Comic Relief

I have written some pretty dark stuff lately. Riots with body counts, bombings, scenes that traumatize my protagonists. The United States is falling into disorder, and in two years there will be no United States.

I may write dark, but I don’t write unrelieved grim. There is always humanity. There is always hope. And there is always humor. My characters shine in small moments where humor peeks out, and sometimes I go from subtle smirks to full-out silliness.

Take, for example, Nephilim cats. One of my Archetype characters created a passel of immortal Archetype cats that teleport and procreate. Their offspring, like human-Archetype crosses, fly. They also get into trouble flying around outsiders. The beauty is that most humans can’t believe their eyes, and they ignore the obviously flying cats. But when the outsider recognizes this cat is actually flying, and the ten-year-old girls are scolding him for letting the secret out … a tense moment of an outsider knowing secrets gets silly.

I worry sometimes about my sense of humor. On the other hand, I worry that my writing can get too dark. I wonder if I have the balance right. I would love feedback on this, so if you’re one of my readers, please let me know! Link to my books here.

Writing about Writing about Writing

Sometimes I write about writing. I don’t do this nearly as often as I should, because I don’t have meta-thoughts about writing that often.

I could write about exposition, for example. What wisdom do I have about exposition? Only the big one: Show, don’t tell. And the not so big one: Conversations can be a form of exposition if you’re not writing things like “Did you hear about Betty? She ran off with the milkman last week.”

I could write about writing characters. Where do my characters come from? They come from an amalgam of people and stories I have known. Then I “interrogate” the character to see if they feel consistent in who they are. I have conversations with the characters, I put them in situations. I talk to my husband about characters — for example, “Would they talk back to the police?” Gideon would; he tends to be human and somewhat anti-authoritarian. Most of my Archetypes and Nephilim would never talk back lest they be discovered. They’re not quite immortal, after all, and they would alarm the authorities. Luke would talk around the cops, though. He’s a lawyer, after all.

I want to write about this guy next.

I could write about publishing. There are many steps to publishing yourself; some of them go surprisingly smoothly, like most of the process on Kindle Direct Publishing (KDP for those in the know). Others become a great source of frustration, like putting my book cover up on KDP.

I could write about hitting it big as a writer. No, I can’t, because I have not hit it big. Nor is it likely that I will, but that’s okay. I have a story to write, and it nags me at night. My characters (Sage Bertinelli and Forrest Gray at the moment) demand to be written.

I need to write more about writing, because there are so many topics … thank you, Hannah, for obliquely suggesting this!

Writing with Chloe the Cat

Today, Chloe is helping me write the blog. Chloe is my second-youngest cat at age 4, and she is peculiar:

We adopted her as a kitten from the Humane Society — she was the one who spent her visit climbing all over me, so we knew what to expect.

The kitty we nicknamed “Itty-bitty-bitty-bitty-BABY-BABY girl” has grown into a chubby adult. She sits with me when I’m in my writing spot (a loveseat in the living room) or sits nearby, looking out the window. Often she asks for attention so it takes longer to get things done.

I’m trying to figure out what to write today (if anything). She is not helping any, choosing instead to sit on the back of the couch and read over my shoulder. Just now she ran toward the stairs for no real reason at all.

I guess I’ll just write on my own, then.

Pantsing

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Pantsing refers to a style of writing whereas one makes the story up as they go along. It’s part of the trinity of methods, the other two of which are planning and plantsing. Planning the story is just what it sounds like — from using an outline of each chapter to setting up scenes and documented world-building. Plantsing is somewhere between the chaos of making it up spontaneously and organizing everything.

Normally I am a plantser — I have “note cards” (a feature on Scrivener, the program I recommend for writing novels) for each chapter denoting what should happen in the chapter, and I see where those directions and the characters take me. But this time around, I have diverged from the note cards enough that I am most definitely pantsing.

For example, I was writing about how my characters in their collective (think commune, sort of) were going to cope with the potential for communications and shipping breakdown in the oncoming breakdown of American society, and I thought about replacement parts and fuel for the farm. While I was in the middle of writing that, I thought, “Oh my god, what are they going to do about the staple goods they don’t grow themselves?” The collective eats a certain amount of bread, for example, but they don’t raise the wheat themselves because only the wrong type of wheat grows in the Midwest. In addition, they’re vegetarian and bought rather than grew their legumes. They use their farm land for more suitable items for the collective, like fresh fruits and vegetables, as they could always buy the staples through the local food co-op. So they suddenly figured out they could have a food crisis. In striving to be self-sufficient, they blinded themselves to the fact that they were not self-sufficient, any more than other humans. They discovered this at the same point where I thought about it, of course.

