When Giving Up is a Good Thing

I have given up writing my latest Kringle Christmas romance. I don’t like giving things up, but the premise of the book became untenable upon writing.

I had given up writing it once before, feeling that the timing was all wrong. Then I got an idea to expand the time period of the book so that I had more time to develop the relationship. It turns out it wasn’t enough; I don’t have enough time left in the story to develop the downturn of the relationship, where the couple starts second-guessing the relationship and their own fitness for it.

Let me explain: My Christmas romances generally run from a few days before Thanksgiving through mid-December. The relationship develops fast, but I have about three weeks of plot-time to develop the relationship. That’s enough to take them from developing relationship to devolving relationship and through the reconciliation. With Kringle All the Way (the book I just abandoned), the couple had from the 17th through the 25th to get through all those stages. Try as I may, I didn’t have enough time in which to develop the relationship. In a Christmas romance, the happy ending has to happen by Christmas. What’s more depressing than a breakup over Christmas? That’s why the timing is so important.

This is the first story I’ve given up! I have a story that I’ve set aside for a while with a promise to get back to it eventually, but that’s not the same. I don’t enjoy giving up, but this story is fatally flawed. To spend any more time on it is to waste that time. That’s why giving up is sometimes a good thing.

Kel and Brother Coyote Save the Universe

I am writing a series of short stories, space opera, which concern an unlikely duo — Brother Coyote, a monk from a restricted class planet who has a talent for opening wormholes, and Kel Beemer, the pilot of her family’s for-hire freighter. They go on a variety of adventures, with a certain amount of tension despite their opposite personalities. You know, space opera.

I have two and a half stories written, and finishing the third,”Kel and Brother Coyote Deal with a Psychic Allergy”, is something I could finish in a good weekend. And then, more. I would like these to be serialized episodes moving toward a bigger whole, as they’re in chronological order with not a huge amount of time between them.

I’m going to have a lot of time this summer, because I can’t take a summer class for the certificate in Disaster Mental Health, so I’ll have plenty of time to write. I’d like to write at least 5 more Kel/Brother Coyote, but that will only get me 10k-12k words. Enough for a chapbook.

Not enough for Kindle Vellum. Their business model will make the first few chapters free, and I won’t have many chapters after that. But I LIKE the business model, much more than WattPad (good luck getting noticed) or Chanillo (subscription only; no promotion). So I might try it this summer, while I’m writing more on the adventures of Kel and Brother Coyote.

Photo by Kindel Media on Pexels.com

An excerpt of “Kel and Brother Coyote Deal with a Psychic Allergy”:

In a strange room, on a strange planet, Kel lay on a strange bed on the floor, wrapped in tight bandages across her ribs. She glanced up at the glittering suncatcher that her partner, Brother Coyote, called a Sun Mandala. Kel, hopped up on painkillers after a spectacular rescue of the leader of Ridgeway III, dared not look at the wall where the reflection of the mandala shimmered. If she did, she might see something again, and she didn’t want to deal with that just then. The prisms sparkled and made her sleepy. She closed her eyes …


She heard the doorknob open and opened her eyes to Brother Coyote and a floating carry unit. He shut the door and sat down next to Kel, folding his lanky legs up beneath him. The gravitation unit sank gracefully to the ground. “Mom sent me up with dinner from the buffet line. She’ll be up in a few minutes.”


“The party’s still on? After an attempt on her life? That’s a pretty gutsy broad — Oops,” Kel giggled. “I suppose I shouldn’t call the Convener of the — the Moot — a gutsy broad.”


“Mom would have no trouble with that,” Coyote chuckled, pushing back his blond hair. “As for the party continuing, that’s a Ridgewayan cultural tenet. The celebration must go on. We remember too many times we’d quarantined ourselves from various fevers on the planet, so we celebrate any time we can.” Coyote lifted the lid of the carry unit; savory smells enveloped her.

“How do you get carry units on this planet if you’re a restricted trading planet?” Kel wondered aloud. “I can’t make that make sense.” Kel found herself wishing her tongue weren’t quite so loose.


“It doesn’t have an internal grav source, of course. I’m levitating it. Luckily it doesn’t take too much energy.” Kel sat up and Coyote transfered the tray to her lap.


“Ok,” she said. “What’s this?” Whatever it was, it smelled much better than meal bars.


“The stew there is made with native mushrooms and a legume that developed into a landrace here.” The stew, she noted, was an intense golden color, and from the smell, she suspected that Ridgeway III had a local equivalent of curry powder. “Then, with that, is a mess of greens that combines diaspora culture DNA tailored for this planet and some local weeds we’ve cultivated into crops. The two grow together symbiotically, which is a bonus.”


Kel took a small spoonful of the stew. “Take a bit of both individually. Then take a bite of them together. Then try a little of that paste on the edge of your plate with them. It’s important to be creative with your food,” Coyote instructed.

