Think good thoughts — I’m struggling to write.

Sorry I haven’t been writing lately. I’ve been on the road for a friend’s birthday party, and today I’ve been writing — very slowly. It turns out my “revision” of Mythos/Apocalypse is actually becoming a serious rewrite of the first section of the book. As in starting from scratch, in third person, new information, and cutting back on some of the extraneous storybuilding.

I don’t know what I think about it. This is why writing is going so slowly — two hours later and I’m still on the same page, two paragraphs down. I usually write faster than that. Much faster. I’m hoping that this is just a temporary slowdown and not a serious writer’s block.

Think good thoughts for me.

Settling in

Second day of the semester, and I’m struggling to write.

It may be that I need to put away Whose Hearts are Mountains for another work, perhaps a new work, but I’m not inspired yet.

I’m not panicking yet, because I blame my lack of inspiration on the energy it takes to start a new school year. Once I get settled into the year, I’ll be inspired to do something — hopefully a totally new thing — when I have space in my head.

In the meantime, I’ll give myself time to do the  blog almost every day, and sit for an hour with my computer screen,waiting for the ideas to come.

I’ll let you know when something happens.

Getting back into writing

I haven’t written much in the last few weeks, what with working with my dev editor, traveling for New York Hope and training in advanced moulage, prepping for work, and finishing my first semester of grad school. Now it’s two days before the beginning of the semester, I’ve got no prep to do, and no excuses to do nothing. (I don’t watch tv well, and there’s only so much looking at cats on Instagram I can do.)

So I’m taking the advice I’d give someone else — write something every day. This means in my case to get reacquinted with Whose Hearts are Mountains. I don’t know how I feel about that book at the moment. It’s in the Archetype universe, and I’ve had such trouble understanding how to improve the first book(s) in that universe, Mythos and Apocalypse (which I am thinking of putting together). I don’t know if it’s sellable, and I don’t know if I care.

It might be that I keep working on Whose Hearts are Mountains, send Mythos to my dev editor (Hi, Chelsea!) and figure out things from there.

But I need to write. Every day,

Life without writing

About querying time, I wonder what it would be like to quit writing and quit pursuing representation and publication. Querying is brutal — you prepare excerpts of your prized manuscripts to people who will go by their first impressions, and nobody will tell why they rejected you except “It’s not you, it’s me” or “I’m very picky about who I represent”. I would love some real feedback like: “Could you rewrite your query letter and tell me more about x”.

What would my life be like without writing? I think it would feel like having a lobotomy — I would know something important was missing, but have no idea what. It would be like waking up and finding out a loved one was gone — not dead, just gone. In other words, there would be a hole and I can’t imagine filling it up. No other hobbies I’ve had have been this fulfilling, and for my gardening to be close to this fulfilling I would need a working greenhouse with enough room to actually handle my plants. (We do not have the space or money for that.) My moulage (casualty simulation) might become more fulfilling if I could go professional with it, but the outfits that need moulage for training purposes can’t afford a professional.

As for giving up dreams of being published, that’s a little more complex. There are certain things built into my psyche for better or worse. I love to accomplish new things, and everything else in my life lately has been things I’ve done for the last N years, where N is probably around 30. I’ve hit a stagnation point in my job with 8 years until retirement (I’ve tried hard, coworkers, but I’m chronically burnt out and in need of a break). I need challenge, and I need recognition. I need people liking my work, and to do so they have to see it. Esteem and accomplishment are nothing to be afraid of.

What would it feel like to give up trying to get published? I’d be exactly where I am now, except that the challenge would be gone and I would feel like I had given up on an adventure to stay in my stagnation. I don’t know if I can find another opportunity to break the stagnation.

So I do the same thing I’ve been doing every four months for the past two years, wondering if I will ever make escape velocity.

If anyone has ideas of challenges I could try (I’ve already lost 70 lbs, I have some health problems that keep me from running, I don’t want to run for public office, and I have profound hand-eye coordination problems), let me know.

Insecurity as part of life

I am close to the end of Prodigies, so close that I can see — the headlights of an oncoming train.

That’s how writing feels like if you’re insecure — the feeling that you’re going to finish the work only to find it a piece of crap. And realizing you’re the least objective person reading your work, but still accepting your own judgment that it’s a piece of crap. That’s what insecurity is — the lurking voice that whispers “you’re not good enough, you’ll never get published, nobody cares about what you write.”

I’m insecure. Isn’t every writer? Isn’t every creative person out there?

What do I do about it?

At this point, it’s hard, because many of my creative friends say, “Hey, I did a thing! Look at this thing I did!” and post it on Instagram or Facebook. I think that’s why I have a blog here, but I get comments very few and very far between, so I don’t have the response of “Hey, what a cool thing you did!” Come to think of it, my friends who say “Hey, I did a thing!” don’t get responses on Facebook or Instagram either, and they have more friends than I do.  I should comment more on their things they did. Maybe it’ll come back to me.

