Realism in Fantasy

I write fantasy romances and romantic fantasies. Obviously, fantasy is part of what I write. But does fantasy mean unrealistic?

Not really. Fantasies have their own internal rules so that they don’t stretch realism past incredulity. For example, any magic user will not be invincible — that will make the story unrealistic. The character has to have magic for a reason, which the writer can reveal as simply as “he’s a magic-user” to a long, descriptive back story.

There has to be internal consistency to the magic system. Readers will balk at inconsistencies, especially convenient inconsistencies that favor the hero or villain. If you defy gravity, do so consistently.

I write contemporary fantasy, which means a lot of realism as modern culture, geography, physics and the like. So there’s a lot of reality around the fantasy, but I still have to make sure there’s some internal consistency in the structure. Nephilim fly, Archetypes teleport. Humans don’t get more than one gift from the trees. Archetypes can’t teleport split-second and everyone’s gifts have practical limits. Gaia’s presence does not pass beyond the borders of the Garden.

World-building accomplishes a lot of these rules and boundaries. I do a lot of world-building in conversations with my husband in conversations like: “Do you think Forrest can knit wool if he can knit bones together?” (We decided yes.)

Fantasy is more fantastic when there’s a point of reference, when there are winners and losers (even with the possibility to change in the story), and no power goes completely unchecked.

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Writing in the Winter

It’s been cold, windy, and snowy. We haven’t had a winter like this for a while. I’ve felt snowed in lately; I haven’t spent time at Starbucks for two weeks. I blame my difficulty in writing right now on this.

My personal sanctum at home is not available to me either. Ever since I got a new computer, the dock to the dual monitors no longer works. And there’s the fact that my darling Me-Me peed on my old computer in there and I’m afraid of the waterworks once more.

What I’d like is some time at Starbucks. Preferably with my husband, so I can talk things over with him. Someplace with noise, with people. I need noise to write, which is why I’m probably ADHD (I’m serious about this; no one has diagnosed me but I do not sit still well).

I sound cranky. I am cranky. What to do?

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Two Books

I’m writing two books simultaneously right now. One is a Kringle Chronicle story, with the two main characters a classy event planner and The Grinch. No, not really, although he’ll play one at the Holiday Gala. Which our event planner needs to keep as high-class as possible given that it’s a $100-a-plate dinner for charity.

The other is a Hidden in Plain Sight book, taking place at the cusp of American society’s collapse.

Two very different books. Two very different moods.

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Getting in the mood to write is going to be vital right now. I can’t write the Kringle book in the somber mood the other book requires. I can’t be effervescent when writing about the dwindling light of a country.

Music may help. Rereading what I’ve written will really help, especially when I’m listening to generic classical motivation playlists or something.

So I’m working on ways to get these both written without losing anything of either of them. Wish me luck!

Midwestern Female Syndrome Redux

I envy those people who can assertively promote themselves — “Here’s my book and this is why you want to read it.” I have to push myself to promote myself, and my plugs are more like “Here’s my book and I hope you don’t dislike it too much.”

I don’t think I’ve written about Midwestern Female Syndrome lately. It’s a malady, almost completely among women, where one wants to be simultaneously perfect on the inside and mediocre on the outside so as not to draw attention. We berate ourselves for “only” a 95% on the exam and tell people we got an 85%. We say our work is “not bad” but tell ourselves it’s horrible. We can’t promote ourselves because not only do we believe we’re not good enough, but we don’t want the attention of being good enough.

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Does Midwestern Female Syndrome actually exist? Not in the annals of psychology, although I almost submitted it to the Journal of Polymorphous Perversity. But I’ve seen enough students raise their hands over the years to make me suspect otherwise.

Now, time to wrestle with my inferiority complex. See you soon!

Today is a Snow Day!

I’m taking an unexpected day from teaching at the university. Today was supposed to be my first class day of the semester (I teach Tuesday/Thursday and keep office hours on Monday). Instead, I am sitting at home listening to Classical Motivation and typing this in my sweats. I am enjoying a snow day, the dreams of children and teachers of all ages.

It feels strange to hype myself up for teaching only to not teach. I feel disorganized, although I can teach this stuff with my eyes closed. Though it’s nice to have an accidental break. And the snow is pretty.

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I sit at my computer and write this blog, feeling ahead of the writing-related things I do. I have written character sketches for my two main characters for Kringle Through the Snow, so I’m closer to writing that book. (Next, break my procrastination. Or take a nap, because this day is a gift.)

I Guess I WILL Write Another Christmas Romance

Last November, I decided I would not write another Kringle romance, and I spent my NaNo time finishing and editing Avatar of the Maker, and then beginning Carrying Light (which I am currently struggling with).

Two things have happened that made me change my mind about continuing the Kringle books. First, at the Maryville Public Library book sale, I sold several copies of the Kringle books. The library has added all of my Kringle books to their collection. They seem to know their readers well, as they’re not as interested in the fantasy books. Apparently, people are reading my books.

