Musing about Writing

I’ve concluded that my writing is not commercially feasible (traditional publishing) because it’s too short for fantasy. At 70,000 words on average, it’s not long enough for agents to be interested in it. It would be short enough for romance, but my writing is really fantasy (or to be more accurate, magical realism is more likely) which is not written short. However, I write tightly and don’t need all those words.

If I’m not selling in indie (self-published) markets, it’s because I can’t get enough traction with marketing. I have tried several things, and none of them seem to work. I feel like, if I wrote romantasy (heavy on traditional romance, lots of spice) I’d have a better chance, but I don’t feel moved to write about those things. I have a niche, but I can’t seem to get introduced to those people.

The saying “Do what you love, the rest will follow”? It does not seem true in my personal situation. I write because I’m possessed with ideas, and what possesses me is shorter novels. People have told me I’m a good writer. I think I’m a good writer.

I’m just trying to convince myself to keep writing, even though I don’t have a readership. It’s a hard sell, because I don’t do things just for myself; rather, I look at what they produce and whether they’re useful. Right now I am starting a garden; I don’t grow the seedlings for their own sakes. I grow them because they’ll give me food someday. My books will never give me food, and I have to figure out whether that’s okay.

What I Write

I want to remind my readers that I write books. I don’t mention that much.

I write romantic fantasy and fantasy romance. The difference between those is the emphasis; fantasy romance is mainly romance and romantic fantasy mainly fantasy.

The fantasy romance novels concern the Kringle Society, a secret society of Santas that infiltrate towns with good deeds. Quirky people fall in love and become involved in the community. You will find Santa scholars, Renaissance re-enactors, toymakers, college professors, and the occasional accountant among the people featured. These are sweet romances; ‘closed door’ in romance parlance.

The romantic fantasy novels feature an agricultural collective, what some might call a commune. The residents are hard workers; they are pacifists, back-to-nature sorts, and people who seek community. Add to the mix immortals, the earth-soul Gaia, and the possible demise of humanity, and you have a people with life-changing secrets hidden in plain sight.

You can find my novels here. Just click on this sentence.

Talking About My Books

I haven’t talked about my books in a while, and it’s an exciting season.

Kringle Through the Snow, my latest Kringle Chronicles book, came out on October 1. It is a Christmas romance involving Sierra DuBois, an energetic event manager and Wade Nelson, an affable engineer and nerd. They bond over his selection for the Chamber of Commerce’s first Annual Grinch, and his inclusion into Sierra’s highbrow charity ball. Sierra has a secret that very well may derail the relationship, and she runs away to hide it. They will have to weather some storms if they want to walk in the snow.

The other book coming out on January 1st is Reclaiming the Balance. This is the latest in the Hidden in Plain Sight series, which is either contemporary fantasy or magical realism depending on who you ask. In this story, Janice Wilkens flees Chicago by teleportation with two strangers who know more about her abusive ex-boyfriend than they should. At her refuge, Barn Swallows’ Dance, she finds out about the immortal Archetypes like her ex, and their half-human Nephilim offspring. While plotting for the return of her Nephilim son from her ex, she grows closer to Amarel, an androgynous Nephilim. A journey of transformation beckons both of them as they strive to remedy the collective’s prejudice against Nephilim and rescue Janice’s son.

Both book series have other books published. There are five total books published in the Kringle series: The Kringle Conspiracy, Kringle in the Night, It Takes Two to Kringle, Kringle on Fire, and the current publication. Hidden in Plain Sight series has three published: Gaia’s Hands, Apocalypse, and the upcoming Reclaiming the Balance. There’s also a published short story collection based on the Hidden universe, Stories Within Stories.

There are three upcoming books in the Hidden series: Avatar of the Maker, Carrying Light, and Whose Hearts are Mountains. Those are waiting to be published in the future. There’s also another short story book coming.

There’s also a standalone book waiting to be published, known as Prodigies.

Of course I would like you to pick up one of my books and read them. That’s what they’re there for.