I may edit this later, putting the food crisis before the capital goods crisis chronologically. But I may not, because if it occurred to me in that order, maybe it would have occurred to them in that order. Maybe the capital goods crisis they envisioned was the one the collective saw most clearly* and therefore first. Part of the process of pantsing is the harder job of editing down the line.

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It’s been a wild ride writing this novel so far. I feel like I’m climbing a rock wall without a belayer. If I felt a lot better about my rock climbing skills, I would not feel like I needed belaying.** Ah, well. See you at the edit.


* This is known in cognitive psychology as the availability heuristic, whereas we believe the most readily imagined scenario is the most likely or important one. This heuristic is why young people buy life insurance and not disability insurance despite being 7 times more likely to die than to become disabled.

** I just about used the word ‘balayage’ here, which is a hair-dyeing technique. Oops.

Twelve Years of Writing

I’ve been writing for twelve years. I started, strangely, three months after being diagnosed with bipolar 2, which I hadn’t realized till today. I know I didn’t start writing as a coping mechanism or as character insertion (my first characters were not me) and I didn’t write about being bipolar. I think I started writing because being treated for bipolar helped me focus on continuous tasks instead of pouring all my energy on the whim of the moment.

I was not a good writer at first — I wrote each chapter as if they were separate episodes, like short stories strung together. I didn’t feel like I wrote an overarching plot. The novels (I use the term loosely) I wrote then I have had to revise several times such that only the characters are the same. I learned a lot from revising them.

Things I have learned over the past few years:

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  • My first draft is not my novel. Over the years, the novels have needed less and less rewriting, but there are always things to fix in second and third (and fourth, and …) drafts.
  • Developmental editors are an important part of your writing toolbox. It is worth paying for them.
  • There are three ways to write a novel: Plotting, pantsing, and plantsing.
    • Plotting: an organized outline at the beginning, and following the outline.
    • Pantsing: writing it as one goes along, without the outline.
    • Plantsing: writing with a rough outline but pantsing through the chapters.
    • I am a plantser.
  • Scrivener is a great program for composing my work, especially plantsing.
    • Scrivener arranges itself around a chapter format and a synopsis form that I use to guide my chapters. I use it like pantsing with training wheels.
    • One can get templates for Scrivener novel-writing that incorporate plotting frameworks, such as Save the Cat and Romancing the Plot.
  • ProWritingAid was another investment I don’t regret — my grammar has improved in ways I hadn’t considered before. I have lessened my passive verb structure massively.
  • Writing is the easy and fun part. I still don’t think I have the hang of promotion (and this blog is part of my proof of that.)
  • My favorite novel is always the one I just finished.

The most important thing I learned? That I can write. The second? That there’s a whole lot of luck in being discovered, and luck hasn’t come to me quite yet.

I feel like I could have learned more in 12 years, and maybe I have, but these are the biggest things I can think of. I hope they’re helpful to someone!

What gives me direction in life?

Daily writing prompt
What gives you direction in life?

Motivation needs direction, or else people waste their energy. There are several things that give me direction in life, honestly. Some are lofty; some mundane. I need to talk about both.

One thing that gives me direction is love. Love of people becomes an evident focus in my relationships, and it’s the answer people expect when I say “love”. But what loving what I do? That’s at least as strong a guide for direction in my life. I think about two activities I term as “flow” activities in my life, moulage (casualty simulation, otherwise known as making victims for emergency training) and writing. The love of the activity and the stimulation they give me gives me direction.

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Another thing is striving to be better. This points me toward improvement activities, such as reading about my writing craft and practice, practice, practice. Related to this is the desire for recognition. Although I don’t like to talk about my need for external validation, it’s there. It’s definitely there.

Sometimes, it’s duty that gives me direction. That I get up in the morning on days when I’m depressed, and go to work even when I am hypomanic, is the power of duty. Duty to myself and to my husband and cats. The need to provide food, clothing, and shelter; safety and security, and emotional support. I also do these things because I love all of them, but the daily things fall under the category of duty.

This list is pretty prosaic, more of an essay answer for my positive psychology class than a creative piece. But these are the places and the reasons I focus my energy.

Daily writing prompt
What is your favorite holiday? Why is it your favorite?

Christmas* is my favorite holiday. It’s strange writing about Christmas in April, but then again, I have a Christmas tree still up in my parlor, and I turn the lights on now and then. And I just got done writing a Christmas romance. (It’s my sixth). No other holiday comes close to me.

