Dreamblogging

I wish I could blog in my sleep. Right now, I’m sleepy enough that I can’t build up a brilliant topic to write, and I don’t want to leave this space blank. If I could sleep and blog, I could blog my dreams while they were happening, without the internal censor of my waking self trying to make sense of them. I might look something like this:

Richard and I are moving out of an apartment which apparently isn’t ours. We’ve been putting this off because we don’t know whether we’re taking the train or driving home, We are all actually in a house where the family is leaving to go on vacation, leaving it to us (who are leaving) and a half-dozen teens who were hanging at the house without making any attempts of cleaning up after themselves. I am standing in the hallway on the cell phone with a friend (let’s call him Kermit) advising him on how to deal with another friend (let’s call him Arnold), who has a rather unique and quirky personality. I go back in and find Richard’s gone, and I can’t get a hold of him on the phone. I search a nearby college union (University of Illinois Illini Union) to no avail. I’m all weepy all over the place for the next day, stumbling through conferences at the Union because whatever. I finally hear from Richard, who acts like nothing happened. He tells me where he is (notice we are not fully packed for the trip to one of two places, either by train or by car, and all of a sudden I’m on roller skates in an upscale shopping mall, trying to find where Richard is. I discover the only way down to another level in the brick hallway along a mirrored wall is a wide, stalled escalator. I wheel onto the escalator, and instead of skidding down the stairs, I hover down them, all the way down, until I lightly touch the ground.

Think about how I would have written that if I was awake. I would have interpreted it: “The moving out of the apartment mirrors our current situation with evicting renters … ” and I would have tried to make sense of it, smoothing out some of the discontinuities and pointing out that, in real life, I neither skate nor hover.

When I write from a dream, I try to capture that wild discontinuity, the more fanciful elements. But I admit I smooth them out, because it’s only human to either want things to make sense or blame the vivid weirdness of a dream on pizza before bed or a bad acid trip. But think about if the above was a less prosaic dream — and it is rather prosaic in topic. How about a dream about finding a commune in the desert populated by immortals who were trying to hide their identities, and then finding out you were the child of one of those immortals and a human? What kind of identity crisis would she have? And what if she were being pursued for the secret she holds, bringing danger to the commune?

That was a dream I had 30 years ago while sick with a kidney infection, where the dream stretched over two days. I’m writing that book now — it’s called Whose Hearts are Mountains, and I hope to get it done someday.

Hope

What do I write about when I feel I’ve written to you about everything?

How about hope?

Hope, depsite what most people think, is not a wish that someone makes that something will happen. It is not a belief that something specific will happen. But it is a belief that something positive will happen.

There is a big difference between those items. A wish is a petition to an external grantor — God, the wee folk, Fate, the Goddess of one’s choice. The wisher washes their hands of agency and often blames the external grantor if the wish is not fulfilled. For example, “I wish I would get published” gives the responsibility for my getting published to The Powers That Be, who so far have failed me. Bribery — “I’ve been good, God, where’s my cookie?” — is also a danger to wishes (and very specific prayers) and ends in disappointment.

Believing that something specific will happen takes the onus off a god figure, but provides only one narrow possibility for fulfillment. This time the fulfillment is in the hands of a worldly grantor: “I wish Tor/Forge would publish my book.” There’s only one way for this to be fulfilled, and how good my book is doesn’t enter into it, nor does whether it’s something that fits their imprint. Worse, if I receive this, I will never believe my worth if it happens. (Ok, maybe I would.)

For the final part, I’d like to share an old joke with you:

Sven prays every Sunday in church that he will win the big lottery. Week after week he prays, and week after week he fails to win. One day, he prays: “Lord God, I have prayed in church every week to win the big lotto, and I don’t win. Have you forsaken me?”

A big booming voice rocks the whole church building: “Sven, buy a lottery ticket.”

This joke has a lot to do with hope as it really exists. Hope is, first and foremost, a sense of positivity around the situation. It doesn’t provide a script for what should happen, but opens our eyes to what could happen.

For example, if I hope for the way to open (Old Quaker speak) toward getting published, then that can be fulfilled in many ways — through finding beta-readers after a year of searching, finding a developmental editor in my Camp NaNo cabin, finding my way through a knotty plot problem, getting an aha about a query letter, getting an agent, etc. I might not have seen any of these developments as progress if I saw hope as granting a wish or demanding the universe deliver.

Hope is thinking, “This could happen” every time I send a batch of query letters, hooking up with a developmental editor despite my fears that she’ll feel my manuscript is crap, looking at the latest message from one of my betas and thinking about how to improve something.

If you’ve been reading this, you know that sometimes I feel hopeless (and sometimes I am hopeless). But then I rise again, and hug hope to my chest for another round.

Acknowledgements and dedications

When I am about to embark on another querying round, sending agents a bundle of my work that generally sells my book as a product, I need something positive to anchor me, because it’s a brutal process with lots of rejections and (so far) no acceptances.

To keep myself positive, I compose acknowledgement and dedication sections.

For example, Prodigies is being developmentally edited right now. In the acknowledgements, I will need to include Chelsea Harper (the editor); Marcel Borowiec (who supplied translation help on one short section); my beta-readers (I’m hoping Sheri Roush and Martha Stewart agree to another round of reading); and last but nowhere near least, my husband Richard Leach-Steffens for letting me bounce story ideas off him and keeping me plied with coffee.

