Afternoon Nap

I can fall asleep sitting up in the middle of a task that I seriously want to do. Yes, it’s true. I did so this morning while editing Apocalypse. It was seriously motivating work!

Photo by Mike Bird on Pexels.com

How the heck can I do this after 8 hours of sleep?

Maybe because I’m getting older. And while I can do it in the summer, I will take afternoon naps. I could not do it for most of the summer because of internships, so it may be time to do it now.

Nighty-night!

The Seesaw

There’s nothing that motivates me as much as charging toward a Big Audacious Goal — except if that BAG is a publishing goal, and then I’m even more motivated. I’ve been spending three and a half hours a day for the last 3 days editing Apocalypse. I’m halfway through the book and all the way through my Camp NaNoWriMo goal. Just in time for the Fourth of July.

Photo by DS stories on Pexels.com

There’s nothing that threatens to tear me down as much as charging toward a Big Audacious Goal. A constant barrage of negative self-talk pummels me with all the reasons I should stop:

  • Your writing isn’t that good.
  • Nobody wants to read your writing.
  • Nobody cares about your writing.
  • Your work is too shallow.
  • It’s romantic fantasy — are you kidding?

It’s a quandry. Everything to do with publishing brings me out of whatever doldrums I’m in. It’s the payoff from writing and editing and re-editing and re-editing. But those questions. Is it worth making myself vulnerable to negative self-talk which may, in fact, be true?

I think it’s time to meditate. Or take a nap. Or something.

A Bit of Excitement on the Writing Front

I am publishing Apocalypse January 1, 2024!

Photo by Victor on Pexels.com

I’ve finally gotten over my indecision and decided!

The summary: Godlike beings and the ecocollective Barn Swallows’ Dance clash, humanity in the balance. How will the pacifists in residence meet the threat to all they know?

My niece is once again creating the cover; I have a design in mind. In fact, that’s what persuaded me to publish in January; I knew what I wanted on the cover. Until then, publishing was just an idea.

This book has seen several versions, a lot of editing, and some belief in myself to make it to a viable book.

Wish me luck! Better yet, read it!


There will not be any Kringle romances for the foreseeable future; I love the Archetype books (there are more) better. If I had a following that said “OMG I NEED KRINGLE BOOKS” I might change my mind. So both of you out there need to make some noise ๐Ÿ™‚

Another Direction

I’ve been stymied on my work in progress, Avatar of the Maker. I’m in the section where things are ramping up to a battle, and uncertain as to how to make the action actually ramp up (or should it be the calm before the storm as I am currently writing it?)

I feel like I have lost my bearings, that I have lost my flow. This is why I’ve gone back to the beginnings (even though I’m not done with the book) to edit and get a feeling for what comes before. I’m hoping this will give me a jumpstart for the flow of the second half of the book.

After going through the first 4 chapters, I have a good feel for the beginning. Now to go through and see where the flow bogs down.

