Spring in my Heart

Almost March, and the snow still lies in dirtied drifts on the ground, piled person-high at the edges of parking lots. The wind chills are more often than not in the single digits.  Usually, by now, the snow pack has gone and the days fool one into thinking Spring has come early.  My peas are supposed to be planted on St. Patrick’s Day, and I don’t know if the snow will be gone by then, much less the soil warm enough.

In short, I am sick of winter.  

I want something new. Like many Americans, I think I want a new pretty thing. I replaced my iPhone 6 Plus after three or four years with a refurbished iPhone 8 Plus, and I’m already accustomed to its shiny new look. That’s the problem with new things — we step on the hedonic treadmill, buy shiny new things, and feel happy until that happiness, hedonic happiness, quickly fades.  

I want a new thing for my soul. I want to plant peas on St. Patrick’s Day and watch them grow. I want to see my books progress toward being printed. I want to find a new challenge that absorbs me. 

If I can’t have Spring outside, I would like Spring in my heart.

Where Did I Get Lost?

Once upon a time — no, I’m not starting a blog with something as lame as “once upon a time”!
Then again, it is like a fairy tale — but I’m up to the part with the swamp, and the rodents of unusual size, and Baba Yaga with her hut on chicken legs trying to put me in her cookpot …
I’ve been writing all my life. My first recognized work was that Groundhog Day poem my third grade teacher posted on the classroom door. I’m not sure my sister, ten months older, has ever forgiven me for a day full of “Did your sister really write that poem?” It was the first time I’d been complimented on my writing.
My eighth grade English teacher kept all the poems I wrote in a folder, and gave them back to me when I graduated eighth grade. She told me to keep them, so I did. If she hadn’t told me that, I would have thrown them out, because I hadn’t gotten any indication from my parents that they were important.
When I was in high school, the people who sat around me in General Business class — well, let these lyrics speak:
John told me he would marry me
Right in the middle of Civics class –
I guess I never believed him;
You had to know how I was –
A girl who hid inside her coat
And startled at shadows, wrote poetry
That Marsha and Tammy read to him –
But I never wrote a poem for John.
John and Tammy and Marsha told me I needed to get published someday, and I realized that getting published would be a way to get the recognition that was so rare in my home life. 
In college, my repertoire for poems (and later lyrics) fit one of two categories: “life sucks” and “there’s this guy.” Nope, I forgot the third — “life sucks because there’s this guy”. My first college boyfriend broke up with me on my birthday because he met a woman at a party he liked better. But, according to his fianceé, he kept all the poetry I wrote him, even though he “didn’t understand it”.
I was once a singer-songwriter, during grad school, until I divorced my guitarist. It was the first time in a long time where I was allowed to bring my writing out in the open for recognition. Those lyrics above were from that era, and time spent in open mic and in jam sessions exposed people to my writing.
It was only a few years ago that I wrote a novel. My first novel exists because I kept writing short stories around a dream I’d had, and my husband (not the guitarist) told me I might as well write a novel, so I did. And then I wrote more, and I improved, and I had a pile of novels on my hard drive. Three things occurred to me as I wrote novel #5:
1) These were novels, which were things that publishers actually liked to publish!
2) Nobody would ever see them unless I published them
3) I was hungry for recognition on my writing, and I hadn’t had any for 20 and a handful of years.
(Recognition, as you might have guessed from reading this essay, is a difficult subject with me. According to my mother, she never complimented me on anything because I was a gifted student who read at age 3 and she was afraid I’d get a “swelled head”. Instead, the school district treated me like a little prodigy and the praise I got from them wasn’t enough because it wasn’t from my parents.)
So I explored getting published. I started the traditional method, which was sending to agents, and I got a bit bucket full of electronic rejections. I wrote to a couple publishers directly, with equal results. I tried Kindle Scout, and neither time were my books ever regarded highly enough to pull into contract.
I decided to try Wattpad after a friend’s suggestion I publish something there, and I came out of terribly disillusioned. It appears that if one wants to be seen on Wattpad, one must carefully calculate how to “sell” the book. I admit that I have no talent for selling things — my pitch tends to sound like “well, if you have to read a book, you might not mind mine.” 
So now I’m at a crossroads. Not as in “Will I keep writing?” but as in “How can I try to be heard/read without losing my humanity?”
Any suggestions welcome.

Writing from the Soul

Writing comes from a personal place.

I would argue that all writing — poetry and novels, song lyrics and even textbooks come from a need within one’s soul. The need may be as mundane as “I really wish someone had written a textbook about case management for the disabled (Me about 10 years ago)” and as lofty as “I want to share this prophetic dream I had last night” (me thirty years ago), or for that matter, “I want to imagine I’m the captain of this starship who gets away with anything short of murder and gets branded a hero” (Whoever write the Star Trek movie reboot).

One also can write for the market, which can be a whole ‘nother thing, as they say around here. This is the thing I struggle with, because I have this crazy notion that people need to read emotionally packed narratives about people who don’t match the status quo. For example, there’s Amarel:

Finally, Janice found herself back at the building site. The bales had been set in place, and workers set a framework inside and out to create the cob walls. Gideon walked the perimeter, pointing out how to develop the frames for the curved sections of the house. Larry and another man watered something in a wide trough, then pounded it with what looked like small tree trunks with handles. 

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Most of the men had taken off their shirts, as it had grown hot outside. Janice admitted she enjoyed the view, and then she saw Amarel, shirtless and untouched by sun, at a wheelbarrow where he mixed mud and straw with a shovel and dumped them at the end of the trough. What Janice saw was beautiful, the angelic face focused, the graceful torso with muscles engaged, pectorals both muscular and curved, the intrigue of slight curves that she didn’t understand at his hip. The alabaster sculpture gained detail in her mind.

Amarel is truly genderqueer, engendered that way by the plan of the Maker. He presents as both make and female, and that causes some consternation even among the supposedly liberal people surrounding him. Janice, the artist taking refuge at Barn Swallows’ Dance, wavers between thinking him the perfect sculptor’s subject and worrying about the implications of falling in love with him. This is what comes from my soul — imperfect people who defy the status quo and have to resolve some great developing problem.
I’m still considering whether I can write for the market and satisfy my soul. I might have to take solace from the case of Emily Dickinson, who continued to write despite a readership puzzled by her poetry. I’ll see how it goes.


Healing

This is a very personal poem about being healed:
My body has been torn from me.
My soul has splintered.
Sheer will moves my feet, my hands,
and keeps the molecules from spinning free.
The body remembers being whole.
The soul remembers being one with God.
May this touch give the memory of being,
so you can find the path back to yourself.
My body aches from carrying these cares,
My soul tires fast from holding self together.
I cannot ask again to be a child,
to be tucked in, to be without a care.
The body remembers the cradle of the womb.
The soul remembers union with the Infinite.
May this touch remind you of your Source
and bring you back to its seeds within yourself.