“Tell me, how does one get creative with meal bars?” Kel smirked, but she tried the food anyhow. “Wow,” she said after a few minutes absorbed in her food, which smelled warm and mellow, contrasting tartness and a deep mellowness. “This is amazing. What do you use for spices?”


“A lot of things, largely local. We have a tropical belt which accepted diaspora spices, and we have many herbs. This planet has immense agricultural potential, but only if it’s cultivated carefully. And by carefully, I mean as close to wild as possible.”


“So you’re hunter-gatherers instead of farmers.” Kel finished her meal and considered the pastry on the tray.


“Well, not hunters, unless you count mushrooms. We’re wildcrafters, we’re permaculturalists, we’re companion planters. We’re tree climbers, plant researchers — did you know there’s a plant here only pollinated by one particular miniature fruit bat? The guy’s not much bigger than a fly and climbs into the fruit’s flowers and gets drunk, then visits other flowers on a bender. He finally passes out in a flower and sleeps until the petals drop out from under him.”


“You must have a lot of farmers if you can’t factory farm.”


“Yeah, but we don’t have a lot of factories. We have them for the technologies we’ve chosen, but we also have artisans and craftsmen. You might notice this tray is wooden.” Indeed it was, Kel noted. “We have a stepped-down economy, and not a lot of us go off-planet, as you might guess.”


Kel found herself looking at the reflections of the sun mandala, which were mere shadows on the wall as twilight fell. Her sight blurred as she found herself sucked into a vision — Keyli, the Convener of the Moot for Ridgeway III and Coyote’s mother, strolling down the hall with a feline creature that came up to above her knee, trotting beside her on a leash.


“Coyote,” she said, instantly regretting the words when they fled her mouth, “Does Ridgeway have felinoids the size of Terran Shepherd Dogs?”

Writing a breakup

I did a mad amount of writing yesterday.

It felt good. I have been struggling with this book for so long that it’s refreshing to have a streak where writing is effortless. I had a day of flow.

Here is an excerpt of my story: 


Josh and Penny sat down with their beverages. “I hear you play violin,” Josh said, falling into the typical conversation gambit.

“Yes, I do. At the conservatory. In the Baroque Symphony and a string quartet. I’m second chair.”

“I like baroque,” Josh said awkwardly. “It helps me relax.”

“Your mother says you’re an instructor at a college. Tell me about it,” she countered, sounding equally awkward.

“Yes, I am. I teach English composition. I also write — mostly poetry.” I won’t show you what I write, Josh thought, because it’s all about Jeanne. He had written some of his best poetry about Jeanne.

“Have you been published?” Penny asked as she dug her phone out of her purse. 

“Yes, a few places. It’s part of what you have to do as a faculty member — at least once you’re a professor.”

Penny pulled up a picture on her phone of a tall woman with a spare body and sharp cheekbones, wearing black and white concert dress. “This is my girlfriend, Natalie.” Natalie’s hair was short and spiked, and she held a clarinet. 

Josh looked again — the woman was compelling — until the words registered to him: “Girlfriend?” He felt an unholy glee that his mother’s plans were foiled.

“I hope that doesn’t bother you. I tried to tell your mother, but — “

“Nobody tells my mother anything she doesn’t want to hear,” Josh sympathized. “Besides,” he pulled his own phone out, “I just broke up with the love of my life.” He pulled up a picture of Jeanne sitting in the cafe in a purple sweater that brought out all her color.

“She’s beautiful,” Penny said. “Why did you break up?”

“Because she thinks I’m too young. She says I have my whole life ahead of me.” Josh closed his eyes because he didn’t trust them not to leak tears.

“How much older is she?” Penny picked up the phone and studied it more carefully.

“She’s twenty years older. But that didn’t matter to me. I never felt like I was that much younger, because — I don’t know. I feel like I went from too young for my contemporaries to too old for them overnight. And he knew which night — the night he saw a tree struck by lightning as he stood out in a park after midnight. And Jeanne understood — or tried to, anyway; Josh wasn’t sure anyone could truly understand his visions without experiencing them.

“Natalie is seventeen years older than me. Look,” and Penny showed him another picture of Natalie, a close-up picture of a woman who certainly looked about forty. “I’m not sure it’s as big a thing for lesbians.”

“So tell me about her,” Penny coaxed.

“We’re broken up,” Josh said miserably. “But she’s a professor of plant biology, and she designs gardens for people with trees and berry bushes and all sorts of edible things, nestled in their backyards. She has a voice that carries effortlessly. She’s got a dry sense of humor, and she’s passionate about things, and she — I’m not used to being at a loss for words,” Josh finished. He looked at his hands.

“It’s a bummer when you break up with someone, isn’t it?” Penny said, and got him another cup of tea.

Finding the Story in the Dream

 

 

I finally found motivation yesterday! It came in the form of a dream, a dream that involved a man I had a crush on, escaping from his hoodlum associates, and gossiping with women I didn’t know. 

