Weiting Jeanne and Josh negotiating a relationship in Gaia’s Hands is harder than I thought. I’m getting hung up on the age difference, although it intrigued me years ago when I was in the middle of a hypomanic episode.
May-December marriages happen all the time when the man is older than the woman. Although a minority thinks it’s unnatural, society in general accepts it. If the woman is younger, has less education, is just getting settled in life, we have some questions but leave well-enough alone if they look happily married.
Older women/younger men pairings, especially when there’s that much distance between the two (30 years) tend to be dismissed as “gross”. Sociobiologists say this is only natural because men look for older women because of their fertility and women look for protectors — just look at chimps with their harems. The problem is that the primate closest to us, bonobos (miniature chimps) tend to have sex with pretty much everyone and don’t make a big deal of age. Sociobiology has its limits, which is that most practitioners are men and select for what they (as men) want to see that establishes the status quo.
And what if we’re evolving from that exchange of babies for protection? In the US, most women work in the marketplace. Childbearing is held off to later ages, and many choose not to have children. Jeanne is 50 years old and has a steady job and income — Why would he need to be a breadwinner immediately? Why couldn’t she help him through grad school?
But oh my God, what about sex? How could he possibly find her saggy body sexy? Art studios have enlisted the bodies of saggy women for ages, because they’re more interesting to draw. And Josh finds her fascinating because he’s had visions of her in a garden that looks like the Garden of Eden. And Josh, with his slender build and shorter stature, hardly looks like Hollywood material himself.
I have to find the realism and paint them as outsiders at the same time, and this is — well, difficult.
Wish me luck.
Tag: Jeanne Beaumont
Bonus post: Interrogating Jeanne Beaumont
(For those of you relatively new to the blog, “interrogating” is when I interview a character in my novel to get insight into their character and motivations.)
I sit on my favorite easy chair at the coffeehouse, musing. How do I explain a relationship — a solid relationship? — between a twenty year old male and a forty-five year old female? Is that even possible? The biology is against it …
A sturdy woman with greying chestnut hair in a ponytail sits down at the chair next to me and sets her latte on the table. “You want an explanation, don’t you?” she shrugs. “What if there is no explanation?”
“Jeanne,” I caution her. “There’s always an explanation. Even for you and Josh.”
“Look, I’m a biologist. A plant biologist, maybe, but I know at least some of the animal side of things. A sociobiologist would say my relationship with Josh shouldn’t exist — he should be looking for a young thing he can make babies with, and I — well, I shouldn’t bother looking. Older women are obsolete in the biological world.”
“You don’t buy that,” I challenge. “You and I are both here, and biologically, older women notice young men. After all, cougars exist.”
Jeanne burst out laughing. “I’m hardly a cougar. I’m a pretty solid woman who’s grown comfortable with her single life. And then came Josh.” She took a long sip of her latte. “I can’t find an explanation. Society says — those pesky sociobiologists again — that women should have no patience with young men because they don’t know where they’re going in life. But then again … ” Jeanne paused for another drink of latte. “Then again, isn’t the belief that any of us know where we’re going to be tomorrow a bit of an illusion?”
I think of my marriage late in life, my developing career as a writer. “I think you might have something there.”
“Understanding that something, anything can interrupt our trajectory frees one up to look at a situation differently. Stability has to be balanced with resiliency. Although evolution favors the random mutation that happens to work with change in lower creatures, humans can adapt on the fly to changes. So someone like me can be an outlier and maybe that’s a good thing.”
“Enough of the biology, Jeanne,” I chuckle. “Why you and Josh?”
“I have trouble believing in mysticism, you know, but it’s almost something like that. Like, when he showed up at that table that night, we connected. I do alone pretty well, listening to the music and typing on my computer, but when he showed up, I wanted to be in his presence. It was a momentary ego trip spending time with such a beautiful young man, I suppose, but it was more than that. It was like he said to me, ‘I know where I want to go, and I want to go there with you.’ And what he said made perfect sense, if I wanted to tell society to go hang. And I did. I never have regarded what I’m ‘supposed’ to do with much love.”
“So you and Josh were supposed to be,” I teased Jeanne. “Which flies in the face of biology.”
“You would have to say that,” Jeanne muttered. “I feel foolish looking at it that way.”
“But that’s the way Josh would look at it.”
“Yes, it is,” Jeanne mused. “And he might be right.”
Josh and Jeanne Part 2: An interesting conversation
I finally had the guts to write this as I wanted to — with a role reversal: Josh knows what he wants; Jeanne is uncertain, and they have a tense time of it.
****
“Jeanne, I’m legal to drink. I’m legal to fight in a war. I’ve been legal to vote for 2 years, at the age of consent in Illinois for 3 years. I am not and never have been your student; I am not related to you. I’m old enough to make my own choices. To be your friend is one of my choices that you don’t get to make for me. I spend time with my friends, I share with my friends. I love my friends. You will not take that away from me.”
Josh and Jeanne: Telling their stories truthfully
As I re-re-edit Gaia’s hands in a number of ways for a number of reasons, I’ve learned a surprising lesson — it’s possible to be scared of your own writing.
There are some things about the book I’ve understated — too much, in fact — because I didn’t know how people would react to them. The biggest one, I guess, is the relationship between Jeanne Beaumont, a tenured professor and Josh Young, a student (but not one she’d ever have in class) at a midsized university. I looked at the rules at her university, and there is nothing in the conduct code that would present this, as he will never be her student.
Note how I try to justify myself already? If that first part didn’t startle you, they fall in love with each other, despite the difference in their ages and the differences in where they are in life. She’s settled in her faculty responsibilities yet starting a new venture in permaculture design. He’s at the beginning of his adulthood, but focused on getting a PhD in creative writing and a writing career. She tries to avoid problems while he tries to breeze past them, but they go toe-to-toe with each other because their relationship is too important to evade.
I’m not sure the above is even the most startling part — the most startling part may be that Jeanne and Josh are attracted to each other. This includes sexual attraction, even though he’s a slender 20-year-old and she’s a zaftig 50-year-old. In short, they are the two groups of people we regard as least sexy in the US — a young, small-boned Asian American man and a large, older woman. And the younger one, not the older one, is the pursuer. (There are, however, no explicit sex scenes in this book because I thought you should use your imaginations there.)
I created the characters like this on purpose — to challenge the reader, to expand societal notions of what is possible, to give a view different than our notions that Asian men are sexless and women of a certain age are desperate. My books are full of oddballs — perhaps because oddballs are my people — for better or worse. I could have put ordinary characters against the subtly extraordinary events of the book, but I was afraid they’d wash out. Jeanne and Josh are not ordinary.
If I myself cannot face my characters — good and bad — my writing loses power and coherence. It’s possible that this book will never get published because I believe an older woman/younger man relationship is not only possible, but believeable. There may be people out there who think a semi-sentient vine and a plant superpower are more believable than Jeanne’s and Josh’s relationship, but I will not try to erase them or their relationship from this story. The story deserves better, Josh and Jeanne deserve better, and I deserve better.