On Second-Guessing My Ability

This picture has nothing to do with today’s topic.

I second-guess my writing talent all the time. I live with a constant critic who has no trouble getting into my head (as it is already in my head) to tell me that my writing isn’t enough — not interesting enough, not good enough, not publishable enough. The voice insists that I am writing the same stuff I wrote back in sixth grade.

Despite this, I’m not adverse to critiques. In fact, I relish getting better. But I’m still afraid I’m not good enough.

I hear this is not uncommon to writers, that most writers feel a constant sense of doubt, and that we wouldn’t want to meet one who doesn’t. But I need to shake this sense of self-censure (and self-censorship) for my long-overdue re-editing of Gaia’s Hands. I have to believe in the book to make it better.

So, how to believe? Cognitive journaling might help — counteract all the mind-reading (“the critics hate it”) and fortune-telling (“I’ll never get published”) and name-calling (“I’m so talentless!”) and awfulizing (“my stuff sucks”).

I joke about a magic spell, because I feel like my writing career is cursed. Of all the things I pooh-pooh in my life, curses are not one of them. I half-way believe in curses, even as I suspect they’re an externalization of one’s failure scripts. I’m looking at how to break the curse.

I suspect, though, I will have to live with it and create despite it. And someday, when/if I get published, I will celebrate all the harder.

About exorcism

I think my writing career needs an exorcism.

I’m mostly joking.

But something seems to have infested it, giving me rejection after rejection and making me feel like I’m never going to make it.

When I read the above paragraph, I get a little disgusted with myself, because I don’t really believe a demon could prevent good things from happening in my career. It sounds like an externalization of something that could very well be a matter of me not writing well.

I doubt my career needs an exorcism, but maybe my attitude does. I’m convinced I’m not a good enough writer to be published. Every time I get a rejection, I think “Yeah, I would have rejected that too.” And then I feel down.

I’m told that negative attitudes affect reality. I don’t know if I believe that, because it sounds uncomfortably like blaming the victim — “Oh, you lost your job? It must be because you were thinking negative thoughts.” There’s also too many charlatans (I’m looking at you, Oprah) that have put forth the belief that you can attract love, success and riches from just thinking positive.

Yet I wonder if my negativity about my writing affects something — maybe the writing of my cover letters, maybe even how my work resounds in the universe. I don’t know.

How does one exorcise an attitude?

Cooling down

Hello cold snap.

It’s 36 degrees out and I’m wearing my Chicago Bubs sweater (see below):

which commemorates my favorite Internet-famous cat, Lil Bub.

I want to stay in all day basking by my fake woodstove and writing. But it’s a school day, and I have to teach.

Oh well.

Writing from the Dark Side, Part 2

Yesterday, I interrogated the scenario my dark side put forth (which involved moonlight and walking in on someone disrobing) and found out it was not about me at all, but was inside the psyche of Jeanne Beaumont, the heroine of Gaia’s Hands. Jeanne felt disturbed by the dream because — oh, hell, let me just show you the passage:

A silver beam from the moonrise sliced through the darkness of her room. In shadows bled of color, Josh stood, the light falling across his face. He tugged his t-shirt off, the beam illuminating a slender chest and burying itself in his dark hair.

“Why are you here?” Jeanne asked, feeling her voice shake.

He met her gaze, his youthful face serious. “For you.”

Jeanne muttered. “I don’t need you,” and turned toward the door to flee.

“You misunderstand.” A smile flitted across his face; the light showing a dimple incongruous to the moment. “It’s my need.”

“No,” Jeanne shook her head, grasping for the door frame to steady herself. “If you haven’t noticed, I’m old enough to be your mother. If I’d started late. This is impossible.”

“If it’s happening, it’s not impossible.” Josh held a hand out —

Jeanne bolted upright from her bed, squinting at her clock’s luminous numbers in the dark. 3:00 AM, the perfect time to have a haunting dream. Josh? She took a panicked breath. And her?

If it’s happening, it’s not impossible, she recalled from the dream.

If it’s happening …

What the hell was happening to her that she began to dream about Josh, that quirky young man she had become friends with?

She knew. He had become more than that quirky young man to her.

He had become compelling to her, and she tried to deny it. “I don’t need you,” she had told him.

But perhaps she did, and he would reject her instead.

********

My subconscious informed me that, in editing Gaia’s hands, I had lost an important aspect of it, the tension (in part sexual, in part fear of rejection) between Jeanne and Josh.

Let’s see Josh’s point of view:

Josh wanted. It seemed a perpetual state for him, so much so that he wondered whether he wanted to be Jeanne’s friend or to bed her. Or both. Or everything. He leaned close to his notepad and wrote automatically, ignoring the lock of hair that habitually fell out of place.

I want to be reckless; he wrote. I want to kiss her with everybody watching in the middle of the cafe. I want to take her clothes off in a room where there are thoughts of only us. I want to know her twenty-five years down the road, even though she’ll be seventy-five to my 47 years.

I should care about the age difference, but it doesn’t bother me. It probably bothers her. I would be her child’s age, if she’d chosen to have children. She’s never married. Maybe she didn’t want to get married.

In my most intimate fantasies, she waits for me. In reality, she holds me at arm’s length, and I don’t know if it’s for now or forever.

I want a guarantee where there are no guarantees.

The vision came to him, the garden in its fullness, and Jeanne standing within, naked. All bountiful curves and sags like an ancient goddess. Does one dare to approach a goddess? He walked toward Jeanne in the garden, slowly and deliberately, each footstep pounding in his ears. He reached out –

The vision drifted out of his grasp.