 The story I wrote had nothing to do with hoodlums or gossip, but everything to do with crushes and letting them go.  It took interpreting the dream to come up with the connection.

I don’t do Gestalt analysis anymore, where you tell the dream from the perspective of every significant person and object in the dream, mostly because that gets very long and dry. I also don’t think it’s a superior method anymore. Instead, my husband and I reflect together on how each significant scene parallels real life. 

If you are going to do this method, you must be very aware that 1) you are aware of the symbolic aspects of dreams, and 2) many of the aspects of dreams relate to your recent thoughts and experiences. I came across this method of dream analysis when a friend and I noted how my dreams paralleled the events of a full but idyllic day we had spent the day before.

So, this was what came out of the dream: I was looking in on a concert in the next room (crowded, night club) and guy I had a crush on was crowdsurfing right past the window but he wouldn’t look at me. Sounds like an unrequited crush to me.

Then, I’m in a room with crush and I start yelling at him about ignoring me. He listens, denies ignoring me, and then nods, and his henchmen (Eastern European bug guys, buzz cuts, dressed in black) start wrestling me. I break away and walk out. Crush has just had a bachelor party; the henchmen are anologous.

After that I break out and end up in a shopping mall. (No idea of what that’s symbolic of; I’d say finding another crush but I’m married, so it’s not something I’m seeking out although crushes make for great poetry) and run into some women in the bathroom (cleansing oneself?) I gossip about what happened previously.

 So there’s the dream, all about releasing a crush. 

The story I wrote? It’s about a woman who had a two-week fling with Oberon, king of Faerie; it ended abruptly when she asked to go to Faerie and he had to refuse her. When he returns to take her there thirty years later, she surprises him with her answer.

 Same thing, yet so different. That is the power of a dream. 

The Death of a Story




I lost 1500 words of a promising short story yesterday.

After a thorough search of my computer, it seems to have never been saved. I blame this on trying to catch my computer when it fell yesterday; my fingers must have accidentally hit the wrong keys.

I am in mourning. I know the exact plot points thus far; I even have them in outline form. I know the personalities of the main characters. I know the settings. But I don’t seem to get the right words in place to set the mood.

The story is space opera, so it’s supposed to be jaunty and humorous. But when I tried to rewrite it yesterday it just came off as sad. 

There’s a part of me, a very superstitious and pessimistic part of me that thinks that I lost the story because it wasn’t any good. As this is also the part of me that thinks I’ll never get published, I’m working hard to ignore it.

Please hold me and my story in your thoughts today.

Hands — short story

Warning: violence against humans and animals (not gratuitous). Bleakest story I’ve ever written.

********

Grzegorz Koslowski felt the tension in the streets as a tightness in his lanky frame even as he walked home, guitar slung over his shoulder. At sixteen, the guerilla battles of the streets of Krakow seemed an inconvenience, a discussion around the family’s dinner table as they took in one artist or another until things cooled off, an admonition to be careful when he went out with his friends or busked in the Stare Miasto, another long-haired kid with a guitar among the historical buildings of the Stare.

When the fire trucks sped past him, he wondered idly if one of the factions – and there were so many – had bombed a bus or a newsstand. Unconsciously, he walked faster down the side street and the townhouse his family occupied, close to the theatre district. His family, generations of actors, thrived in their world of art and artifice.

Turning the corner, he saw the fire engines at the end of his street and started to run. The jagged, flaming maw in the line of houses barely registered as his legs pumped, as his heart pounded, as he ran to meet with his family, to seek assurance. The fire burned brighter than the streetside trees that had just started turning with the cooler weather.

Someone caught him as he tried to break through the crowd that ringed the scene of what was surely an explosion. “No, Grzesiek, you must not go in! It isn’t safe!”  He struggled out of the grasp and turned to see his neighbor, Piotr Nowak, tears running down his face.

“My family!” he stammered, fighting the man as the arms came around him again to restrain him. Greasy black smoke roiled; the stench permeated his lungs.

“Składam wyrazy szczerego współczucia,” Piotr said, the old Polish formula for grief. I offer you my deepest condolences on this dark day. We will search for them when it is safe,” Piotr, his lined face grey, assured Grzegorz. “They likely never knew what hit them.”

Grzegorz clung to a lamppost, crying. A hand reached out to soothe him. It wasn’t his mother’s hand, which had brushed back his red hair as a child and even as the gangly adolescent he’d become.
She would never brush back his hair again.
He clung to the lamppost as the others in the crowd left him to his grief. After forever, or no time at all, a voice, a woman’s voice whispered in his ear: “We can help you find them.”

“Find who?” Grzegorz sobbed. “My family is dead.”

“The ones who did this to your family.” Grzegorz turned around and saw a stranger, a woman almost his height, as slender as he was, with porcelain skin and black hair and dark eyes. Older than he, if he read her assured carriage right.