Here’s Chapter 4: The Great Loss

In a place where humans had never set foot, a group of beings sat in a room. Its black crystal walls twinkled with light from the molten white floor, from the white table, and from the participants themselves. The shortage of light did not lessen the sterility of the surroundings.
โ€œThe Apocalypse proved that we, the Archetypes, no longer take our protection of the human patterns seriously,โ€ Luke said, his hands tented in thought. His ruggedness, in contrast to the unlined faces of the others, announced that he had, unlike most Archetypes, committed evil โ€” in his case, for the sake of good. Also, unlike most Archetypes, he had repented, which gave him a perspective that could be called almost human.
โ€œBut they still embrace evil.โ€ The Baraka Archetype, short and spare like his people, leaned forward. โ€œThey fight wars. They envy each other and they commit crimes out of greed.โ€
โ€œOr out of want, or madness, or a dozen other things.โ€ Luke grimaced, reflecting a view of reality that had wavered from the neutrality of an Archetype. Su, his consort and the Oldest of the Oldest, watched impassively. She knew how to play the game, Luke noted, something he had lost in his long association with humankind.
โ€œIf we give them the full impact of their cultural histories โ€” not just the facts, but the fear, the hatred, the xenophobia.โ€ The Bering Strait Archetype looked at his hands.
โ€œHow do you know it will make them worse? They already hold the oral tradition of their peoplesโ€™ pasts, and those seem to inspire xenophobia, itโ€™s true. But what if they remember the full impact of the losses of war and weigh it against their hatred โ€” would they decide to fight more? Or would they lay their weapons down?โ€ Luke took a breath, to calm himself down, to wear the gravitas of the Archetype instead of the passion of humans. โ€œWhat if gaining their cultural histories changes nothing at all, given that they are vast hybrids of cultures? The point is, if the humans kill each other, millions of them will not die with each death. If we keep holding the patterns of the humans โ€” โ€œ
โ€œOne of our deaths will kill millions of humans through the loss of their patterns,โ€ Su said. โ€œWhich is why the Maker created us nearly immortal. Yet the Triumvirate, Archetypes themselves, almost killed Lilith, who held the patterns of all women. Can we guarantee this wonโ€™t happen again?โ€
Suddenly, the residents of the room stopped speaking. Luke felt as if a wind had cut through his immortal bones and chilled them. Then he felt the weight, a weight of the history of countless descendants of the people of the seax, the knife that gave its name to the Saxons. And then his burdens vanished, and he felt a hollowness inside. The gasps from the others at the table echoed him.
โ€œWhat โ€” what was that?โ€ The Ibero-Maurusian broke the silence.
โ€œI think โ€” Su, did you notice anything?โ€ Luke asked, noting the puzzled look on his consortโ€™s face.
โ€œNothing.โ€ Su looked at the others at the table. โ€œExcept that all of you around me froze for a moment and slumped forward. As if something took something weighty from you.โ€
โ€œAs it has.โ€ The Bering Strait Archetype pressed his lips together. โ€œI think โ€” I think we lost our patterns, and if so, the Maker has taken them from us.โ€ He sounded bewildered, as if he lost something more than the weight of patterns.
โ€œI mustโ€ฆโ€ the Ibero-Maurusian said, then paused. โ€œNo.โ€ She spoke slowly, as if weighing each word. โ€œWe may be the only ones whose have lost our patterns.โ€
โ€œBut what does this mean?โ€ The Baraka pounded a fist on the table.
The Yolnju Archetype spoke. โ€œI think this means that the Maker decided for us โ€” He will take our patterns from us whether we are ready to relinquish them. And weโ€™re the harbingers of this big change.โ€
The discussion broke down into discordant declarations of confusion.