Meanwhile, Voyageurs is about to go into the query cycle after a revision. I would acknowledge some of the people above, particularly Sheri and Martha and Richard, so I’m thinking of dedications.
The trick to dedications is that you want it to be sincere, interesting, and in fitting with your image.

Oh, God, what is my image?

I would call my image ageless with a dry and quirky sense of humor. (As opposed to real-life me, which is a little more goofy). So let me write the dedication: To my husband Richard, for his unfailing support and endless pot of coffee.

Developmental editing

In a neverending quest to learn about what I’m doing as a writer (and hopefully get published), I am sending the latest copyedited manuscript for Prodigies (this is the one I needed the Polish translation for, Marcel) to a developmental editor.

Whereas a proofreader reads for punctuation and grammatical mistakes, and a copy editor goes a little deeper into confusing and awkward sentences, a developmental editor reads for bigger pictures — flow, characterization, troublesome developments, places you lose the reader.

I don’t know how this will turn out, but I want to get to the bottom of why I’m not finding an agent, and the idea is for me to get as smooth and refined as possible.

I must be out of my depression, because I’m once again believing that maybe, just maybe I can get published someday.

Chasing the Muse

My muse appears, elusive in the street,
skipping through foot traffic, disappearing
in the crowd. The chase begins again
at the edge of the forest where the light
through the branches conceals. I never
touch his arm, he never kisses me, we do not
ever meet.

Slamming the door on my head again?

Oh, Gods — I’m thinking of submitting queries again after this latest edit.

I can think of all sorts of reasons not to — all of them in terms of rejections I have already gotten. I keep fixing it, and I keep getting rejections.

On the other hand, if I don’t send queries, nobody will get to see whether it’s publishable or not.

I’m still not ready to self-publish, mostly because self-publishing in the academic world means that you haven’t been peer reviewed and, thus, your work is not legitimate.

I am so torn …

Life without coffee

This morning, my husband said to me, “I didn’t roast any coffee yet and we’re out of emergency beans. Would you like tea this morning?”

I felt my vision narrow into a grey-hazed tunnel and my body curl into itself. “Help?” I moaned weakly. “Coffee?”

Tea would just not cut it. Don’t get me wrong — I love tea, from the deep earthy murk of pu-er to the light fragrance of a Chinese green. I drink Darjeeling the way others drink wine — literally, because I’m no longer allowed to drink alcohol. It’s just that tea doesn’t have the body, the mouth feel, the fortifying nature of coffee. Tea is an afternoon indulgence; coffee is a trusty helper.

I am not a coffee addict. Truly I am not. I can quit anytime I want … except, apparently, this morning. Because I begged my husband to go out and get some coffee, and here I sit, now drinking the elixir of life. Richard is the hero of this piece by bringing me coffee.

Juggling cats

I’m juggling cats.
Hefty cats.
With claws out.

This is what my schedule seems like lately. In addition to editing books, I’m taking an online course, putting together what is roughly a manual for doing moulage, putting together an online course for fall, and visiting interns on site. If this is a summer vacation, I’m not vacationing much.

Oh, yes, and I got my psychological first aid certification, so there’s that.

And I’m managing to do this all while recovering from a depressive episode. Yay me!

Today, the excerpt is from the manual for moulage. It’s somewhat drier than my fiction, so apologies in advance —

In the case of disembowelments, this author has used inflated condoms and pork sausage casings as the simulated bowel material, which show some promise but at the same time have limitations. Condoms must be inflated and tied together, a feat impossible to do if the condoms are lubricated. The casings must be soaked in lukewarm water to remove the excess salt and likewise inflated and tied, a task not for the squeamish. Actual pork intestines yield the highest fidelity in constructing a disembowelment, but its characteristics (slipperiness, smell) might be a deterrent to its use in moulage.

Happy breakfast!

Back to Camp

I’m back at CampNaNoWriMo, Camp NaNo for short. It’s the second summer session for the virtual campers to work on books. I’ve signed up for 30 hours of revising (yet again) Mythos after my beta-reader went through it.

I’m feeling the heat of the summer deep in my bones, weighing me down with indolence and a total feeling of “meh” about writing. I don’t feel hopeless about being published, I don’t feel distraught about not being published, I just don’t feel like much of anything, especially as regards writing. I don’t like feeling this way — ok, I like not being drenched by despondency, but I rather miss that belief that something could happen any day now that could result in a writing career.

Perhaps this “meh” feeling is what I end up with. If that’s so, then maybe it’s time to give up writing. I know, I keep threatening (or promising) to give up writing, and I don’t. But if it ceases to spark something in me, I may have to find something that does.

This might be depression — I’ve been struggling with that for a while, no matter how happy and bouncy I look. I have an eye on it.

A poem from the book I’m editing

I’m taking a quick pass through one of the books I’ve neglected before Camp Nano — July session happens. This might be my most transgressive poem — something about the mud ..

I don’t know whether I want to hold you
Till I feel your heart in my chest,
And we entwine like the Trees,
Or mate with you
In the mud, in the rain, in plain sight.
Either way, we become something new.