Using Templates to Shape a Book

I use templates to remind me of the shape of a book as I’m writing it.

Templates are scripts of a sort that one can use to structure writing to fit readers’ expectations. Readers expect a story structured such that the action rises to climax and then subsides. Other techniques can be added to this, such as interactions between a character and other characters to highlight tensions.

Well-written book guides offer plotting systems. Save the Cat Writes a Novel is an example of one, and one I highly recommend as a method to organize one’s plot. But I go one step further with templates that writers can load into Scrivener, the writing software I use.

One of these is Romancing the Beat by Gwen Hayes. In twenty chapters, she lays out a romance novel’s structure with uncomplicated prompts for the reader. For example:

The column at the left shows the chapter outline with evocative titles. In the notecard view here, you can see each chapter’s prompt. When you are in chapter view (writing the chapter), you will see the full prompt in the upper right corner area called synopsis (seen below).

This is my go-to for writing romance novels. My go-to for writing fantasy novels is a template that no longer can be found on the internet (or if you can find it please let me know so I can give the writer credit). It’s based on the timing of Save the Cat templates, but it does the math for you. It looks like this:

In the left-hand column are the basic parts of the book, and the number of chapters is their relative weight in the book. Given roughly equal chapters, these distributions of chapters should give you the recommended pacing.

The template also gives guidance:

At the far right, there is a description in each section for what should happen in a section.

These are the templates I currently use for writing. I like using templates because I’m a plantser — someone who likes some structure but likes to flow within the structure. These templates allow for that. I write my chapter synopses within the guidance of the template and I’m ready to write.

Realism in Fantasy

I write fantasy romances and romantic fantasies. Obviously, fantasy is part of what I write. But does fantasy mean unrealistic?

Not really. Fantasies have their own internal rules so that they don’t stretch realism past incredulity. For example, any magic user will not be invincible — that will make the story unrealistic. The character has to have magic for a reason, which the writer can reveal as simply as “he’s a magic-user” to a long, descriptive back story.

There has to be internal consistency to the magic system. Readers will balk at inconsistencies, especially convenient inconsistencies that favor the hero or villain. If you defy gravity, do so consistently.

I write contemporary fantasy, which means a lot of realism as modern culture, geography, physics and the like. So there’s a lot of reality around the fantasy, but I still have to make sure there’s some internal consistency in the structure. Nephilim fly, Archetypes teleport. Humans don’t get more than one gift from the trees. Archetypes can’t teleport split-second and everyone’s gifts have practical limits. Gaia’s presence does not pass beyond the borders of the Garden.

World-building accomplishes a lot of these rules and boundaries. I do a lot of world-building in conversations with my husband in conversations like: “Do you think Forrest can knit wool if he can knit bones together?” (We decided yes.)

Fantasy is more fantastic when there’s a point of reference, when there are winners and losers (even with the possibility to change in the story), and no power goes completely unchecked.

Two Books

I’m writing two books simultaneously right now. One is a Kringle Chronicle story, with the two main characters a classy event planner and The Grinch. No, not really, although he’ll play one at the Holiday Gala. Which our event planner needs to keep as high-class as possible given that it’s a $100-a-plate dinner for charity.

The other is a Hidden in Plain Sight book, taking place at the cusp of American society’s collapse.

Two very different books. Two very different moods.

Getting in the mood to write is going to be vital right now. I can’t write the Kringle book in the somber mood the other book requires. I can’t be effervescent when writing about the dwindling light of a country.

Music may help. Rereading what I’ve written will really help, especially when I’m listening to generic classical motivation playlists or something.

So I’m working on ways to get these both written without losing anything of either of them. Wish me luck!

Today is a Snow Day!

I’m taking an unexpected day from teaching at the university. Today was supposed to be my first class day of the semester (I teach Tuesday/Thursday and keep office hours on Monday). Instead, I am sitting at home listening to Classical Motivation and typing this in my sweats. I am enjoying a snow day, the dreams of children and teachers of all ages.

It feels strange to hype myself up for teaching only to not teach. I feel disorganized, although I can teach this stuff with my eyes closed. Though it’s nice to have an accidental break. And the snow is pretty.

I sit at my computer and write this blog, feeling ahead of the writing-related things I do. I have written character sketches for my two main characters for Kringle Through the Snow, so I’m closer to writing that book. (Next, break my procrastination. Or take a nap, because this day is a gift.)

I Guess I WILL Write Another Christmas Romance

Last November, I decided I would not write another Kringle romance, and I spent my NaNo time finishing and editing Avatar of the Maker, and then beginning Carrying Light (which I am currently struggling with).