“Come with me. You have no place to go. I’m Dominika Wojcik, and I can help you.” She took his hand and led him away from the flames he would have thrown himself into.

Grzegorz couldn’t remember the route they had taken, the trams and buses. He could remember the last time he spoke to his mother in crystal clear detail, the triviality of telling her he’d be back for dinner. His father had teased him about being a hippie with his long hair and his guitar, and his younger sister Liliana had laughed along. On his walk to the corner he preferred for busking, he had considered where he would fit in the family business after going to college for the arts:  performance – acting or music? Technical work backstage? His future, at that moment, had been totally open.
His future now? He saw none. His family lay at the crater that had been his home before the bomb hit it. Mother and father, sister and the two brothers, Jakub and Antoni, one older and one younger, who had been arguing over the design of a dragon prop.

“This is our stop,” Dominika said, taking his hand like a baby, walking him out the front of the bus as if he had lost all volition. As he had.

They walked up to a shabby two-story house in a neighborhood pocked with burned out and boarded up buildings. This house had only a few windows not boarded up, and a large black X had been spray-painted on its front.

Dominika led him inside and into the living room, lit only by a battery-operated lantern, the remaining window shrouded with blackout curtain, where a decrepit couch shared space with a couple bedrolls – and a rack with two semi-automatic weapons by the door.

“What is this place?” Grzegorz asked, looking around at scuffed walls. A portion of the ceiling had fallen, exposing lathe. A person in one of the bedrolls stirred and stared at him.

“This is your home now,” Dominika assured him. A place to live – he hadn’t considered that. He had no clothes, no bed, no food to his name, but here he would be taken care of. “Let me introduce you to someone, Grzes.”

Through the haze that had settled into his mind, he felt his shoulders tense up as if responding to a blow. He ignored it, as it didn’t seem pressing in the state of grey that cocooned him.
Dominika walked him to the kitchen, a room with greasy walls, to a man who cooked a large pot of zurek, bread soup, over a camping stove. Grzegorz sat down in a chair at Dominika’s bidding, although the sour smell of the soup turned his stomach.

“You’re Grzegorz Koslowski,” the man said, turning to him. “I’m Aleksey.” He stepped over to where Grzegorz sat. The man looked to be in his late thirties, with blond hair cut short in a military style cut. He wore black and close-fitting clothes. 

The tenseness of Grzegorz’s shoulders returned. “How do you know my name?”

“We know – knew – of your family. I’m sorry to hear about them. Their involvement in the Resistance was admirable.”

“What’s this Resistance?” Grzegorz muttered. “My family were theatre people. They didn’t do politics.”

“Did you ever notice your family’s guests around the dinner table?” Aleksey gestured with the spoon. “Educated people, well-spoken people.”

“Theatre people,” Grzegorz reiterated, feeling tears threaten as he thought of conversations at the dinner table. “Intellectuals. Poets. Nothing more than that.”

“Members of the intelligentsia,” Aleksey responded. “People against the current order of things. Against government oppression.”

“Was my family killed for this?” Grzegorz demanded.

“No,” Dominika said, taking Grzegorz’s hand. “Your family were killed because of you.”

Grzegorz stood up, flinging Dominika’s hand away. “How can you say that? There’s no reason why my family should be killed for me,” he shouted. He felt the threatened tears break, and he dropped back into his chair, hiding his face in his hands, pulling himself together.

“Grzes,” Dominika said softly, her hand on his shoulder, bending down to his ear, “I know it’s hard to hear. But you have a secret, a gift, a very important and dangerous talent that they wanted to stop. You were supposed to have been in that building when it was bombed.”

“A gift?” Grzegorz muttered. “I have no gift. I’m the least talented in my family, maybe good for running the lights; that’s it. Any one of my family – my father is gifted with words …” Was, he remembered. No longer. He felt himself turn inside out, his grief as his skin – no, not now, not here – he pulled himself back into the present, where he would not feel.

“Grzegorz,” Aleksey commanded, “come with me. The soup will wait.” Alexsey fished out a soup bone from the pot, ran cold water over it, and threw it into a bowl from the dish drainer. Grzegorz, knowing nothing else to do, obediently followed Alexsey out the back door of the grimy kitchen, Dominika trailing behind them.
Outside, a dog rummaged in the garbage. “He’s nobody’s dog. Always here begging from us,” Alexsey established as he whistled for the cur. The nondescript black dog loped over, ribs showing, tongue lolling. As he arrived, Alexsey placed the bone on the ground. As the dog started gnawing on the bone, Alexsey took a blade from his belt and slit its throat. Blood flowed as the dog collapsed and twitched in its death throes.

“Heal it,” Alexsey commanded.

“What the hell do you mean?” Grzegorz yelled back, his stomach roiling.