My beta readers (two of them; the third hasn’t gotten back to me) have been complimentary of my work even through pointing out some necessary changes. I actually feel less insecure when people point out errors and problems becausef they care enough to read and it’s only in the worst writings that someone can’t make constructive comments.

Insecure people seek out reassurance, and sometimes it has the opposite effect if they ask for too much. “Look at this thing I did!” seems more positive and effective than wailing “I’ll never be published”. I’ve done both.

I can own it, my entree into the world of creatives — I’m insecure.

Waiting for my new computer

I have a computer — a five-year-old MacBook which has served me well, as long as I didn’t care about having more than 230 MB of storage, a separate video card, and an OS that occasionally forgets to perform the “click” part of “point and click” six times a day and has to be restarted. Obviously I mind, so I’m getting a new computer.

I’m getting a new computer with some interesting specs:

  • 7th Generation Intel® Core™ i7-7700HQ Quad Core 
  • Windows 10 Home 64-bit English
  • 16GB, 2400MHz, DDR4
  • 128GB Solid State Drive (Boot) + 1TB 5400RPM Hard Drive (Storage)
  • NVIDIA® GeForce® GTX 1050Ti with 4GB GDDR5
I don’t really know what any of this means, except that the hard drive has a separate boot disk and the main drive is over 4x bigger than what I have, and that it’s a gaming computer.
I’m a writer. Why do I need a gaming computer?
The simple explanation is that I’m using a program called Sketchup, available free in its most basic form on the web, to render maps for places I write about. For example, three of my books take place on the ecocollective (a collective, but not communal, living arrangement) called Barn Swallows’ Dance (It doesn’t really exist, but if I did, I’d probably live there). I wanted a map of the place because I have at best shaky visual memory, which I believe I’ve said before. So I put together a layout of a map of Barn Swallows’ Dance on Sketchup using already created components, not realizing they were three-dimensional. They were!
That gave me lots of potential, but lots of frusrtration, because my computer was much too slow to act on the objects in my map. I thought they were at ground level, but in three dimensions, they were floating in the air! And I would adjust them according to what I saw on the screen, but there was a delay, so the objects went from floating in the air to buried in the ground, and my computer wouldn’t let me find the down-to-earth mode. It was like a very slow-motion game of whack-a-mole.
That was two years ago, and I’ve long gone past writing those books, although I am sending Mythos (the first) to my beta-readers soon. (Note: Do you want to be a beta-reader? Please email me at: lleach  (it’s a link) if so.)  I still would like to fix that project, because what’s there is intensely cool.
I also have a new project that goes along with the book-in-waiting Whose Hearts are Mountains, which is currently last in the writing queue. It also takes place at an ecocollective, one built largely underground in the desert. The housing is based on a conceptual idea (and I will have to find and credit the architect involved.). The tube habitats he drew up have not been created in 3-dimensions, so I would have to do that myself, probably in pieces. No, I’ve never created my own piece before, but it’s another skill to learn just for myself.
I wish all the things I learned were useful to others — teaching, of course, is. Writing — the journey is still out. Disaster mental health — very useful to me and to my college for accreditation, but I would also have to take a master’s in counseling or social work to become certified in disaster mental health. (No, I am not doing that) I might be useful in consulting with the city or county, but I’ve had a history of not being taken seriously by the guys with trucks that do the planning. If I could get the Ministerial Alliance to quit quibbling over butts in pews long enough to see that they need to mobilize so we could certify disaster case managers (which I am qualified to do)… sorry for the divergence. It’s a sore point. 
Anyway — odd little hobbies like my gardens (and trying to get rare seeds to grow), fishing, and the Sketchup design are things I do for myself. I push myself to get more competent (I don’t seem to be able to do things without that drive to improve unless I’m super-depressed) Hobbies are flow activities; they’re things I lose myself in and it’s like meditation, only with a satisfying level of challenge. I’m hoping Sketchup rendering becomes another flow activity for me.

And I hope that computer will help.

Mood and writing status today …

I need to write on Prodigies today.
I’ve been getting work done in other places — taking the class is most important; editing what my betas are telling me about my books is important (I love fixing problems!); writing this blog is important, gardening is important …

Writing Prodigies is important, So why is this getting none of my attention? Because it’s been difficult getting my mind back into it. Yes, it still bothers me that I haven’t gotten published, and I do lose my motivation to write, especially when there are so many more things I want and need to do.

But I finished my weekly class activities the first week of classes, and I’ve set up 1/3 of my internship visits up. I’ve gotten the basic layout of my renovated class together, and I have to wait till later in the summer to get the rest done. I’m antsy — I don’t want to spend all my spare time vegetating on the couch.

So I’m a bit cranky today. I’m working on it.