Later, Luke felt a hollowness in his entire being as he shimmered into the chilly dawn at Barn Swallowsโ€™ Dance. His feet materialized on the beaten green surrounding their Commons building. In the early morning, none of the residents โ€” the human residents, that is โ€” wandered the grounds. Luke sought his daughter Lilith and her consort Adam, both Archetypes, to share the latest news from the Council of the Oldest. He set toward their little blue cottage, his boots treading on the fallen gold and red leaves of a maple tree.
Adam and Lilith lived as humans in the community of humans, to the consternation of the Council. They, and Luke and his consort as well, served as patrons of the collective. Giving โ€” what? The residents showed more courage than the enemy and noncombatants in their fight to protect humanity. Humans proved more clever in the strategies they employed, subterfuge and illusion rather than brute force. Humans saved themselves, with the final sacrificial act of the Archetype Boss Aingeal merely a reflection of the compassion he saw by the humans. Or so Luke believed.
Humans, Luke thought, do not need us anymore. They do not need us to protect their cultural memories anymore. They can fully face their ancestorsโ€™ raw emotions of fear and hatred and pride and belongingness.
Humans are the future. Archetypes will fade into the past as the Maker decrees. Other than as repositories for human ancestral memory โ€” the souls of cultures โ€” Archetypes served no purpose.
Luke thought about the differences between Archetypes and humans. Humans lived Earthside in buildings they created with sweat and toil, which they adorned with mementos that reminded them of important things. The building โ€” the house โ€” protected humans from the elements, and the humansโ€™ ingenuity and intelligence protected them from many more hazards. Humans grew efficient enough in protecting themselves to possess leisure time to dream, create, and cherish each other.
Archetypes dwelt in InterSpace, a nothingness of black crystalline walls and floors like milk glass. The Maker created Archetypes to need very little, not even each otherโ€™s company, but immortality and idle time weighed heavily on the soul. To fill their time, Archetypes fabricated what they furtively glimpsed Earthside from the stuff of InterSpace, and those artifacts would dissolve into their component molecules before too long, which kept the Archetypes from tiring of their material acquisitions.
Luke knocked on the door of the little blue cottage.
Luke, Adam said into Lukeโ€™s mind. You could have mindspoke us first.
I didnโ€™t want to interrupt you from doing human things.
Adam opened the door, one eyebrow quirked. He wore the unrelieved black he preferred, which set off his pale gold skin and cinnamon brown eyes. Archetypes resembled superlative examples of the cultures they represented, and Adamโ€™s Han and Proto-Celt heritage created a rare masculine beauty.
Adam looked Luke up and down. โ€œWhatโ€™s up?โ€
Luke hesitated. โ€œHas anything โ€” happened โ€” to you? Strange feelings, orโ€ฆ?โ€
Adam shrugged. โ€œNo. Should it have?โ€ He opened the door of their cottage to Luke.
โ€œThe Council just met, and I need to talk to someone. In person โ€” this is not a matter of mindspeech.โ€ Adamโ€™s eyebrows raised, and he opened the door to Luke and stepped aside. Luke looked around at the house, at the decor in soothing blue, the comfortable couch and chair. On the wall hung a frame with two braids of hair โ€” one black, one the golden blonde of his daughterโ€™s hair โ€” in the shape of a heart. A very human artifact, shaped by hands and not by thought in InterSpace.
โ€œLuke?โ€ Lilith asked her father, as he followed Adam into the living room. โ€œWhatโ€™s wrong?โ€ A smile formed and faded on Lukeโ€™s face as he studied his daughter, noting as he so often did how his features reflected in his daughterโ€™s face shone so radiantly.
โ€œNothing โ€” I donโ€™t think. At least I hope my vague worries are for naught.โ€ Luke settled himself in a chair, feeling the whole of his six thousand years. โ€œWell, the Council has been meeting for these three years since the Apocalypse. As you know, immortals take their sweet time deliberating on anything, especially immortals with as little imagination as Archetypes.โ€ Luke steepled his hands.
โ€œDeliberating on what?โ€ Lilith asked, leaning forward.
โ€œWhether humans should possess their own patterns, their cultural DNA. With us Archetypes carrying the collective cultural memory, the bone-deep emotions of culture, we subject large swaths of humanity to extinction if one of us gets killed.โ€
โ€œSuch as what almost happened in the Apocalypse because I held all the womenโ€™s cultural DNA.โ€ Lilith stood. โ€œIt seems a simple decision that we should divest the DNA patterns to the humans. Each one gets a piece of that memory and thereโ€™s no mass die-offs.โ€
โ€œI agree,โ€ Luke mused, โ€œbutโ€ฆโ€
โ€œBut?โ€ Adam interjected.
โ€œBut just now, I sat in Council debating why humans earned the right to experience their full cultural memory โ€” the Baraka and I debated whether cultural memory would exacerbate human nationalism โ€” when I felt a great weight fall from me. From the collective gasp I heard from the others, I guessed they had experienced the same thing. The event stunned us into silence, rare for the Council.
โ€œSu spoke out of the silence that fell upon us, asking what happened to the rest of us. She didnโ€™t experience any of the disorientation, the lightening of our being, because her charges, the Denisovans, died millennia ago. That was how we reasoned we lost our chargesโ€™ cultural memory. Those patterns we held.โ€
โ€œHow?โ€ Lilith inquired. โ€œYou said the Council hadnโ€™t decided.โ€
Luke waited a beat, then two. He didnโ€™t know how to say the suspicion in his mind โ€”
โ€œYes?โ€ Adam asked.
โ€œI would guess the Maker reclaimed them.โ€ Luke felt that vague, floaty feeling that had plagued him since the incident.
Adam and Lilith broke out in consternation. โ€œThe Maker? Does our Maker even exist?โ€
โ€œSu remembers the Maker, who created the first of us. Su never saw Her after that, and the legend is that the Maker created us to do His work, and She left to create the clockwork of another world. Until, apparently, now.โ€
โ€œWhy now?โ€ Adam inquired, brow furrowed.
โ€œI would guess itโ€™s because weโ€™ve fallen down on our job.โ€ Luke looked down at his hands. โ€œWhich we have, given that at best weโ€™ve been indifferent to our human charges, and at worst โ€”โ€
โ€œSome of us plot to kill them.โ€ Lilith grimaced. โ€œIt doesnโ€™t matter that we โ€” the people in this room โ€” fought against those who planned to annihilate the humans. We, as a race, failed humans.โ€ Lilith dropped her hands in her lap.
The three sat in silence. A luxurious black cat, another sign of his daughterโ€™s growing humanity, stropped Lukeโ€™s ankles. He reached down and idly petted the cat.
โ€œHow do you know youโ€™ve lost your patterns, Luke?โ€ Adam pressed, leaning forward.
โ€œYou just know โ€” itโ€™s as if Iโ€™ve lost some weight, some substance suddenly. I feel strangely bereft without the weight of the humansโ€™ patterns on me. Like Iโ€™ve lost my purpose.โ€
โ€œBut you have a purpose,โ€ Lilith argued. โ€œYouโ€™re on the Council. You help support Barn Swallowsโ€™ Dance.โ€
โ€œI canโ€™t explain it.โ€ Luke rubbed his forehead. โ€œItโ€™s a feeling, a very human feeling. At least, being close enough to humans to understand feelings, I can name whatโ€™s happening. But I donโ€™t know what to do with myself.โ€
The Bering Strait Archetype spoke in Lukeโ€™s head. We need you back up here.
โ€œExcuse me,โ€ Luke nodded to his daughter and her consort. โ€œItโ€™s time to face the music.โ€ And Luke shimmered away.

