Decision Point

I’m at a decision point:

Do I edit Reclaiming the Balance, or do I start writing?

 I think I’ve stated this before, but I haven’t written anything new since I finished Whose Hearts are Mountains back in November/December. 

It’s time to write. It’s time to get reacquainted with the story line and with my main characters, Leah and Baird. I’m taking some retreat time this weekend to see what I can get going as a start.

I’m a writer again! 

Editing into the Future

On my second editing pass through Whose Hearts are Mountains, I realize the story reads better than I thought.

My first edit is for word use, and I mostly eliminate as many of the passive verbs — have, had, has, was, were — with some fixing of awkward sentences as I see them. This gives me at best a choppy feel for the story.

My second edit is a reading edit, where I read to hear the sentences in my head and make sense of them. The book sounds good in my head.

Whose Hearts are Mountains isn’t even the next book I’m sending to developmental edit. I’ll send Apocalypse, which is the merciless edited version of three novels, first.  But I have good feelings about Whose Hearts are Mountains that I didn’t expect I would have.

I still have to start writing a new novel soon. The only novel I have left to edit is Reclaiming the Balance, and that one has some necessary stylistic divergence (use of gender neutral pronouns for an intersex character) that I’m afraid will get in the way of its success.

I’m still wondering what I will write next. I have a few leads but do not feel passionate about any of them, mostly because they’re sequels to things already written but not yet accepted. Perhaps I’m looking for a new idea.

 

The gaping maw of self-doubt

While editing, I realized Whose Hearts are Mountains really isn’t a bad book. In fact, it’s pretty good. I could look at it tomorrow and believe the opposite.

I may be the worst critic of my own books.  As well, I may be too enamored of them. On bad mood days, I focus on the errors and despair. On good days, I think my work lyrical and moving. On most days, I wonder how I can get myself published and wonder if anyone will read me.

Apparently, self-doubt is a constant companion of good writers, no matter where they are in their career, even if they have published books, even if they’ve made the bestseller list. So if I get published, I’ll still have the doubt.

I’ve sensed this all along. Insecurity is a gaping maw in the pit of one’s stomach, which requires more and more proof to feed it, and it’s never satisfied. 

My self-doubt doesn’t need more food. It needs to be accepted as a part of me that will always be hungry.

 

Another round of killing my darlings

This morning, I’m editing a story for a short story contest. When I first wrote the story, I wrote it as an origin story for one of my characters and an exploration into cross-cultural relationships. For the contest, I knew I would have to edit out about 500 words to meet the word count.

But then, in the middle of editing words out, I realized several things. First, that the story could and should stand alone from its original purpose, so I edited out references to the magical realism world it came from. Next, embarrassingly, that there wasn’t enough tension in the story to make it memorable. I want to place the biggest part of the tension internally, not externally, even though there’s tension in the relationship between the two characters as well.

Writing is this process in which getting the ideas down on paper is only the first part. Refining the story into something that’s not just readable but skillful becomes the harder part. The hardest part is looking at what you’ve written with a critical eye, carving away parts of the story that do not serve their purpose, no matter how much one loved them when they were written. This is why the rule of editing is “Kill your darlings,” because in effect that is what the writer does in polishing.

 I’m off now to kill my darlings.

Seeking direction again

(Note: I am experimenting with larger print for a reader of mine.) 

Idea for my next book from the idea file:

Luke Dunstan, 6000-year-old Archetype, serves as a liaison between the immortal Archetypes and the humans whose cultural DNA the Archetypes hold. An edict from the Archetypes’ Maker bids the Archetypes prepare to return these memories in the trust of the humans. Facing their loss of identity, the Archetypes draw battle lines; countless human lives are at stake. It is up to Luke and one young woman, Leah Inhofer, to stop the battle of Archetype against Archetype.

*******


I really need to get back into writing. Or at least editing.

I’ve been editing a bit, but even then I often skip out on it because it’s tedious to go through a document to kill all the extra “have had has was were”. I haven’t written on a novel since finishing Whose Hearts are Mountains in December. I have some old ideas in my file (see above) but no new “a-ha” falling in love with the idea motivation.

Writing the blog every day, as I mentioned yesterday, is my lifeline to writing. As long as I write in my blog I’m still a writer. Right?