When Giving Up is a Good Thing

I have given up writing my latest Kringle Christmas romance. I don’t like giving things up, but the premise of the book became untenable upon writing.

I had given up writing it once before, feeling that the timing was all wrong. Then I got an idea to expand the time period of the book so that I had more time to develop the relationship. It turns out it wasn’t enough; I don’t have enough time left in the story to develop the downturn of the relationship, where the couple starts second-guessing the relationship and their own fitness for it.

Let me explain: My Christmas romances generally run from a few days before Thanksgiving through mid-December. The relationship develops fast, but I have about three weeks of plot-time to develop the relationship. That’s enough to take them from developing relationship to devolving relationship and through the reconciliation. With Kringle All the Way (the book I just abandoned), the couple had from the 17th through the 25th to get through all those stages. Try as I may, I didn’t have enough time in which to develop the relationship. In a Christmas romance, the happy ending has to happen by Christmas. What’s more depressing than a breakup over Christmas? That’s why the timing is so important.

This is the first story I’ve given up! I have a story that I’ve set aside for a while with a promise to get back to it eventually, but that’s not the same. I don’t enjoy giving up, but this story is fatally flawed. To spend any more time on it is to waste that time. That’s why giving up is sometimes a good thing.

So I gutted the Kringle book and started it again. My female protagonist is now a writer who can spend a bit more time at the lodge and start her stay early enough that they might actually progress to a “breakup” before Christmas.

Photo by Andrea Piacquadio on Pexels.com

The romance novel has a structure. I use a Scrivener template called “Romancing the Beat” based on Gwen Hayes’ book of the same name. This lays out the romance in terms of four parts: Set up, Falling in love, Retreating from love, Fighting for love. Each of those parts has five steps that progress the reader through the story. (If you think that romance novels are too formulaic, there are beat sheets for your favorite form of literature as well. We have expectations when reading a story).

The problem with my original story is that the happy ending has to happen by Christmas (it’s a Christmas romance, after all). As the romance started less than a week before Christmas, the plot had no time for them to pass through the stages between doubt and breakup. I suppose I could have collapsed them, but part of the fun for the reader is to pass through those stages. It’s not only part of the plot, but gives the reader a satisfying emotional roller coaster.

So I am rewriting the story with a protagonist who can stay a little longer. Not even that much longer — she’s got two more days to be there. The days are important, not only for the timing of the novel, but for what can happen during those days. Because their getting together time is not as close to Christmas, they have time to do things together before the male lead (an executive chef) has to buckle down for the Christmas Eve/Christmas Day buffets. This is in closer keeping with the original plot. It’s not romantic if they don’t get to enjoy some courtship.

I wrote the first thousand words yesterday. I think this will be a better book, although I won’t be done by the end of November. At least I won’t spend all my writing time grumbling about how it’s not working.

Me and My Romance

I am almost done with Kringle Through the Snow, which is the Kringle (Christmas romance) book I almost didn’t write. I thought I was done with the Kringle series (this makes six of them) until one of my Facebook friends told me I needed to write more. It took little arm-twisting, but I always wonder if the current book is the last.

I never thought I’d write romance. And, in fact, my romance is clean (only implied sex) and funny. It’s much more relationship based, although it promotes the Instalove trope, which means people getting attached quickly; I think because that’s always been my personal experience. There’s also several friends-to-lovers, enemies-to-lovers, and one age gap. (Two if you count the 100,000-year-old Su and the 6000-year-old Luke.)

Is romance realistic? It’s not supposed to be. It’s grounded in its society (whether that society be modern American, fantasy, science-fiction, etc) and fantastical in its romance elements. Some of the things that happen in romance would not or should not happen in real life (borderline stalkerish behavior, grooming, teacher-student romances) and some only happen in very defined and conscientious contexts in real life (S&M). Some things that happen in romance are just unrealistic. But romance is a type of fantasy — define the rules of the world and you can dream freely on the other parts.

To find my books, click here.