Christmas lasts an entire season, and that’s one thing I love about it. I get to celebrate from post-Thanksgiving to New Year’s Day. It comes when I need it, toward the end of a very busy Fall semester at the college. It livens things up against the leaden skies and frozen ground waiting for snow that doesn’t come till January.

Christmas also has traditions handed down from many cultures (mostly Western) to give it a rich color and flavor. Red and green, silver and gold, touched by Hanukkah blue and white (it is part of the season), ribbons and blown glass ornaments and Della Robbia wreaths (my mother had a particular fondness for them, as do I) and twinkly lights.

We have special Christmas foods from many cultures as well. Pfeffernuse (ginger cookies) and springerle (anise cookies) from Germany, Mexican wedding cakes/Russian tea cakes, sugar cut-out cookies, Christmas goose, plum pudding, KFC (in Japan) …

Christmas remains my favorite holiday, even though I’m too old for Santa. But given I write about a secret society of Santas, am I really too old?


*I am talking about the secular parts of Christmas here. I am of a “spiritual but not religious” bent, best described by “omnist“. Or maybe “panentheist”. I’m not sure. My beliefs are very personal, and I don’t want them hijacked by the “one true religion” crowd.

“… surreal, but not very impressionistic …”

I wish I was better at poetry, lacking the impressionistic bent I need to write the type of poetry that is in fashion right now. I am too involved in telling stories in a more straightforward fashion, even when I am writing dreams:

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Last night, I dreamed I was walking after dark, late at night, armed with a pair of scissors. Someone approached me and put his hands on me, and I flipped him over my shoulder and then held my scissors at his jugular*. He apologized and ran away. I walked and walked till daylight, and I found myself at my old alma mater** wearing a white blazer and a skirt too tight for me. I ran into a couple of colleagues from my current job as a professor, who were going to a lecture together at a conference. I didn’t get the impression that they wanted me there, and I felt self-conscious because of the clothing and my weight anyhow. I walked out of the conference, which was held in the student union where I went to college. I walked to where my office used to be when I was in graduate school, which ended up being the mailboxes in my former department here where I currently teach. The mailboxes were no longer there, but I walked down the hall to find where they were located back at my alma mater.

This is surreal, but not very impressionistic. I could make it impressionistic, but it would aggravate me. What is happening? What happens next? I love poetry, but I can’t make it happen. My poetry is too concrete.


* By jugular, I meant where I think the jugular is. I’m really not sure where it is.

** for non-English speakers, “alma mater” is a Latin phrase that we use to describe the school we graduated from, usually college.

Easing into Summer Professor/Writer Version

An end-of-semester status report:

  1. All I have left to grade is final essay exams for my Personal Adjustment students.
  2. I’ve successfully weaned myself off the lithium with apparently no difficulties. We shall see.
  3. I am done with Kringle Through the Snow (Kringle Christmas romance); struggling with Carrying Light (Hidden in Plain Sight series; a novel about Barn Swallows’ Dance and societal collapse)
  4. My summer will be spent supervising 10 interns (a smaller amount), putting together two new classes for fall, and writing. I foresee lots of Starbucks time. Starbucks will have to learn to love me.
  5. Summer trips: A conference in San Francisco end of May, New York Hope (disaster training exercise for which I am moulage coordinator) at beginning of August, and hopefully a writing retreat here and there.
  6. My writing/publishing goal list for summer: Finish Carrying Light; prepare Kringle Through the Snow for Oct. 1 release; prepare Reclaiming the Balance (Hidden in Plain Sight series) for Jan. 1st release; Set up my social media posts through December on Loomly.
  7. My wish list: That amazing bit of happenstance that will propel my writing into notice, continued health for my family (one husband, four cats, extended folks), and inspired writing.
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The Home Stretch

On the professing front, all I have left to grade for the semester are two class assignments and one final. Not a bad thing; Finals run next week. I will make it.

Summer might be a light one — I only have 10 interns so far for summer. Normally I have 20. I could use a light summer, because I still don’t know what’s going to happen with my medication. It hasn’t happened yet, at any rate.

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That means writing. This means finishing Carrying Light, editing Kringle Through the Snow for October 1 publication, and doing a final edit of Reclaiming the Balance, for Jan. 1 publication. If I get the guts to publish the latter. It’s such a unique book. The conflict is personal and internal to Barn Swallows’ Dance and its residents. One of the main characters is non-binary, so I wrote the book with they/them, so I expect reaction from the more bigoted.

I might also write on Walk Through Green Fire, in which the lead female rescues a prince of Faerie. That one is hard because I expect it to have sex scenes, at least one. Unless I chicken out.

We shall see what the summer brings when it gets here, which is a couple weeks from now.