least chapter by chapter).

You’ll be recognized by name in acknowledgements if it gets published.

Please let me know!