โ€œLuke.โ€ The Bering Strait Archetype shot a pointed look at Luke as Luke re-materialized in the dark chamber. โ€œGlad to see you again so soon. Weโ€™re not impetuous beings. Does this come from your exposure to humans?โ€
Su spoke. โ€œWhat do we need to do to warn the other Archetypes of what will happen?โ€
The Baraka hesitated. โ€œI donโ€™t know that we should warn them,โ€ he mused, his hands clasped in front of him, fingers interlaced. โ€œIf we warn them, they may speak to each other and magnify the issue far beyond reason. I think itโ€™s in our best interest to keep this quiet, and let each Archetype believe he is the only one.โ€
โ€œAre you sure this is a good idea?โ€ Su asked. โ€œYou assume our Archetypes make no contact with each other? Although we are an introverted people, it doesnโ€™t follow that thereโ€™s no communication between us. All it would take is a daisy chain of acquaintances trading observations before several Archetypes would know it wasnโ€™t just them, and our lack of warning would be suspect.โ€
โ€œYou mistake us Archetypes for humans,โ€ the Baraka Archetype argued. โ€œWe are less volatile, more rational. I believe we will take this much more calmly than humans might.โ€
โ€œYou felt what happened,โ€ Luke pressed. โ€œYou felt the hollowing out of your being. How did it make you feel? Rational? I think not.โ€
The Ibero-Maurusian jumped in. โ€œI think the Baraka is correct. Besides, we hold no power over the divestment of human patterns, as itโ€™s being driven by the Maker. Therefore, we possess no responsibility.โ€
In the end, the Council voted to keep secret the divestment of human patterns from the rest of the Archetypes. Luke took a deep breath against the very real turmoil churning in his stomach.

My Road Warrior Setup โ€” Update

Iโ€™ve had my iPad Air/Logitech keyboard/Logitech mouse for over a month and have taken it on road trips. I have blogged with it, written on my work in progress, and surfed the Internet. Iโ€™ve given it enough of a workout that I can review my experience with it.

  • Weight and heft. Compared to a Surface Book 2, the components of my travel setup are lighter and easier to carry. They fit in the leather smaller-than-a-briefcase bag, and theyโ€™re still lighter than my Surface in a canvas messenger bag. Or least I perceive them as lighter โ€” that leather bag isnโ€™t light.
  • Screen size. The iPad screen is a little smaller than the Surface. Decently smaller, with the Surface 13.5โ€ vs iPadโ€™s 10.2โ€. Because this is a secondary setup, this doesnโ€™t bother me. At home I have two old display screens at approximately 22โ€. If I need big screens, I dock to those. On the road, Iโ€™m more about function than form.
  • Looks. That being said about form and function, my setup is ridiculously cute. The logi keyboard and mouse in lavender lemonade match my case. Of course, this doesnโ€™t really figure in my satisfaction with the setup. Really it doesnโ€™t.
  • Function of the peripherals. How comfortable are my peripherals to use? The keyboard (Logitech K380) is responsive but sometimes needs to be re-added to Bluetooth. This is likely a Bluetooth thing. The mouse (Logitech Pebble) works superbly and is made for the hand.
  • Function of the iPad. I keep the iPad plugged in if at all possible, because playing with it too much will wear the battery down. I do not notice any lags, glitches, or quirks. There are glitches and quirks, but they seem more about the interaction between iPad, keyboard, and apps.
  • Pulling it all together. Overall, the iPad setup acts exactly like a computer, or at least exactly like an iPad acting like a computer. Where the computer would require to get rid of a screen by clicking the little x, the iPad has you click a bar at the bottom (or you could use your finger.) There is an occasional quirk where the keyboard will not scroll your screen up or down all the way (only with specific programs such as Jetpack. You can move the screen with your finger.

