Wishes are the first step



I’ve been thinking about wishes, largely because I tend to look down on them as impractical. The truth of the matter is, the impetus for goals comes from wishes.

What are wishes?
This is easy. Wishes are thoughts about what we want to happen. They are the expression of fantasy. Fantasy is a video clip of our desires, wishes are the sound bite. 

Fantasy, as well as the resulting wishes, come from our values, which in turn come from our emotional and cognitive responses to formative experiences, some of which are transmitted to us by our childhood interactions with caretakers.

I grew up in a creative family — my mother took photographs and designed multimedia projects and my dad did woodworking. Thus I learned that creativity was valued in my family, I learned from my teachers that I had a skill for writing. These developed my value that getting recognition for creativity was important.

I fantasize about getting a book contract. It’s a movie in my head. From it I extrapolate the wish to get published.


Wishes are translated into goals
We have limited resources and abundant wishes, so we have to prioritize which ones we act upon. When we decide to process a wish into steps we can act upon, it becomes a goal. So my raw goal is to get published.


Goals are then clarified
We can’t act upon goals until we’ve clarified two things: 

  1. what resources (time, money, etc.) we can allocate to fulfill the goal
  2. actions to take to fulfill the goal
To make strong goals, we need to answer the queries “who, what, where, when, why, how many, how much”. So I come up with “I will have my first book traditionally within the next five years.”

Goals that go through the SMART philosophy (specific, measurable, achievable, relevant, time-bound) become even stronger. When I do this to my goal, it falls apart somewhat when examined:

  • Specific: Yes, I covered the query questions above
  • Measurable: “book traditionally published” is measurable
  • Relevant: I think so
  • Time-bound: Yes
  • Achievable: here’s the big problem. This goal has nothing to do with what I can do, but a result that’s out of my control. I need to rewrite this goal into one or more goals that will be things I can take action on, which I have articulated here


The goal becomes the plan
Because I have done the prior steps, I can act upon those specific goals. The goals inform the plan, which is the series of actions that it will take to fulfill the plan.

Then it’s time to act.
You have a trajectory, a time limit, and the steps toward winning. Now it’s up to you.


Without goals, our wishes flounder. But without wishes, we have nothing to make goals from.








Fantasies, Aspirations, and Goals

The average self-publisher sells about 250 copies of their work.

Hearing this statistic floored me. I have no doubt that it’s accurate. It’s just that — that’s not a lot of copies. I thought I was being conservative when I set a goal of 400 copies if I self-published.

I thought I was being realistic when I ruled out thousands upon thousands of copies and the New York Times bestselling list. It turns out that my scaled back fantasies — even the 400 copies if I self-published — are too unrealistic. Without realistic grounding, our aspirations are set by our fantasies, and our aspirations in turn set our goals.  

It’s time for me to figure out how to pare back my goals, fueled by fantasy. My fantasy was that I would have an agent and would find a publisher of size (say, one of the Big 5) and go on a book tour where someone else made the arrangements for me and I didn’t have to buy my own copies to sign and sell. 

In a way, this is freeing. This makes me realize that having 20 readers of my blog is perhaps normal, and that the agents who reject me need to so they don’t starve, given the odds of someone picking up a book and reading it.

It also means that I will never get external validation of my work if I gauge success by my fantasies. How many readers is “enough” if the average self-published book gets 250 reads?  What does a rejection mean if the object is not quality but saleability?

My goals will stay the same:

  • Get picked up by an agent or publisher, avoiding vanity presses and publishing mills
  • If the above doesn’t work, research and develop an effective self-publishing strategy, avoiding self-publishing scams

What changes are the standards for success. I’m still working on scaling down my expectations. This will be difficult.

The Optimist vs the Pessimist

I’m discovering that I am an optimist.

I’m waiting for a few things in the pipeline as I explained yesterday, and I feel good about my possibilities, despite all the times I got rejected before on these very same writings. This is why I keep submitting to agents and publishers. I fantasize about getting published. Again and again, I’m drunk on possibility, captured by potentiality, suspended in rosebuds, surrounded by perpetual spring.

The pessimist in me tries to shut down the optimist to no avail. Optimism provides a kind of high that pessimism can’t compete with. The pessimist in me is in its full glory when I get rejected, and feels no obligation to commiserate with me, preferring to kick me while I’m down.

I’m trying to find a way around the Pessimist’s great timing when I get rejected again, which I suspect will happen (despite the optimism), because realistically, there are a lot more of us writers than there are agents and publishers.