I’m afraid that if I keep getting rejections, my current lack of commitment puts me in an easy place to just walk away. This might be a good thing for me in the greater scheme of things, but it’s not good when I think about being a writer.  

So I’m musing about what to do. Again. 

 

are was were have had has — the inaction verbs

The words in the title — are was were have had has — are (see what I did there) too often substituted for action words that can make writing lively and immediate.

Let me try to write that first sentence again: Using “are”, “was”, “were”, “have”, “had”, and “has” instead of action verbs such as “need”, “possess”, “describe”, “denote” and others makes writing passive and unconvincing.

Or: Using more active verbs such as “need”, “possess”, “describe”, “denote” and others rather than “are”, “was”, “were”, “have”, “had”, and “has” makes writing more convincing and engaging.

I wish I remembered this during the writing stage rather than having to go back and edit out most of those passive verbs for more active ones.

That’s what I’m doing right now — editing Whose Hearts are Mountains, which consists mostly of making my verbs more active. I’m afraid I’m going to have to add more words to it to market it, I’m having to rewrite so much. Getting rid of the passive verbs causes me to get rid of passive, weak sentence fragments, so fewer words.

I try for not more than one “are”, “was”, “were”, “have”, “had”, and “has” per paragraph and only if I can’t find another way to write it. I wish I had the “pre” writeup for this, but this is post-edit. Just for you to read:

I crossed the border to Wyoming with little fanfare. Just on the other side of the border I saw a highway sign at the entrance for the town of Pine Bluffs. I parked the car at the shoulder of the ramp and consulted my doctored map. Soon, I would be at the border of No Man’s Land, a place without cities, gasoline, or food. A temperate desert, scathingly hot in the days and chilly in the evenings. I would need a city to stock up at, get my last refueling before I would need to rely on pressing castor beans and precipitating out the glycerin to make the biodiesel. I hoped I knew how to do that; Back at my last stop — I still felt gut-wrenching horror to remember it — I had written down the proportions of ethanol and lye to castor oil with a pencil stub I found in my coat pocket.

I drove toward Pine Bluffs, and the small gas station at the exit looked closed and shuttered. This didn’t surprise me — I suspected many proprietors would shun a gas station on the eerily deserted interstate. As I drove into town, I saw a wooden sign for the town with the carved letters painted over in black.

As I drove to the downtown, I noticed the skies darkening, and trees whipped in the wind around me. Looking at the stores, I saw nothing — houses shuttered and sagging. Buildings in the small Main Street stood deserted with furniture and goods still displayed in windows. Christmas decorations twisted in the wind on the light poles downtown. I parked my truck and stepped out to survey the streets, hearing only the wind howling.

At that moment, the wind died and the sky darkened almost to night. The most frightening silence surrounded me, most frightening in its completeness. I looked up and saw the funnel of the tornado in the near distance, and I kicked in the window and rolled through it, hoping the glass would not cut me fatally.

I turned and saw Christmas garlands ripped from their guy wires and realized blood may not be the worst of my problems. I ran through the aisles of what I recognized as an old-school hardware store. Near the antique counter of walnut and mellow gold wainscoting, I saw a door sagging open. I ran through it and down the stairs as the roaring demon coursed down the street.

Downstairs, I sat on the floor, wishing I’d thought to grab a hand-crank flashlight before I retreated. Eventually, however, my eyes adjusted to the dark broken only by the tiny window at the top.
I realized that I sat on a dessicated body.

I stood up quickly, shrieking, to survey the situation. A flannel shirt and pair of coveralls shrouded the bone and sinew. He had fallen face-down; I turned the corpse over carefully, and saw steel-rim glasses and a few scraps of silver hair adhered to his skull by leather-dried skin. Next to him, I noticed a stenographer’s pad, the pen by which he documented the tragedy of the town lying by his skeletal hand:

“Buried thirty people today with the backhoe; that’s all I could manage without help. There’s no one to help; I may be the only one left. The CDC said they can’t spare anyone, but the National Guard has posted people at all exits. Anyone who tries to get out is shot on sight.

“The streets remain empty of life, except for the random dog or cat, which seem immune to the disease. The bodies lie inside houses, where my neighbors succumbed to the fever and the rash and the despair. The despair doesn’t last long, because it takes only six hours from the rash to death.