In conclusion, thereโ€™s a lot of good and very little trauma in using the road warrior setup of iPad and entry peripherals. I take it with me everywhere just in case I want to write, which is something I never did with my Surface. I wonโ€™t give up my Surface, because there are some things the Surface does better (like hooking up to the big screens). There are some things I havenโ€™t tried on the iPad (Photoshop and other graphics) mostly because I canโ€™t afford Photoshop on the iPad. Big productions will be better on the Surface, I suspect, but for everyday use Iโ€™m very happy with my iPad setup.

In Remembrance of Shrimp Creole

Which food, when you eat it, instantly transports you to childhood?

Shrimp Creole, out of the Betty Crocker cookbook. Shrimp with minute rice, tomato, green peppers and a touch of Tabasco sauce. Now and again I run into the recipe, and I am carried back to โ€ฆ

My most hated dinner meal.

Iโ€™ll admit I was a picky eater. I went through a โ€œwhiteโ€ period in my tastes and preferences. Cottage cheese, mashed potatoes, and tater tots. I did not like vegetables. But I hated green peppers, overcooked green peppers, olive drab-colored peppers, the most.

Add to that the overcooked, rubbery shrimp and the minute rice. The Sixties and Seventies were an area of kitchen sacrilege. My mother was a good cook, but that recipe โ€ฆ that recipe was evil.

There is a Tiktoker who makes vintage recipes and critiques them, B. Dylan Hollis. I would like to see him make some shrimp creole and commiserate with me. I think heโ€™d stop at the chewy, tasteless shrimp and exclaim loudly about the bitterness of it all

I know there are good things my mother cooked, but I canโ€™t remember any of them. All I can remember is the bane of my existence, shrimp creole.

Incense

I’ve been feeling uninspired by writing today, even in my blog. I’ve spent the morning and much of the afternoon doing laundry, writing emails to students, and drinking a Starbucks venti brown sugar oatmilk shaken iced espresso (which reminds me of this.)

I enacted one of my writing rituals, incense. Not those cute little incense sticks or cones you see (so I’m told) at the local head shop, but the real thing: frankincense tears. The kind you have to burn on self-igniting charcoal. Church incense (if that church is hard-core; most of the church incense I’ve been seeing is myrrh and rose).

It’s a fine ritual: get the goblet-shaped censer (or the thurible if you’re high church), put a puck of charcoal in it and light it, let the sparks burn through, and add the incense.

Photo by Anete Lusina on Pexels.com

But something happened differently this time.

I put the usual amount of incense in, the amount that gives a small trickle of smoke, but that’s not what I got. I must have accidentally found the formula for optimizing the amount of smoke, because that’s what I got โ€” billows of smoke. So much smoke I thought the smoke alarm was going to go off. So much smoke that the Brothers at the Abbey would tell me to knock it off. So much smoke that I was getting a contact frankincense high.

It was lovely.

Growing up Catholic, I remember the thurible brought out on special occasions by the priest. A thurible has long chains and the priest can swing it back and forth. I remember smelling the incense and wishing more would waft into the back of the church where I invariably sat. My friend Les, not a priest, had a thurible and would swing it 360 degrees, but only in my peripheral vision so I didn’t see it. (The little imp.) I got my love of incense from him, and still have a couple ounces of myrrh incense from him I only use on very special occasions.

The quality of my day has changed because of the incense. I haven’t written any more yet, but there is a softness to the day I didn’t notice before.

Daily writing prompt
Whatโ€™s your favorite thing about yourself?

I just about avoided this prompt. I have fallen back into what I like to call โ€œMidwestern Female Syndromeโ€ โ€” the internal need to be perfect and the external seeming of mediocrity. Donโ€™t promote yourself, deflect all praise, donโ€™t draw attention to yourself. I donโ€™t know why Iโ€™ve fallen back there, except I think it might have to do with my upcoming 60th birthday. Women my age are supposed to be (according to society) invisible.

I decided to answer this question precisely because of the discussion above. I need to fight being invisible. I need to have a favorite thing about myself.

So here goes: My favorite thing about me is my sense of humor.

My sense of humor is dry. And sardonic. And silly. And quirky. And sometimes snarky. In rare moments, a bit dark.

