I think I have the idea on how to re-re-revise this year’s Kringle novel. It’s going to be a little flexible with reality, but not in an unrealistic way. No, that didn’t sound so intelligent. Let me try again. I will have to introduce a slightly unrealistic scenario, but not one that requires a massive suspension of disbelief.
The problem has been how to keep my aspiring writer in town and at the lodge for long enough that she actually has time for relationship development from meet-cute to growing interest to the peak, the misgivings, the breakup, and the reconciliation. The writing retreat has to be about two weeks long, and she’s not independently wealthy, so two weeks at the lodge isn’t something she can afford (even though it’s not exorbitantly expensive to stay there).
Enter an artist-in-residence program. This is not completely unrealistic; Amtrak had one a few years ago (that I desperately wished I was well-enough regarded as a writer to receive). There’s no reason the lodge couldn’t have this, and in the winter, which is not the prime tourist season. I know in reality that the lodge I am modelling this after never has a down time and thus would not sponsor an aspiring writer. But it’s theoretically possible.
In this scenario, my female protagonist, a writer, would be invited for a two-week artist-in-residence stay at the lodge, which would last through Christmas. During this time, she would give a book reading, talk to local aspiring writers, and write some features on the area. So she would interview the local Santa and visit the surrounding towns as well as the park. And she would fall in love with the executive chef.
How does she have two weeks for a writer’s retreat if she’s also college faculty? This is the end of her sabbatical, and she will go back to work after the break. Not unreasonable assumptions again.
I think this is doable. All I have to do now is write it.
Words Like Me 