“Lay your damned hands on it and wish it alive!” Aleskey snapped.
Grzegorz stared at the dog as he lay hands on it, willing it alive, like his parents weren’t. Nothing happened for a moment, two. Then the dog began to breathe in gasps, then wriggle upward, the gash on its throat healed.

“I did not do that,” Grzegorz stammered.

“You did that,” Aleksey countered, grabbing Grzegorz’ shirt and leaving a bloody handprint on it. “That is your talent.”
Dominika looked at him wide-eyed, like he had performed a miracle. Which he had.

The dog pushed at Grzegorz’s hand with his muzzle, and Grzegorz petted him absentmindedly, slumping into himself.
Grzegorz and Dominika sat on the bedroll that Blazej, a taciturn young man barely older than Grzegorz, had spread out for Grzegorz in a room with two other bedrolls, currently unoccupied. Grzegorz had shed the clothes that the dog had bled on, and someone had tossed him a faded t-shirt and sweats, both black, that smelled slightly of smoke. Grzegorz shuddered.

“Did my parents know I had this talent?” Grzegorz demanded of Dominika after Alexsey wandered off to some unknown night mission with a couple men Grzegorz hadn’t met.

“How demanding you are!” Dominika chuckled, a disturbing sound to Grzegorz’ ears. “Of course, they knew. It’s a family thing. Apparently, it hadn’t shown up in a few generations. They knew you might have it, anyhow.”

Grzegorz thought. He thought of his aunts and uncles, scattered across the world; his remaining grandmother in England. Had she fled to escape rumors? He had no way of knowing. “How did you find out?”

“We know these things,” Dominika said, putting her arm around Grzegorz’s shoulder. It felt strange, but good. Comforting. “We research families for these talents. There’s more than just you, you know.” She kicked her shoes off. “I have my own talent.”

“What is your talent?” Grzegorz queried.

“I start fires.” Dominika looked at her hands.

Grzegorz closed his eyes and saw the burning home that entombed his parents. “You didn’t kill my parents, did you?”

“The people who killed your parents wanted you dead, I told you. We need you alive.” Dominika squeezed his shoulder.

“Need me? For what?”

“Go to sleep, Grzes. You have had a rough day. We can talk in the morning.”

Dominika left Grzegorz alone, but the other occupants of the room soon came back, smelling of sweat and burnt gunpowder.
He would not cry with others in the room. He was a man; they were men.

Before dawn, Aleksey and Blazej and a brown-haired man named Jan dragged Grzegorz out of his bedroll where he had lay staring at the ceiling, recalling the fiery chasm that was his family’s resting place. They took him to the front porch and offered him a hunk of bread. “Sorry about the food, but it is what it is. We live a hard life,” Jan snorted.

“Pardon me for asking,” Grzegorz inquired, “but who are you? You seem to know an awful lot about who I am.”

“We’re patriots,” Aleksey said, gesturing with a hunk of bread. “We want to restore Poland to its old glory. None of this fighting in the streets; we want the country to be the pride of all Europe, safe for families and the mother of all.”

Grzegorz winced; he had no mother. “And how do you propose to restore this country to whatever heights you believe it has lost?”

“We defend it against its enemies. All the street fighting you see here? It’s because our government is weak and cannot protect the country.” Aleksey shrugged. “We thirst for a stronger government, one which will not permit this turmoil to happen.”

“Which government?” Grzegorz inquired. “Which faction?”

“Czerwona Przyszłość,” Blasej broke in. “Red Future.”

“The Communists?” There were Communists in government already, Grzegorz mused; they didn’t need to fight in the streets.

“Yes and no,” Aleksey noted. “Those Communists are weak and will never see their ideas brought forth in the government. No, Red Future has money and power on its side, and vision.  They want to create peace and get rid of all these street riots.”

That sounded like a good idea. Then maybe people wouldn’t have to die. He thought about his family again, who had died for – what? Were they randomly targeted? Were they the important people Aleksey said they were? Were they killed because of him?
He closed his eyes and took another bite of bread.

By that afternoon, Grzegorz’s mind was full of Red Future’s aims: To stop the street fighting. To unite the country under Red Future’s cause – legally, of course; they would never overthrow the government. To make the country great again – “

“Isn’t the country great now?” he had asked; Poland had come out of its Communist years with one of the fastest growing economies in Europe.

“Economically, yes. But look at these attacks we’ve been facing from various factions. Look at your family. Street battles started by anarchists and foreigners. Is that our way of life? We have our church, and our families we need to protect.” Aleksey passed the bottle of clear liquid to Grzegorz; Grzegorz took a swig and the potent bimber, moonshine, seared his throat. The pain of his family’s deaths retreated in the haze of camaraderie built with the passing of the bottle.

Later, as the afternoon paled at the edges of the blackout curtains, Grzegorz lay in his bedroll, alone in the room; the men had gone on another mission. Alone, he thought, he could mourn, but try as he would, he felt too numb to react. We are men, he thought, remembering the boasts and toasts he had shared with Aleksey and Jan.

