Rewriting another novel

I finished my rewrite of Apocalypse, and currently I don’t have enough distance from it to look at it objectively anymore, which is why it will go back to dev edit shortly. 

So where does that leave me relative to writing? I can either start a new book, figure out what to do with the idea for Gods’ Seeds (I’m struggling with that — there’s so much I want to do that it could be two books, my usual problem) or I could look over the post dev edit on Gaia’s Hands and see if I can feel better about it.

I’ve decided to work on Gaia’s Hands. If (when?) I get Apocalypse published, Gaia’s Hands would be a prequel. As such, I’d like to get it polished while I have the time to and before I come up with any other bright ideas. Whose Hearts are Mountains, which still needs a developmental edit, would be the next novel after that.

Yes, I have a plan. All I need is for the stars to align so that I can actually get something published. If you pray, put in a good word for me.

The Semester Winds Down

Tomorrow is the last regular day of the semester; then we will go into finals week here at the college. The semester is winding down; the rhythm of my life will change with summer session. I’ll still be busy with an online class and 25 interns and putting fall classes together, but I will have much more flexible time.

I’ll have more time for writing — well, maybe not, but I will be able to devote longer blocks to it, which is a good thing. The summer projects writing-wise are: 1) rewrite Apocalypse; 2) Send Whose Hearts are Mountains to dev edit (if #1 gets to a good place). No new books. Also keep pushing Prodigies and start pushing Voyageurs.

I don’t sound like someone who’s ready to quit, do I ? 

Day 4 Reflection: Dreams

It’s hard to write about dreams these days without sounding trite. Whether dreaming big or following one’s dreams, it’s been said before. 

I want to talk about dreams as the cauldron of our subconscious, where our minds process the bits and pieces of our day into scenarios that twist through our sleep. Luxurious scapes, clandestine relationships, twisted corridors with monsters from our id, these are the denizens of our sleeping hours.

When we dream, sometimes we wake with decadent stretches and a purr, a grin on our face. Other times we sit bolt upright in bed clutching our blankets. Throughout the day, we revisit the dream, mulling it over in our head trying to find meaning in it, to use it to inform our day or to banish the tendrils of nightmare.

Or to harness its power in a story. Many years ago, I suffered through a kidney infection for a few days, spending much of the time asleep. I spent the time in dreams — in one long dream that passed for hours, where I found myself in a desert commune after the experiment called the United States had crumbled into city-states. The contrast between the strife outside and the people who pledged to peace, and the hope that peace lent to those the peaceful folk encountered, stayed with me when I woke, as did the relationship between myself as protagonist and a member of the commune.

I wrote what I could remember, the bare bones of a couple scenes, too long for a short story and too sketchy for a novel. I didn’t write novels back then, feeling overwhelmed by all the words needed.

This spring, after four or five novels under my belt, I revisited that dream with all its dread and promise. I was ready for the dream, for its message, for all its words. 

The book, some seventy-thousand words long, waits for its developmental edit. Sometimes we manifest dreams into reality, one way or another.

Editing into the Future

On my second editing pass through Whose Hearts are Mountains, I realize the story reads better than I thought.

My first edit is for word use, and I mostly eliminate as many of the passive verbs — have, had, has, was, were — with some fixing of awkward sentences as I see them. This gives me at best a choppy feel for the story.

My second edit is a reading edit, where I read to hear the sentences in my head and make sense of them. The book sounds good in my head.

Whose Hearts are Mountains isn’t even the next book I’m sending to developmental edit. I’ll send Apocalypse, which is the merciless edited version of three novels, first.  But I have good feelings about Whose Hearts are Mountains that I didn’t expect I would have.

I still have to start writing a new novel soon. The only novel I have left to edit is Reclaiming the Balance, and that one has some necessary stylistic divergence (use of gender neutral pronouns for an intersex character) that I’m afraid will get in the way of its success.

I’m still wondering what I will write next. I have a few leads but do not feel passionate about any of them, mostly because they’re sequels to things already written but not yet accepted. Perhaps I’m looking for a new idea.

 

Writing retreat at Mozingo

I sit in my pajamas in front of a fireplace typing this. Think of this as a mini-retreat at a cabin with the winter outside and warmth within. In fact, it’s warm enough that I’m getting sleepy …

No, that will not do. I came here to write, or at least finish editing Whose Hearts are Mountains. I only have three chapters left; I can handle that. But first, a nap …

A half-hour later, I’m awake. The fire is now roaring, and I’m ready to start writing again.

