Tag: editing

Hubris



I am re-editing Prodigies again, this time for character development of the secondary characters. This whole discovery process has been humbling. I am hoping that, when I tear everything down like this, that what’s left of my work is worth publishing.

That’s the thing — I don’t mind being wrong. I don’t mind not doing things right — who am I fooling? I hate making mistakes and I grovel to the universe every time I do it. But I’m seeing new things every time I do, and I’m fixing new things. (And I have other novels that need the same treatment, damn it). 

Maybe this note is my groveling to the universe. Dear Universe, I’m sorry I made you read my mediocre books. I’m sorry I thought I was a big thing when I was making big mistakes. I’m sorry I ever thought I didn’t need dev editors and beta readers. I am making amends, and I hope they’re good enough.

Now I need to go and write.

Loving Criticism



We Want Our Work To Be Loved

We’re authors. Of course we want our work to be loved. Therefore, anything that seems like criticism shrinks our ego to the size of our withered thymus gland. We crumple into ourselves, hang the “Out to Lunch” sign on our front door, and mourn.

Criticism is the Most Loving Thing for Your Work
If we want our work to shine, we must accept and react to criticism. We can’t be expected to see everything that could be wrong with our writing; we’ve lived with it for so long it makes sense in our minds. We can’t be the reader who sees it for the first time.

Criticism has a bad name, because we think of it only in its most negative sense: the harmful, useless “This book sucks”. But we should make room in our lives for the more constructive “This doesn’t work”, “I don’t understand,” and “This frustrates me” as well as the “This works great”, “This makes me laugh”, and “I really enjoyed this”.

Different Levels of Critique
In writing, we can get critiques at several levels. We may not need all these levels for smaller works, but novels and novellas would benefit from all these levels. These are the most usual levels:
Developmental edit: Exploring shape and meaning
The developmental editor deals with the readability and strength of the work. Character development, theme, and plot fall into the dev editor’s responsibility.
Line edit/Copy edit: Ensuring readability and accuracy
The titles “copy edit” and “line edit” are used interchangeably. Their function is to make sure sentences are grammatically correct and words spelled right. They also look at whether the individual sentences make sense.
Beta readers: Conveying the reader’s experience
Beta readers are casual readers who read and comment on the book that has gone through developmental and line edits. They convey the reader’s experience of the book. In a way, they are the freshest set of eyes because they don’t have the expertise one expects from editors. 

Takeaway
If we invite critique into our writing process, then the criticism happens in a way that we can respond to it. Then, when the random critic decides they don’t like the book, we know we’ve done our best. We may not love criticism, but we can at least value it. 

If you have any favorite “oopsies” in your works, found by an editor, please let me know in the comments here.

On My Way Back Home

I’m spending my last couple hours at Starved Rock sitting in front of the fireplace in the Great Hall, soaking up the atmosphere. It has been a good vacation despite my frustrations borne of childhood issues temporarily clouding my perception. 

I need to get back to writing. This will be easily cured by a big project in the form of my developmental edit of Whose Hearts are Mountains. The frustration, though, is that I don’t have any ideas on the back burner, neither short story nor novel. I don’t like feeling so tenuous about my attachment to writing. 

I need to have a resolution that I will write two hours a day once more. It’s been a while since I’ve spent that much time — no, I take that back; I was writing/editing four hours a day cleaning up Whose Hearts are Mountains in November.

Does anyone have any story ideas I can play around with?

Meh again

I think I burned myself out on editing for a while.

It’s Sunday, and I have plenty of time to edit Whose Hearts are Mountains for NaNo. Yet I can’t bring myself to do it, even though I have nothing better to do today.

On the other hand, I’ve got 69 hours in between the two novels, and NaNo is a little more than half over. 

What I need is a new developmental editor, as mine has gone on leave and I really don’t know what to do with Whose Hearts are Mountains. How does one find a developmental editor? 

Writers’ Balk

I woke up this morning not wanting to write.

Actually, it’s an editing day — Whose Hearts are Mountains won’t edit itself. But I am not, as they say, feeling the love.

It might be that the 50k/10 days binge edit of Gaia’s Hands has taken a lot out of me. It could be because it’s a week and a half  till Thanksgiving Break and I’m on break already. It could be because I’m discouraged from the latest rejections. It could be because I’m not sure why I want to get published at the moment.

At any rate, I’m staring at the draft thinking, “How do I fix this?” This meaning one of the big flaws of the first half of the book (having fixed the other two) which is pacing.

I was told there was not enough of import happening in the first half, despite the fact that she gets shot at, rammed into, kidnapped, and exposed to a virus. And has flashbacks from being captured by a paramilitary group. You can see why I’m bewildered. 

I HAVE to work on it tonight, because I’m having a NaNo Come Write Me space at the Board Game Cafe. So maybe I wait till then.

Moving on to the next edit

Gaia’s Hands is a done book. I will probably send it out for queries after the first of the year. For now, I want it to rest on my computer and I want to not be obsessed with it for a while.

Now to move on to edit Whose Hearts are Mountains. I don’t have a lot to go by, as my dev editor is on leave. But what I have is daunting — not enough action in the beginning. I thought I had enough action in the beginning, but now I have to figure out how to put in more. 

I used to be horrible in receiving criticism. Now I’m humble and take it with the belief that it will make my writing better. I’ve learned a lot, and I’m always learning more. 

I hope it’s making me better. I hope it’s making me good enough to be published. 

50K!

I just made my 50k words for NaNoWriMo (actually 50 hours, as I was rebelling this year by editing) in 10 days. That’s 5 hours a day, which means I wasn’t doing much of anything else but writing in my spare time. 

It was insane. On the other hand, I think I have Gaia’s Hands to the point where, after a friend reads it, I could publish it. I think I learned a lot about editing. And focus. And feeling braindead at the end of a day.

I will finish a read-through on it, and then, I will probably start on Whose Hearts are Mountains. Only 2 hours a day, though. And it’s going to take a lot more work, because it has structural problems in the first third. 

Time to pass out now.

NaNo day 5

25 hours (25K words) on NaNo. I’m very lucky I have the time to do this (aided greatly by the fact that I don’t watch tv and I have an excellent attention span.) I wish I could find those excellent graphics that NaNo offered us!

The hard part comes ahead — so far the path to revision (including adding material) has been easy, with some of my best writing happening. Now I know things that are going to happen but not quite what to do there. Wish me luck!

Third Day NaNo

Yesterday I was at 20 hours, equivalent to 20k words. I also got schooled on how I really should proofread better, because a submission of mine had a wrong name at least once in the 1000 words.


I’m still getting more rejections and wondering if it’s me or the stories. And if it’s remediable. I’m getting inspired by editing since I’m seeing possibilities opening up with Gaia’s Hands.


😒 Wait. I have emojis! I just discovered this!