He heard someone slip through the open door.” It’s just me,” Dominika whispered as she sat down beside his head. ” Are you doing okay?”

“I guess,” he grunted, feeling impolite. “No, really,” he reiterated.” I’m okay.”

“I just don’t think you should be alone,” Dominika soothed. “But I’m here for you.” She lay down beside him and put her arm around him. “Is that better?”

It was, a little. “Yes,” he said.

Then she leaned in and kissed him, pulling back the blanket, exposing his borrowed black sweats. Her mouth, her hands bruised him, but he did not fight, because he felt powerless, because the act kept the dull ache from him for those few moments.

Soon after Dominika left, or a hundred years later, the sun, through a crack in the shades, diminished and then faded. Dinnertime passed, and he remembered that he hadn’t eaten since the bread that morning.

Finally steps ascended the stairs and clambered into his room.
“You,” Jan called out. “Grzesiek ,wakeup. We have need of you.”
“What for ?” Grzegorz sat up. Aleksey stood in the doorway; Jan stood just outside.

“We have found the man who killed your family. We know where he goes to drink. You can take your revenge on him, right in that tavern, and no one will know the better.”

“You know it’s him?” Grzegorz asked.

“Of course, we do. We have been following him these two nights.” Aleksey sounded certain, more certain than Grzegorz felt.
“Don’t you want to get yours back?” Dominika chided. “Be a man.”

Grzegorz felt a rage rise in him, a rage without words. “Take me to him ,” Grzegorz decided, feeling power replace the lassitude that had overwhelmed him.

The three, Aleksey, Jan, and Grzegorz stood in the doorway of a noisy, working class tavern while Dominika stood as lookout. One man sat at the bar next to an empty seat, too well-dressed for the place, occasionally looking toward the door as if he waited for someone. “That’s him,” Aleksey whispered. “Go in there. All it would take is for you to lay hands on him and — “

Grzegorz hesitated.” I will not kill him in plain sight in a room full of people,” he mumbled under his breath, feeling his knees weaken.
“Go to the alley. We will bring him to you ” Jan instructed.

Grzegorz fled for the alley, walking past Dominika, and waited. He stared at the wall as if he could memorize every brick, every crudely scrawled piece of graffiti. He was a man. Aleksey and Jan had said so, hadn’t they? And men did what they had to to protect, to serve a higher ideal.

He heard a scuffle at the entry to the alley and looked up from his hands. Jan held the man with arms pinned behind him while Aleksey punched him again and again in the face and stomach.  The man soon slumped in defeat.

Grzegorz tensed as they brought the man toward him. He thought to flee for just a moment, but —

“Grzegorz,” Aleksey demanded, “Do it now. “

“Do what?” Gzegorz stammered, knowing well what Aleksey asked.

” Kill the man,” Dominika shrieked. “He killed your family.”

The man mumbled, pale: “I didn’t kill your family. I don’t even know who your family is.”

“Grzesiek !” Aleksey commanded.

The rage returned, cutting through the confusion. Grzegorz touched the man’s arm, feeling the stickiness of blood. He thought of his parents, lying in the rubble of his house, of his sister Liliana, only ten, who had been a light in his life, dead with his parents. He felt their deaths and transferred that ice into the body of the man in front of him. He felt the man slump between the two who restrained him, dead weight. Dead.

His heart did not surge from revolutionary zeal nor did the ache in his heart lessen. Grzegorz’s family were still dead. The pain in his chest, the constant feeling of the tears about to break now mingled with the breath-stopping horror of being damned.

“Look how powerful you are!” Dominika cooed, patting his shoulder. “We need you .”

They needed him. To be their killer. Because guns were obvious and could be guarded against. He could have killed the man in the tavern, and everyone would have seen it as a heart attack. In his mind, he saw himself lay hands on the mayor, the police, even the Prime Minister, Over and over people slumped at his touch. ceased to breathe.
“No,” he cried out. He reached toward the man, the stranger, to touch him, to raise him back to life —

Aleksey and Jan dropped the body and grabbed for him . He twisted from their grasp and fled.

Grzegorz knew not how far he had run, nor where he ended up, until he looked at the sodden ruin of his family home, surrounded by red tape. “Mama i Tata,” he murmured. “Mother, father.” He whispered the names of his siblings: “Liliana, Antoni, Jakub.” Then he prayed: O mój Jezu, przebacz nam nasze grzechy. O my Jesus, forgive us our sins …

“There is never a sin so big that it can’t be forgiven,” a man’s voice said. Grzegorz turned to see a stout, greying man standing behind him. A grandfather, no doubt.

“How about murder?” Grzegorz stammered, feeling himself torn inside out, with his grief as his skin.

“Under duress? After your family dies and someone takes advantage of your grief?”

“How do you know who I am?” Grzegorz slumped back against the light pole.