Humor helps me cope through rough times. I find laughter reduces both physical and emotional pain and takes my mind off things that disturb me.

Sometimes I laugh for no apparent reason. Iโ€™m laughing at the ludicrous moment that has just passed โ€” an accidental pun, a facial expression, a droll witticism. I find humor in places other people miss.

Sometimes I make people laugh to break the tension that fills a room. It has to be done carefully, so as not to offend anyone or make them self-conscious. Humor does not exist to avoid communication, but to make it easier. Best things to joke about in this situation: 1) myself; 2) something in the surroundings. When I joke in class, 3) something about the class material.

My husband is my partner in humor. We throw funny things at each other, and find things funny that nobody else would because of the context. This is a thing possible among friends.

I donโ€™t know what I would do without my sense of humor. Life is, above all, really funny.

In the Wilds of Des Moines

I havenโ€™t been writing enough lately because I have been on internship visits all week. The first trip was Lexington/Liberty/Kansas City MO, and the other Glenwood/Des Moines IA.

Going to Mars for some coffee.

Richard and I have gotten to stay overnight because of the mileage involved in visiting 3 interns. So we explore the places weโ€™re staying given the energy we have left. This usually means food places and coffeehouses.

Notes for the Des Moines part of the trip:

  • Gursha Ethiopian Grill: we ordered this Door Dash. Two drinks and one entree on my 5-item Vegetarian plate went missing. The lentil and split pea dishes were somewhat under spiced. On the other hand, Richard ate the 5-item meat platter and said it tasted exceptionally good. Consensus: donโ€™t eat here if you prefer vegetarian.
  • Hotel Renovo: This is a โ€œcountryโ€ themed hotel, but does not come off like Cracker Barrel and its aggressive nostalgia. There are design elements, such as one set of sliding barn doors to shut off a conference room. There is an overall feeling of space and comfort, created by big windows and not cramming spaces with too many couches and tchotkes. One startling use of a window is where the second floor hallway opens out into the breakfast nook. Keep an eye out for the deer in the headlights โ€” the bad pun version โ€” in the lobby.
  • Waveland Cafรฉ: Where has this been all my life? The cafรฉ is a breakfast place. And superlatively so. The atmosphere is quirky. The walls are signed by famous people who have visited, mostly newscasters and their crews, as Iowa is a news making state during primaries. The breakfasts themselves are wonderful, although Iโ€™d rate the coffee as โ€œokโ€.
  • Mars Cafe โ€” our coffee and writing stop. The conceit here is outer space, and the cafe does it well in a mellow space with joyous music. Mars has the usual fare in a coffeehouse โ€” coffee, lattes, etc. But they have their own creations; Iโ€™m drinking a Sputnik revisited, which is a latte with browned butter, walnut and cinnamon. My husband is drinking a Space Pioneer Miss Baker, which is a non-alcoholic cocktail with espresso, sparkling water, walnut bitters, and rose water. Iโ€™m feeling inspired to write this blog!

The mini-vacation ends this afternoon, when we have to drive the 2 1/2 hours back down to Maryville and deal with four very grumpy cats. But my mini-working vacation has been a very good one.

A Fun Work Trip

Iโ€™m on day two of a trip to Lexington/Liberty/Kansas City visiting interns. This also means I get to hang around interesting places we donโ€™t have in Maryville. My husband is working remotely while I go to my internship sites.

Lexington, believe it or not, has an indie bookstore/cafe with a real ambiance to it, which is better than we have in Maryville. It helps that Lexington is a town with history, although Iโ€™m not quite sure what their history is*. Liberty is more urban, given that itโ€™s closer to Kansas City. We didnโ€™t do much in Liberty.

Kansas City is one of my favorite places. I keep insisting if we win the big lottery, I want to move here. (Richard is pushing for a smaller town. Which is fine, but it better have an indie cafe.) We stayed in KC overnight so we didnโ€™t have to drive the 2 hours back down to visit our third intern. So far, we stayed in the 21c Hotel (based around art), ate an entirely too expensive and utterly magnificent steakhouse (Antonโ€™s), and ate breakfast at our favorite breakfast place (eggtc). Now weโ€™re waiting at Broadway Cafe for my appointment today, and from there weโ€™re going to Whiskers Cat Cafe!

After this, I am going to need a rest, and Iโ€™ll get one for one whole day. Then I will drive to Iowa and spend the night in Des Moines. And have more fun.

* Lexington history features being the first booming town west of St. Louis, and for confederates. I donโ€™t like the Confederacy.