A Touch of Darkness

I shy away from writing about dark subjects in my blog. It’s strange because I’ve had several dark times in my life. I don’t want people to think I’m pandering for attention, even though the reason writers post their works in the first place is to get attention.

I won’t write dark for dark’s sake, nor will I use gratuitous trauma as a shortcut to character development. Yes, someone’s past will contribute to their character. But I won’t use trauma as the only character trait or even the main one, and only if it’s pertinent to the story. (See also the “fridging” phenomenon—killing a girlfriend character to motivate the main male character.)

Writing about dark topics in my stories is something I must work my way up to every time. For example, the body count in Apocalypse. I had trouble killing anyone, but a developmental editor told me that the last battle had to look hopeless, so I killed eight characters. I also, ironically, edited that book for gratuitous darkness because I had tried the cheap way to make it darker.

Sometimes an entire book is dark. Carrying Light, one of the two I’m currently writing, is a dark novel, being that it’s written at the cusp of the collapse of the United States. Apocalypse is dark, because the fate of humanity hangs in the balance. But it was hard to write these dark enough at first.

In the end, I think darkness needs to balance light. That’s just me; I know there are people who write dark all the time, with lots of death, depersonalization, and alienation. I can’t write there, because all my writing adopts a quote from ee cummings: “The single secret will still be man.”

A Few Minutes to Think

I’ve had a few minutes to think between final project grading and final exams, so I’ll share my thoughts:

I don’t believe in “manifesting”. God is not an ATM. But just in case I’m wrong, you’ve heard it here first: I want my niche to discover my writing. I want an engaged group of readers who can identify with the small magics of Barn Swallows’ Dance and the power of InterSpace.
On being 60: I have to accept that I’m now reminding my students of their grandmas rather than their mothers. It’s a shock to the system; I don’t feel that old. Moreover, I think it’s affecting my ability to write romance, because I’m not getting those looks anymore. You know, THOSE looks. (Not lustful, but playful. That’s just how I roll.) It’s not bothering me; it’s just weird, like I’ve lost a color in my vision (say magenta) and I barely remember having it.
If I didn’t have a third item in this list, you would feel vaguely dissatisfied. That’s because three is a magic number. It’s not universally magic, but in a list, we feel satisfied when there’s a third item. Two becomes magic because of its connection to ‘either … or’. And couples, of course.

That’s enough. It’s time for me to write for a while. But first, a cat:

My New Book Drops Saturday!

Time has flown by so quickly! It seems like just yesterday that I was writing It Takes Two to Kringle! Truthfully, it was last November, but I haven’t kept track of the time.

It’s time, however, for me to release the book into the wild. So, on Saturday, the third book in the Kringle Chronicles, a series of holiday romance novels, will be available for sale on Kindle. This book features enemies to lovers, faculty romance, a quirky small town, a challenge, and Santa Claus. And Krampus. (Let’s not forget Krampus!)

Check out this book and treat yourself to an early Christmas!

A Development I Couldn’t Have Predicted

Well, here’s a development I couldn’t have predicted — my husband is coauthoring my latest Kringle romance.

It’s an annual tradition (i.e. something I’ve done more than twice) for me to use NaNoWriMo (National Novel Writing Month) to write a novel in the Kringle Chronicles, a set of light, quirky Christmas romances with the Spirit of Christmas in the forefront. You can read about this year’s in my latest posts.

Yesterday, my husband was presenting ideas for the coming novel, and I told him that if he wasn’t careful, I was going to have to give him a writing credit. He said “Ok.” After twenty minutes of interrogation, I discovered he wasn’t joking, that he wanted to co-author a romance novel with me.

If I don’t seem like the typical romance novel writer, he seems even less so. A bookish-looking guy, greying at the temples, stocky, librarian. But he wants second billing on this romance novel I’m writing.

He spent a little while this morning blocking out the first five chapters — not so much an outline as chapter synopses — and helping refine characters. He didn’t do too badly. I think this is going to work.