The Lost is Not So Lost


I have never learned to speak
the language of these slate-edged hills; 
silence speaking eloquently
things I almost understand

I think I have heard you walking
softly, barefoot and daydreaming;
wonder if you've heard me calling
out my name, an owl's whisper.
In the Catskills,
do the sleepy towns tell tales?
In the Catskills,
do the sleepy towns tell tales?

**********

This is all I remember of the song. I wrote it 30 years or so ago, and I really haven’t visited it since I wrote it. I couldn’t even remember this much earlier this morning. I wrote the words down somewhere, but I don’t remember where I put them.

I looked on my computer and I found it! I found it!

I have never learned to speak
The language of these slate-edged hills –
Silence speaking eloquently
Things I almost understand

CHORUS:
I think I have seen you walking
Softly, barefoot and daydreaming
Wonder if you hear me calling
Out your name, an owl’s whisper
In the Catskills,
Do the sleepy towns tell tales?
In the Catskills,
Do the sleepy towns tell tales?

Looking in the deep blue patience
Of your eyes, I falter, losing
All my words of consequence
Everything I meant to say

CHORUS

In the wind that blows around
The hills, I thought I felt your smile
Gather up my words again
And try to ask what you were thinking

CHORUS

I used to be a singer-songwriter until I divorced my guitarist. I had an okay voice; my guitarist played a semi-finger-picking style and wasn’t very disciplined. We were never going to be anything but those folksingers who attended open mic occasionally. But I loved the words.

Most of what I wrote was about crushes I got while spending my daily life in a small town in the foothills of the Catskills. I had lots of crushes; I have lots of songs to reclaim.

I can’t sing now; I’ve lost my voice in all but my talking range. I suppose I could get it back with practice, but it’s hard having the heart to practice when reminded of how much I’ve lost.

I started to sing this, and I could sing without obstruction to my voice, although it was not as strong as before. The lost is not so lost anymore.

Words and Music (Essay)

The Words are Important

I’m listening to Counting Crows to wake me up, immersed in Adam Duritz’ (is that possessive right?) lyrics. He paints images, moods, scenes, describing without telling. I want to write like Adam Duritz, but I have to settle for writing like myself.

Another band I immerse myself in is Dream Theater, which might be on the opposite pole as Counting Crows, but the words evoke a sharp-focus world where people fight internal battles.

Making Room for the Music

I understand the music is important, also, in communicating the mood of the songs. Counting Crows’ roots rock sensibilities invoke moodiness, while Dream Theater’s wall of intricate metal and dissonance convey the intellectual alienation of their music.

I’m a word person — as a writer, this is expected. When I was an unknown singer-songwriter in my home town (before I divorced my guitarist 25 or so years ago), I wrote lyrics to his guitar compositions. I try to understand the music part, but I don’t really get how music can carry mood. I am willing to learn.

Tell Me Your Favorite Lyrics

If you have favorite lyrics, tell me about them and why they grab you!

A little happy cry

Today, my colleague Mary Shepherd presented me with the sheet music to the lyrics I showed you the other day. I heard the chords and melody on her music program — it’s simple, yet creates the mood which switches from anxiety to anger to defiance. It’s what it needs to be.

It’s exhilarating to have the final product in my hands. What’s more thrilling is that Mary would like a recording of it if someone ever records it, and we talked about sorting out royalties with a lawyer if it sells. It’s pie in the sky, I know, to think it will make any money or get more than a limited audience, if any. But I want to hear it sung. I want to make it happen.

Does anyone want to talk to me about singing it?

Part 3: Writing a song: the words person and the music person

Yesterday afternoon, Mary Shepherd and I sat in a music practice room with a slightly off-tune piano, my lyrics, and her notes. In a small room with cinderblock painted glossy beige, I sat down with her as she explained how she had gone about writing the lyrics. She also explained that she hadn’t played piano since eighth grade nor did she play guitar, but as a music major in her undergrad years, she did understand a bit about writing music.

“You said it was a folk song, and it was definitely a folk song. I decided to go with ballad style instead of rhythmic,” she explained as she pulled out her composition book.

“You understand it then,” I chirped, “because that’s the spirit I wrote it in.” Folk music was a subversive part of my childhood, a gift by my Aunt Peggy, who would play and sing folksongs on a ’70s small boxy white keyboard sort of thing which looked like this:

So, we set to work, and — she captured it. Folk ballad style, with musical emphasis at the right places. I was happy weepy by the end of the session. It’s now with her to note the slightly different rhythms in the verses because it’s folk music and that means that my rhythm is not necessarily straight iambic tetramater (four feet/measures per line, four accented beats per line, second syllable accented as in duh DUH duh DUH duh DUH duh DUH) . Folk music tends to get its interest by being mathematically loose; I tend to not care about the number of feet/measures as much as I care about four accents per line.

Perhaps the most valuable part of the session is that I learned about mathematics and creativity after we’d corroborated on the song. I had not seen mathematics as creative at all, thinking it was just analytical left-brain stuff. Not at all, Mary assured me — she used mathematics to create quilt block patterns, find problems that needed to be solved, and even understand music. Music is very mathematical, Mary tells me — John Cage’s compositions come to mind, as does traditional Balinese Gamelan music and even the basic concepts of measures, beats, and chords. Certain mathematic progressions sound better than others.Mathematics and music composition live in a different world than I do, but it was a fascinating world to visit.

Now, on the whole left brain/right brain thing, I’m supposedly equally proficient in both (left brain – math/analytical; right brain — creative) but I prefer to live in my right brain because the scenery’s prettier to me, and I wander to the other side when needed (like editing and my job). I think Mary’s the same way — balanced in the right brain/left brain processing, but she lives in both hemispheres at once. What a wonderful place to be!

Part 2 of Yesterday’s Post: A Song Emerges

I used to be a singer-songwriter before I divorced my guitarist twenty years ago. Not an incredibly good one, because my husky contralto voice wasn’t trained or crystal-clear, but good enough for folk music. My ex would write intricate tunes on his guitar in his semi-fingerpicking style, and I’d listen to it, and the conversation would go like this:

Me: I have words that fit with that.
Him: How can you? It’s seven-fourths time.
Me: Try me.

Nowadays, we’d say “Hold my beer” instead of “Try me”, but this was the early 1990’s.

I believe that I posted some of my old lyrics here — I don’t sing those songs now except a cappella, because I didn’t get the chords in the divorce, nor did I learn to play guitar. My ex still performs and has CDs out I hear. For any reader who knows him, please tell me if he ever performs the stuff we wrote together, because there are intellectual property issues involved there.

Anyhow, I hadn’t written a song since 1997, because even if I had tunes in my head, I would not be able to write them down or play them on a guitar. My voice has become somewhat rusty out of lack of practice and age and the medication I take.

Yesterday, I posted the first song I’d written in maybe 20 years (see the post called “Christmas in a Time of Despots”). It didn’t take me long to write because I’ve been stewing for weeks about our current sociopolitical situation here in America.

On Facebook, I posted the same thing but asked if anyone could come up with the music part. And one of my musical colleagues/friends answered!

Sometime soon I will get with her to play with the music/words and have a song! For the first time in twenty years.

I don’t know if you’re reading, Mary Shepherd, but thank you!!