But first, I have to watch the video my friend in Poland (who probably doesn’t read my blog) just dropped …

I need to stop procrastinating. This IS my writing retreat.

On to editing …

are was were have had has — the inaction verbs

The words in the title — are was were have had has — are (see what I did there) too often substituted for action words that can make writing lively and immediate.

Let me try to write that first sentence again: Using “are”, “was”, “were”, “have”, “had”, and “has” instead of action verbs such as “need”, “possess”, “describe”, “denote” and others makes writing passive and unconvincing.

Or: Using more active verbs such as “need”, “possess”, “describe”, “denote” and others rather than “are”, “was”, “were”, “have”, “had”, and “has” makes writing more convincing and engaging.

I wish I remembered this during the writing stage rather than having to go back and edit out most of those passive verbs for more active ones.

That’s what I’m doing right now — editing Whose Hearts are Mountains, which consists mostly of making my verbs more active. I’m afraid I’m going to have to add more words to it to market it, I’m having to rewrite so much. Getting rid of the passive verbs causes me to get rid of passive, weak sentence fragments, so fewer words.

I try for not more than one “are”, “was”, “were”, “have”, “had”, and “has” per paragraph and only if I can’t find another way to write it. I wish I had the “pre” writeup for this, but this is post-edit. Just for you to read:

I crossed the border to Wyoming with little fanfare. Just on the other side of the border I saw a highway sign at the entrance for the town of Pine Bluffs. I parked the car at the shoulder of the ramp and consulted my doctored map. Soon, I would be at the border of No Man’s Land, a place without cities, gasoline, or food. A temperate desert, scathingly hot in the days and chilly in the evenings. I would need a city to stock up at, get my last refueling before I would need to rely on pressing castor beans and precipitating out the glycerin to make the biodiesel. I hoped I knew how to do that; Back at my last stop — I still felt gut-wrenching horror to remember it — I had written down the proportions of ethanol and lye to castor oil with a pencil stub I found in my coat pocket.

I drove toward Pine Bluffs, and the small gas station at the exit looked closed and shuttered. This didn’t surprise me — I suspected many proprietors would shun a gas station on the eerily deserted interstate. As I drove into town, I saw a wooden sign for the town with the carved letters painted over in black.

As I drove to the downtown, I noticed the skies darkening, and trees whipped in the wind around me. Looking at the stores, I saw nothing — houses shuttered and sagging. Buildings in the small Main Street stood deserted with furniture and goods still displayed in windows. Christmas decorations twisted in the wind on the light poles downtown. I parked my truck and stepped out to survey the streets, hearing only the wind howling.

At that moment, the wind died and the sky darkened almost to night. The most frightening silence surrounded me, most frightening in its completeness. I looked up and saw the funnel of the tornado in the near distance, and I kicked in the window and rolled through it, hoping the glass would not cut me fatally.

I turned and saw Christmas garlands ripped from their guy wires and realized blood may not be the worst of my problems. I ran through the aisles of what I recognized as an old-school hardware store. Near the antique counter of walnut and mellow gold wainscoting, I saw a door sagging open. I ran through it and down the stairs as the roaring demon coursed down the street.

Downstairs, I sat on the floor, wishing I’d thought to grab a hand-crank flashlight before I retreated. Eventually, however, my eyes adjusted to the dark broken only by the tiny window at the top.
I realized that I sat on a dessicated body.

I stood up quickly, shrieking, to survey the situation. A flannel shirt and pair of coveralls shrouded the bone and sinew. He had fallen face-down; I turned the corpse over carefully, and saw steel-rim glasses and a few scraps of silver hair adhered to his skull by leather-dried skin. Next to him, I noticed a stenographer’s pad, the pen by which he documented the tragedy of the town lying by his skeletal hand:

“Buried thirty people today with the backhoe; that’s all I could manage without help. There’s no one to help; I may be the only one left. The CDC said they can’t spare anyone, but the National Guard has posted people at all exits. Anyone who tries to get out is shot on sight.

“The streets remain empty of life, except for the random dog or cat, which seem immune to the disease. The bodies lie inside houses, where my neighbors succumbed to the fever and the rash and the despair. The despair doesn’t last long, because it takes only six hours from the rash to death.