*****

Why does this come from my dark side? It’s a reflection of how I struggle with my age and face the invisibility that women “of a certain age” (I hate that phrase!) experience. The book is, in part, a biological fantasy about outliers — Jeanne, despite her age, represents a fertility goddess with her preternaturally prolific gardens, and Josh, despite his youth, makes a convincing god of the hunt with the inevitability of his pursuit. That’s in addition to the fantasy elements of Josh’s visions and Jeanne’s preternaturally prolific gardens.

I have to edit this book, bring back to it the tension between the two protagonists, add it to the other tensions and menaces. This is my job, to make these fantasies real and complex.

Writing from the Dark Side

I stood face to face with my dark side last night. I felt a sense of panic, as I always do when facing that mirror, clutching my hair and chanting “this is not me”.

My dark side deals in visions of obsessive seduction, sticky strands of need and betrayal in silent midnight rooms bled of color. It revels in its story: my inevitable fall, my contemplation of suicide.

All of us have a dark side which stands counter to who we believe we are. If we deny it, if we romanticize it, we may fall to it because it demands that we pay attention to it. What we need to do is to accept our dark side because it’s part of us.

I accept my dark side, the sulky drama queen in the mirror, but I do not let it run my life. I have built a satisfying life in the golden light of autumn, with a humorous husband and five cats.

Me, coffee, and cat. This is a good life.

Sometimes I write from my dark side — half-elven children who want to kill their elven fathers, succubi with a pang of conscience, a young man who can kill by touch. I write these with my light side, though, framing these characters in dilemma, in conflict.

Darkness must contrast with light to be appreciated. If the writing contains nothing but darkness, it ceases to be dark and is merely mechanical, a factory of death and gore. The light must be there to be taken away, so that we grieve for the individual trapped in their circumstances.

I look at my dark reflection, the person I most fear, because she has the capacity to ruin my life. I nod, knowing that if I try to annihilate her, I become her. She leans over my shoulder as I write, helping me to add her darkness to my bright words.

What am I going to do for NaNo?

Someone visited me from Nepal yesterday. Hello!

***********

NaNoWrimo starts a month from now (November first). In Nano, one must write a 50,000 page novel, or realistically, the first part of a novel, as novels generally run twice that length. The organization prefers it’s a new novel instead of adding to a novel you have because it’s easier to write from scratch.

I was all ready to submit Gods’ Seeds as the novel I was going to write, but then I opened it up to find out that I’d already written 21k of it. This was the novel I started for NaNo and quit when Trump got elected President. It wouldn’t be a cheat to work on Gods’ Seeds as long as I didn’t count those 21k words, but it would be harder to get back into.

I could start a new novel. Not sure what that would be yet.

Or I could be a rebel, which would be writing anything but a novel. This way I might be able to edit/develop Gaia’s Hands, which I’m editing and at the same time wondering what I can add back. Or I could write more short stories that fit in the Archetype universe, or …

I don’t know what to do. I’m committed to write, because I’m hosting a NaNo write-in space at the Game Cafe. If you have any ideas, let me know!

Editing Gaia’s Hands Again

I actually started working on editing Gaia’s Hands yesterday while sitting at Mokaska Coffeehouse in St. Joseph. Their new digs are amazing, by the way — spacious and warm. Their coffee is always full of intriguing hints — spice and chocolate, or bold berry, or citrus.

How did it feel editing Gaia’s Hands after a long break? I see things that need to be smoothed out, things that need to be added. I have a better feel for the characters than I’ve had before, and that’s saying a lot, as these are two characters I’ve lived with for years.

I remind myself that I literally have known these characters for years, as Gaia’s Hands was the first novel I wrote. Jeanne Beaumont, the scientist trying to ignore the web of mysticism she’s being drawn into, and Josh Young, the mystic grounding himself in writing. They represent the yin and yang symbol, constantly shifting roles.

The sad thing is that I will have to take a break from them again, first because Whose Hearts are Mountains will soon return from dev edit, and second, because November will soon arrive and I will work on a new novel for NaNaWriMo.

I hope, soon, to get Gaia’s Hands in shape for some sort of publication.

Writing Dark

I don’t consider myself a very dark person. If you meet me in person, even when I’m depressed, I come off as perky, if somewhat squirrelly. (Some of this is a pose to keep my students from feeling threatened). If you know me well, I’m pretty straightforward.

But sometimes, I write dark themes. In The Enforcer, the Archetype Boss Aingeal, serving in his role as enforcer of a Chinese gang, murders his rival and sends a bloody message to the leader of the gang. In Hands, a young man discovers his freakish talent to heal — and kill. The very short story I’m writing now, The Message, involves an act of revenge for a mother’s death.

I suppose Apocalypse, with its end of the world scenario, is dark. I never thought of it that way. I guess I write dark themes more often than not.

I think I should challenge myself to write something completely funny for a change. The ideas that come to my head, though, aren’t funny.

Maybe funny is a new goal to work toward.

Experiment results:

About a month ago, I made the vow that I would go about writing as if I’d already been published. Here’s the result:

I will get back into novel writing for NaNo (National Novel Writing Month) in November. I’ve already committed to a novel — I’m going to tackle the book I’ve been postponing for the longest time, Gods’ Seeds. So if I don’t start noveling (is that a verb?) before then, I will go back to writing novels in November.

Yes, I was considering quitting, but my developmental editor is suggesting I keep writing, and I respect her judgment. I think it’s good to have external voices to help counter the dreary self-doubt that writers have a tendency toward.

My dev editor also suggested trying out for Pitch Wars, which is a competitive process by which one can get an intense pitch workout. I will be trying for this, because I have the desire to improve.

And I’m still submitting, mostly short stories and flash fiction, but also queries on Apocalypse. I may send out to one or two novel publishers this weekend because I expect a rainy time.

In writing as if I’ve already been published, all I’ve lost is the negative self-talk. I think I could like this.