The second thing that happened was that one of my readers plugged the series on her Instagram. That felt good, and very encouraging.

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And there is a third — I feel stalled out on Carrying Light, and even more stalled out on the other book I have an excerpt written on, Walk Through Green Fire.

So, it looks like my winter project is another Kringle book, which needs to be written and cleaned up by October 1. I came up with the plot for it in about 5 minutes chatting with my husband. Whew! When am I going to do this?

I Found My BAG!

If you’ve been following me the past couple of days, I have been plotting my Big Audacious Goal. (Not a Big Hairy Audacious Goal, which is very corporate focused and jargon-y.) A Big Audacious Goal needs to be extraordinary, must challenge yet be attainable, and must push one’s self-concept forward.

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My BAG fits all of those conditions for me. It’s a simple goal, but one that requires a lot of courage on my part. And the BAG is … attending one writers’/fans’ conference to sell my books.

This sounds like a simple decision for an indie writer, but it’s one I’ve been putting off for years. Why? Because it’s scary promoting my books in the Big Leagues. I don’t always have faith in my books, and I am afraid to fail. I have done two writers’ open houses at libraries, and at the last one successfully sold 11 books (which is big for me).

This would be a step up for me, perhaps even a big step. St. Louis has a big science fiction/fantasy con with book sellers. It used to have a writers’ conference but no more. Kansas City has a writers’ conference that might include science fiction/fantasy. There’s a big conference in Colorado somewhere that intimidates me.

Face it, these intimidate me.

That makes selling at a conference the perfect Big Audacious Goal.

Time to Think About Big Audacious Goals

I think I’ve mentioned that there are two types of goals — there’s goals, and there’s Big Audacious Goals. We probably agree on goals — they’re expressions of desired outcomes, and we make plans to bring them into place.

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Big Audacious Goals (BAGs) share that definition with ordinary goals, but BAGs have an added dimension. Big Audacious Goals are goals that lie beyond our comfort zones, demand that we believe in ourselves, require more from us. Big Audacious Goals start with wishes we believe are not possible for us. Fulfilling them changes our definition of ourselves.

My BAG this last year was to publish Apocalypse. I’ve published several Kringle romances and the prequel in the Hidden in Plain Sight (or Archetype) series, but Apocalypse was different. I had trouble letting the story go, because it was bigger and more important to me. It will be published January 1, 2024. Publishing it felt like a risk, and it still does. I don’t pretend it’s going to vault my career to stardom. But I’ve announced to the world that I am the person who wrote an alternative path to the end of the world, and an alternative path out of it.

I have to come up with a Big Audacious Goal for the New Year. Goals are easy; big audacious goals are not. Where is the place I need the most challenge? What will help me become a different person once I’m done? (Positive goals only; it occurs to me there are many serial killer routes that could be audacious in the wrong way.)

So, over the next week or so I need to find my Big Audacious Goal for the year. Any suggestions?

Getting to Know My Characters

I occasionally throw my characters into other situations where they have to have a close interaction with another character. This is the way my characters teach me who they are. These also become short stories to be included in short story collections (such as Stories Within Stories, which will be out January 1st.)

For example:

  • What does a vision quest look like in a big city?
  • How do two enemies interact when one is having a very bad day?
  • How do two characters navigate a cultural divide?
  • How do a human and an immortal negotiate having a child?
  • How do you confront a mythical creature?

There are hundreds of ways to write these, and I’ll argue that what really determines where the story goes are the characters. Two enemies that have millennia of conflict may have a rapport. How to confront that mythical creature may depend on whether it has kidnapped your grandma — and, for that matter, whether your grandma can take care of herself.

The thing, though, is that not only do the characters make the story, but the story turns around and makes the character. I learn new things about my characters from writing these stories, especially things like their vulnerabilities and idiosyncracies. Things that make my characters real.

I need another story to write!

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Staying Optimistic

I’m an author. I have self-published and sold books. I don’t have much of a following, and I don’t have the confidence-boosting event of an agent liking my work, but I’m serious about writing.

I still don’t know where writing will lead. I suppose I should assume that if my writing hasn’t gone anywhere in the five years I’ve been self-publishing, that it’s not going to go anywhere. But I’m optimistic, because the most important thing to me are the words and their meaning. Everything else is beyond my control to a great extent.

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I don’t know if I believe in God, but I pray for success. I don’t specify what success looks like, because I don’t like telling God what to do. I also don’t think God is going to get me a publishing contract, but maybe They will help me see success when it’s in front of my eyes. Maybe I’ll see a new way to publicize my work. Maybe I will have a strong desire to let writing go.

My definition of success is having readers who want to read the next novel in the series. Readers whose imaginations visit Barn Swallows’ Dance or the neighborhoods of Chicago where my characters live. People who know who their favorite character is. I want people to feel welcome in my world. Maybe I can have that success.

We shall see. I will never have any success if I give up.