“I will not be able to bury everyone, because my hands now carry the rash, and my armpits and neck swell and bruise. My hands burn and itch; soon my whole body will be on fire. I feel numb — even though I expected to die, I didn’t expect to be taken by the sickness, but by eventual hunger.

“If anyone finds this, I hope my corpse doesn’t carry the infection. I am not sure how long I’ve carried the virus, but the rumor is that it takes only hours from contamination to death; at least my suffering will not last long.

    “Mayweather Gleason, 64, Pine Bluffs WY Nov. 2, 2030.”

What now?

Note: This was written Friday late afternoon.

I’m done. What now?

I finished the second read-through of Whose Hearts are Mountains this afternoon and even wrote a query letter, even though it’s still in need of a developmental edit. I’ve spent time in the hot tub and am waiting for a dinner that I suspect will be wonderful.

But part of me is like, “What do I do now?”

I get really focused when I’m writing and editing. And during a writing retreat, I’m more focused than usual because I’m in a calming place where there’s just enough background noise to keep me from being distracted by silence. Lied Lodge, with its vaulting stone and wood greatroom, fits the function of retreat superbly.

But what now? Dinner, followed by part 2 of a slow-motion Harry Potter marathon, then home tomorrow before the snow hits. We’re supposed to get lots of snow, which means we’ll get barely three inches and I’ll be going back to work on Monday.

Also, I know the answer to “what now?”:

  1. Get Prodigies back from the diversity edit, fix things, and query it to young adult agents with the shiny new query letter
  2. Send Whose Hearts are Mountains to my dev editor
  3. Look over Apocalypse a couple times before sending it to a dev edit
  4. Sit on Voyageurs for a while before sending it on a dev edit
  5. Try to figure out what’s wrong with The Kringle Conspiracy
  6. Write another book. There’s at least two I could write right now.
That’s enough work for three years, I think. 

Thanksgiving writing retreat — and a dilemma

I am well on my way through day 2 of my second edit of Whose Hearts are Mountains (while waiting for Thanksgiving buffet at 11) and I’m left with a dilemma.

Do I send Voyageurs to my developmental editor first, or do I send Whose Hearts are Mountains?

The arguments in favor of Voyageurs:

  • It’s older than Whose Hearts are Mountains
  • It’s a romance novel, and I think it could get published as such
  • It really deserves a dev edit
The arguments in favor of Whose Hearts are Mountains:
  • It’s fresher and might be a better novel because of what I’ve learned
  • It’s not romance (I think it’s contemporary fantasy) and I don’t become pigeon-holed as a romance writer
  • It also deserves a dev edit
  • It’s part of an established series (which hasn’t been published yet)
(*anguished scream*) I hate to decide!
For all of you who celebrate US Thanksgiving, Happy Thanksgiving! For those of you who do not, my best wishes and support to you.

Miles to Go

Whose Hearts are Mountains is a mess.

As well it should be. After all, it’s a first draft. In the rush to get ideas on the page, things are going to be garbled. For example, I gave one object two different names, and two different characters shared the same name. There were a hundred subtle or less subtle things I corrected on the first pass.

And I’m not done yet. I now have to do a leisurely pass through for things like language (currently not the most poetic) and character (some of my secondary characters need development) and descriptions (too much telling, not enough showing) and that’s going to take a while.

Luckily I’m taking a writing retreat over Thanksgiving…

One week down on NaNo …

At the end of the first week of NaNo, I’ve written 16,000 words or an average of 2000 words a day, split halfway between Becoming Kringle and Whose Hearts are Mountains. I’ll be honest — writing lately has been challenging, with a lot of self-doubt after working with one of the publishing editors I tried. This week has been vindicating.

(A hint from case management class to editors of various types: You have to talk about the strengths as well as the failures of a client’s work, not for flattery or reassurance, but to remind the client that the manuscript is worth the work being put into it.)
I’ve finished Whose Hearts are Mountains — by “finished”, I mean “written a very rough draft that has plot holes you could probably drive a truck through, and desperately needs an edit or two.” I remember when I arrogantly thought my drafts weren’t rough and so I sent them out. Writing has been a humbling exercise.
From here on out, all of my words are going to Becoming Kringle. I think this will be more of a challenge, in fact a huge challenge, because I have the barest of outlines to go by.  On the other hand, with yesterday’s snow, it’s beginning to feel a lot like Christmas.