“I knew your parents. I don’t know if you remember me, but I have eaten with your family once in a great while.”

Grzegorz squinted and saw a slightly familiar face, a man who would come in the evenings and talk with his parents while he himself strummed in the basement. “Mr. Przybyszewski, right?”

“Call me Przymyslaw, ok?” Przymeslaw nodded, looking benignant, like a Santa Claus in training. “Would you have brought him back if you could?”

Grzegorz considered, the trembling starting in his shoulders and overtaking his body. He had killed. “How do you know about this?”

“The truth? I pay attention to things around me. For example, Red Future, who present themselves as the hand of a Communist renaissance instead of the tool of a Russian oligarch.” Przemyslaw made a dismissive gesture.

“Who are you with?” Grzegorz demanded. “How do you know this?”

“I’m just a storyteller, but I have friends in the elected government. I believe that we should keep or change our government by straightforward means – elections and, of course, the time-honored peaceful protest. But,” Przemyslaw sobered, “the question is ‘Who are you with?’”

“I’m with nobody. Dominika said that my family was killed because of me.”

“They were,” Przemyslaw said, shaking his head, “but do you think it’s strange they never spoke of who killed them?”

The knowledge hit Grzegorz with a sickening jolt. Dominika with her fire talent, looking at her hands. The black sweats he wore, smelling of smoke. Dominika’s convenient placement at the burning house. The fact that Aleksey and Dominika knew who he was …

The trembling became too much and he collapsed to the ground, weeping, naked except for his grief.

“What now?” Grzegorz asked as he sat in Przemyslaw’s cozy and cluttered living room, after a bath and clean clothes and as much stew as he could manage to eat.”

“You could go back to Red Future,” Przemyslaw ventured. “You could go out on your own, where your open nature will make you a victim of some other faction. You no doubt go with whichever uncle had your guardianship. Or you could come live with me until you come of age. I think that whoever has been assigned as your guardian would relinquish that to me if I put forth that I’ll apprentice you.”

“What would you have me do for you?” Grzegorz growled, sensing that his open nature was a relic of his earlier life, the one where he was a child and his family still lived.

“I would have you finish your schooling. And mourn your family. And develop some way to deal with your gift.”

“Gift? More like a curse! Grzegorz muttered.

“It is a gift,” Pyemyslaw corrected. “You’re not the only one thus gifted, if the stories are correct. The gifts are usually carried from generation to generation, but some arise spontaneously.”

“Do you have a gift?”

“I don’t believe so, unless the ability to memorize people’s lives is a talent beyond ordinary ability. I am a storyteller, is all.”

“I highly doubt that, given your penchant for, um, storytelling. Just don’t do me dirty. I’ll – God, no,” Grzegorz stammered as he saw Przemyslaw’s face turn pale. “Never that, not for as long as I live.”
Przemyslaw exhaled loudly, and the tension bled from the room. 

“Now for you to get some sleep. Tomorrow, we will call your relatives and put your family to rest.”

Grzegorz took a deep breath. There would be time, plenty of time to mourn, he thought. But for the moment, he was tired, so tired.

Waiting for the Train

I’m sitting in a railway station (with apologies to Simon and Garfunkel). The station in Osceola, IA, still retains the character of a previous era, with golden wood wainscoting and trim, steam radiators, and a worn, black-and-white tiled floor. It’s a great place to begin a journey, actually. More on train travel later, when I have hours to kill at the Metropolitan Lounge in Chicago’s Union Station. 
I sit here wondering what I should write next, or if I should go back to editing Gaia’s Hands. There’s not too much impetus to edit it with a backlog of books I’d like to see published (three are strong contenders at the moment, although Whose Hearts are Mountainsreally needs a dev edit.
I just got done with Hands, the short story with Grzegorz – my husband has termed it “a really warped coming of age story”, and he’s right. I hope to post it on this page for you to read.

Tell you my story

My story:

My name is Lauren Leach-Steffens. I am a 54-year-old college professor, married, with five cats. That is not my story, just a convenient tag to hang it on.

What is my story? I am a wizard of information — I stand in spinning clouds of words and pull them together, making meaning of them. The noun “mirror” is an object that reflects the person who looks in it; the verb “to mirror” is to show the reflection of the image. “Mirror” is a synonym of “reflect”, yet is not quite the same, as it hints at the exact duplication of the original which may not be as obvious with “reflect:” In my mirror, I see a woman with sparse dark hair sticking up in curls, a narrow oval face, and an overly mobile mouth. I look over my glasses coquettishly, an invitation to indulge in play. In the mirror, I see seven-year-old me — it’s not a big leap from 54-year-old me.

Another story, just as true: I have always been an outsider — the “weird” kid on the playground, teachers’ pet, crybaby. These labels were all applicable, yet if they looked at the rest of my disordered childhood — with problems anywhere from neglect and bipolar disorder and threats to sexual abuse — they might have understood why I was a crybaby. Or perhaps not; small towns turn against those who are not like them. To this day I assume that people don’t really want to get to know me.