“I will not be able to bury everyone, because my hands now carry the rash, and my armpits and neck swell and bruise. My hands burn and itch; soon my whole body will be on fire. I feel numb — even though I expected to die, I didn’t expect to be taken by the sickness, but by eventual hunger.

“If anyone finds this, I hope my corpse doesn’t carry the infection. I am not sure how long I’ve carried the virus, but the rumor is that it takes only hours from contamination to death; at least my suffering will not last long.

    “Mayweather Gleason, 64, Pine Bluffs WY Nov. 2, 2030.”

Beyond the Naivete

When I first started writing, I felt the world needed to hear my story. Now I recognize the many thousands of stories out there and know not all will be heard.

I mistakenly believed my technical skills precluded the need for thorough editing; despite my considerable score on the SAT many, many years ago, I found that I not only needed to edit, but I needed an editor to point out the many places I made errors.

I believed my writing would rise above the other queries out there; however, I like so many others have not found an agent yet.

Optimism or arrogance, I do not know.  Naivete? Certainly. I do know what remains is that writing is a lot of hard work with no guarantee of return other than the satisfaction of creating.

I still have my dreams of being published, hopefully with a traditional publisher because I feel ill-equipped for self-promotion. I have my dreams of being read by others and being well-regarded, and I admit that I would love to sign books for readers. But those are dreams, and the reality is that I need to keep trying, keep improving, keep losing my arrogance if I’m to get published.

Self-doubt

I am re-editing Apocalypse, which originally was two novels until I realized the first novel would fit into the second one nicely. I intended this to be the next developmental edit until I got swamped with self-doubt during the editing:

Is the premise asking people to suspend disbelief too readily? Is the plot evolving too fast? Did I lose too much in the edit? Should I just give up writing?

Any writers who read this will understand self-doubt, the plague of writers everywhere. Or is it?

If self-doubt becomes the cloud of negative self-talk with generalizations like “I can’t write”, “I’ll never get the hang of it,” and “my work sucks”, self-doubt is a plague that should be banished along with overcooked green beans and day-long meetings. Cognitive distortions (overgeneralization, all or nothing thinking and name-calling in the example presented) provide no real information to help us improve and only serve to make us feel bad.

But there’s healthy self-doubt, the part that helps us edit the self-indulgent pieces out of our writing, the ones that help us bridge gaps in plot, flesh out characters, and make our books better than we thought they could be.

May we only have good self-doubt.

******************
Today’s weather (snow and ice) has left me with an unscheduled writing retreat at home. I’m not complaining at all.

Sorry!

I haven’t written in a couple days, for which I’m sorry. I like interacting with all of you.

Update:

  • My final grades get turned in at 10 AM today. I have NO incomplete grades for perhaps ever. 
  • I’ve gotten a few more rejections on Prodigies. I have to find a different strategy or give up.
  • I have a lot of editing to do with Voyageurs. The “let’s rearrange the chapters” kind of edit. The “I don’t like your characters” kind of edit. I’m dragging my feet on the edit because I’m still braindead from the end of the semester. But I push myself an hour at a time. 
I don’t know how to talk about the rejections without whining. If effort were enough, I would be published, because Prodigies went through two dev editors and should be pretty polished by now. I am getting rejected because the book “just doesn’t grab them.” I don’t know what to do about that. Maybe that’s one more thing to learn. 
Talk later — back to editing. 

An embarrassment of riches

I don’t know what to write next.

This, as you may guess, is unusual for me. I have eight novels (with two needing serious work to redo), and these were written in a five-year period. (And should have been edited more ruthlessly much sooner, but I didn’t know better).

I want to hold off a bit on editing the two that need serious work (why? Because I feel like I haven’t done anything but edit lately.)

I have a couple ideas of what to write:

  • Gods’ Seeds. This would be another book in the Archetype universe, taking place after Reclaiming the Balance (which needs much work) and before Whose Hearts are Mountains. and which features a brewing war among Archetypes 
  • A sequel to Voyageurs, which would require a lot of history research, which I detest
  • A sequel to Prodigies, a New Adult novel, with no idea who I’d be following.
  • Something new and I have no idea. 
None of them are grabbing me yet. Probably because I feel guilty for having books out there that need editing. 
I suppose this is an embarrassment of riches and I shouldn’t complain.
Time for me to see what ideas grab me …