A Pattern to my Days

As a professor, summer has a different pattern than the rest of the school year. The belief is that professors are “off for the summer”, and that’s generally not true for the faculty I know. The focus of our work changes, and we teach more concentrated courses and hold our office hours in Starbucks. We do research projects and revamp classes and write, and we may supervise internships and field experiences.

I’m currently splitting my days into three parts. Early in the morning, instead of writing this blog, I work on the next week in my drastic revision of People, Money, and Psychology. Instead of running it as a cognitive psychology class about money, I’m creating a class about poverty and all the ways it’s not just about lack of money. I’m two-thirds the way through the lesson plans. The rest is easier once I have a shape to the class. 
After that, I write the blog. Not that I don’t love all twenty-something of you, but I have to give my freshest coffee-fueled brain cells to the classwork first. I haven’t felt too inspired lately on the blog front, and I apologize.
Finally, my day is split between getting some sort of walk in, editing Voyageurs, and planting plants in my soon-to-be amazing garden. 
So what are you up to today? 

Editing, as much as I dislike it, may be where the magic happens.

Writing is delightful, full of beginnings — meeting the characters, exploring their world, setting them on an adventure. Writing feels like the first of May — trees in bloom, journeys started.

Editing feels like carving into a knotty tree with a chainsaw. Every spare subplot, every awkward sentence, every cliche causes the saw to buck. And then, when all the negative space is trimmed out, the question becomes whether or not what’s left is the true seeming of the story.

I had a revelation about where a couple of my stories  (novella? novel?) should go, and I’ve been wielding the chainsaw lately. I think they’re getting better. I think. It’s sometimes hard for the one with the chainsaw to judge.

Where Did I Get Lost?

Once upon a time — no, I’m not starting a blog with something as lame as “once upon a time”!
Then again, it is like a fairy tale — but I’m up to the part with the swamp, and the rodents of unusual size, and Baba Yaga with her hut on chicken legs trying to put me in her cookpot …
I’ve been writing all my life. My first recognized work was that Groundhog Day poem my third grade teacher posted on the classroom door. I’m not sure my sister, ten months older, has ever forgiven me for a day full of “Did your sister really write that poem?” It was the first time I’d been complimented on my writing.
My eighth grade English teacher kept all the poems I wrote in a folder, and gave them back to me when I graduated eighth grade. She told me to keep them, so I did. If she hadn’t told me that, I would have thrown them out, because I hadn’t gotten any indication from my parents that they were important.
When I was in high school, the people who sat around me in General Business class — well, let these lyrics speak:
John told me he would marry me
Right in the middle of Civics class –
I guess I never believed him;
You had to know how I was –
A girl who hid inside her coat
And startled at shadows, wrote poetry
That Marsha and Tammy read to him –
But I never wrote a poem for John.
John and Tammy and Marsha told me I needed to get published someday, and I realized that getting published would be a way to get the recognition that was so rare in my home life. 
In college, my repertoire for poems (and later lyrics) fit one of two categories: “life sucks” and “there’s this guy.” Nope, I forgot the third — “life sucks because there’s this guy”. My first college boyfriend broke up with me on my birthday because he met a woman at a party he liked better. But, according to his fianceé, he kept all the poetry I wrote him, even though he “didn’t understand it”.
I was once a singer-songwriter, during grad school, until I divorced my guitarist. It was the first time in a long time where I was allowed to bring my writing out in the open for recognition. Those lyrics above were from that era, and time spent in open mic and in jam sessions exposed people to my writing.
It was only a few years ago that I wrote a novel. My first novel exists because I kept writing short stories around a dream I’d had, and my husband (not the guitarist) told me I might as well write a novel, so I did. And then I wrote more, and I improved, and I had a pile of novels on my hard drive. Three things occurred to me as I wrote novel #5:
1) These were novels, which were things that publishers actually liked to publish!
2) Nobody would ever see them unless I published them
3) I was hungry for recognition on my writing, and I hadn’t had any for 20 and a handful of years.
(Recognition, as you might have guessed from reading this essay, is a difficult subject with me. According to my mother, she never complimented me on anything because I was a gifted student who read at age 3 and she was afraid I’d get a “swelled head”. Instead, the school district treated me like a little prodigy and the praise I got from them wasn’t enough because it wasn’t from my parents.)
So I explored getting published. I started the traditional method, which was sending to agents, and I got a bit bucket full of electronic rejections. I wrote to a couple publishers directly, with equal results. I tried Kindle Scout, and neither time were my books ever regarded highly enough to pull into contract.
I decided to try Wattpad after a friend’s suggestion I publish something there, and I came out of terribly disillusioned. It appears that if one wants to be seen on Wattpad, one must carefully calculate how to “sell” the book. I admit that I have no talent for selling things — my pitch tends to sound like “well, if you have to read a book, you might not mind mine.” 
So now I’m at a crossroads. Not as in “Will I keep writing?” but as in “How can I try to be heard/read without losing my humanity?”
Any suggestions welcome.