Yet a third: I am the mirror. In being starkly honest about myself, you reflect upon your feelings about what I’ve said. You see your own humanity. You say “There but for the grace of God go I…” or you say “I’ve been there” and you say “I can’t even identify with that” and sometimes “Doesn’t she embarrass herself?” You move about the impressions like fragments of the mirror, and in it, you see yourself in contrast to me.

Who am I? This, and likely more.

Redbird

I was 25, and I was going through a hard time in my life. I faced waves of agitation and depression, flashbacks, a relationship in flux — and a persistent feeling that there were evil influences lurking in my life. The latter may have been the fact that my bipolar was not at that time treated, or it could have been that I believed in those things at the time. Or those could have been one and the same.

One day, I was in a neighborhood in Champaign I hadn’t been in before — it was a sleepy boulevard, complete with mini-park tucked into the median. I had gone there because I had a bad crush on someone even as my maybe-boyfriend gave me mixed signals — and I wanted to see where he lived. (I don’t think I ever devolved to the point of being a stalker, but I worried about it some nights.)
I was sitting on the bench in the mini-park, watching the occasional car drive laconically by, and suddenly I felt a feeling of dread, ominous dread, blossom from my stomach through my body. Something bad was going to happen — I could imagine the strains of foreboding music in the background.
And then a cardinal called. I looked up, and he sat on a phone line directly above me, flame red and stalwart. I felt a flush of calm pass through me. He launched himself in the air and landed on a tree branch a few feet away, then stayed there. I followed him there, and this dance continued until I was away from the boulevard. 
I was safe.
**********
Almost thirty years later, I don’t know what to make of this still. Yes, the feeling of foreboding may have been from the tricks that bipolar plays with the body. Remember as well that mania triggers the religious/mystical elements of the brain. 
But the bird was real. Whether it was a cardinal acting peculiarly or a flame-feathered spirit guiding me to safety, I will never know. I will not pretend to know — there is no certainty in mysticism. But there is one more story:
During that same time period, I left a party because I felt like I was barely holding myself together inside a great glass bubble that distanced me from everyone. My heart was breaking, and at the same time, I was afraid that I would be taken advantage of by someone or something malign if I opened up. A friend of mine walked me home from the party to protect me from what I felt was out there (Scott May, if you’re reading this, thank you. I never appreciated you enough).
I got home and was lying in bed shivering and hugging myself. All of a sudden, I heard a commotion just outside the window and saw a cardinal, male and shining red against the lowering clouds, fighting a starling with its black, speckled wings. 
I heard a voice in my mind: “Do I have to knock you out to help you?”
“Yes,” I thought back.
I instantly fell asleep.
*******
I have to wait for dreams now to have these experiences, possibly because of the medication, possibly because of the fact that I’m older and busier and not accustomed to living between worlds anymore. I don’t know what the “real” interpretation is, but the belief that the redbird was a kind spirit that protected me against malign forces makes for a better story.

The Art of First Sentences

When I sat down to write this morning, one topic refused to be ignored.

That topic? First sentences.

I first learned about the magic of first sentences from an essay by the great (and late) SF writer Edward Bryant. If you have not heard of him, it’s because he specialized in short stories and anthologies. I aspire to write like him, even though his stories were macabre and his happy endings equivocal. Cinnabar, one of his anthologies, was one of my formative reading experiences in high school.  He wrote wonderful female characters that put Heinlein’s accomplished pinups to shame. (Yes, I read Friday, and it scarred me — sex symbol spy decides what she really wants to be is a mother. Madonna/whore much?)

Anyhow, Edward Bryant wrote an essay about the importance of first sentences in writing. They exist pique curiousity, to suck the reader in, and set the stage for the story. He cites one example from an anonymous author in a workshop that he considered perfect: “Today the Pope forgot to take her Pill.” I don’t know about you, but I’m angry that that book was never written, because I’ll never know the end of it.

The sentence I wore on my arms for Dear World makes for a good first sentence: I wrote a love song to a sparrow”. For God’s sake, why??? Now you’re invested in the story.

I work hard to come up with good first sentences. I don’t always succeed. Sometimes I forget that I’m supposed to put work into that first sentence. This morning, I looked at the first page of my WIP, and saw that the first sentence started with “Once upon a time”. It made sense in one way, because someone was telling what looked like a fairy tale, but yuck. That sentence is anemic, trite, and uninspiring. The new first sentence?

When the storyteller finally spoke, her voice took on a tone that reached from my past and echoed into my future. 

The beauty of that sentence is that it’s the key to the book.
The other beauty of that sentence is that it belies the revelation half a page down that Mom is telling the story and it’s supposed to be a child’s bedtime story.
But the story reaches into the protagonist’s past and echoes into her future.