Two things have happened that made me change my mind about continuing the Kringle books. First, at the Maryville Public Library book sale, I sold several copies of the Kringle books. The library has added all of my Kringle books to their collection. They seem to know their readers well, as they’re not as interested in the fantasy books. Apparently, people are reading my books.

The second thing that happened was that one of my readers plugged the series on her Instagram. That felt good, and very encouraging.

And there is a third — I feel stalled out on Carrying Light, and even more stalled out on the other book I have an excerpt written on, Walk Through Green Fire.

So, it looks like my winter project is another Kringle book, which needs to be written and cleaned up by October 1. I came up with the plot for it in about 5 minutes chatting with my husband. Whew! When am I going to do this?

Happy Christmas Eve from The Elms

I’m sitting in the lobby of The Elms in Excelsior Springs, Missouri celebrating a very mellow Christmas Eve. Having no children or grandchildren, this is how our holidays go.

We eat at the local restaurants, we shop, we soak up local history. We got our massages yesterday (and that was marvelous!) and have had time to write. We’ve had time to relax, and heaven knows I needed that.

I’m posting my Christmas greetings to you now, because I will probably be busy watching Christmas movies tomorrow in-between writing and the buffet.

Merry Christmas!

Getting to Know My Characters

I occasionally throw my characters into other situations where they have to have a close interaction with another character. This is the way my characters teach me who they are. These also become short stories to be included in short story collections (such as Stories Within Stories, which will be out January 1st.)

For example:

What does a vision quest look like in a big city?
How do two enemies interact when one is having a very bad day?
How do two characters navigate a cultural divide?
How do a human and an immortal negotiate having a child?
How do you confront a mythical creature?

There are hundreds of ways to write these, and I’ll argue that what really determines where the story goes are the characters. Two enemies that have millennia of conflict may have a rapport. How to confront that mythical creature may depend on whether it has kidnapped your grandma — and, for that matter, whether your grandma can take care of herself.

The thing, though, is that not only do the characters make the story, but the story turns around and makes the character. I learn new things about my characters from writing these stories, especially things like their vulnerabilities and idiosyncracies. Things that make my characters real.

I need another story to write!

Staying Optimistic

I’m an author. I have self-published and sold books. I don’t have much of a following, and I don’t have the confidence-boosting event of an agent liking my work, but I’m serious about writing.

I still don’t know where writing will lead. I suppose I should assume that if my writing hasn’t gone anywhere in the five years I’ve been self-publishing, that it’s not going to go anywhere. But I’m optimistic, because the most important thing to me are the words and their meaning. Everything else is beyond my control to a great extent.

I don’t know if I believe in God, but I pray for success. I don’t specify what success looks like, because I don’t like telling God what to do. I also don’t think God is going to get me a publishing contract, but maybe They will help me see success when it’s in front of my eyes. Maybe I’ll see a new way to publicize my work. Maybe I will have a strong desire to let writing go.

My definition of success is having readers who want to read the next novel in the series. Readers whose imaginations visit Barn Swallows’ Dance or the neighborhoods of Chicago where my characters live. People who know who their favorite character is. I want people to feel welcome in my world. Maybe I can have that success.

We shall see. I will never have any success if I give up.

Author Fair

My local library is going to have an Author Fair this weekend, and I will be there. In fact, I will read an excerpt from one of the Kringle romances; I still haven’t figured out which. I’m tempted to read from It Takes Two to Kringle. In this scene, a beleaguered junior faculty member discovers that the attractive man who treated her to coffee is a Christmas fanatic who will create extra tasks for her. I’m going to have to figure this out by Saturday morning.

Author fairs are unnerving. I have never sold over three books at an author fair, because I’m an indie writer and my novels are quirky. My male leads are college professors, professional Santas, and pacifist warriors. My female leads are college professors, accountants, and former labor organizers. The immortals are not elves or angels, although they’ve been mistaken for both.

So I sit there and watch people walk by, and sometimes they stop and peruse. Sometimes I get to answer questions, and I feel like anyone could answer these questions better than me. But despite my impostor syndrome, I enjoy getting questions. I just wish I was more articulate on the “summarize the plot” questions.

So I’ll be setting up Saturday morning for a two-hour session with my books and my table trappings. Wish me luck!

A Few Minutes to Think

I’ve had a few minutes to think between final project grading and final exams, so I’ll share my thoughts:

I don’t believe in “manifesting”. God is not an ATM. But just in case I’m wrong, you’ve heard it here first: I want my niche to discover my writing. I want an engaged group of readers who can identify with the small magics of Barn Swallows’ Dance and the power of InterSpace.
On being 60: I have to accept that I’m now reminding my students of their grandmas rather than their mothers. It’s a shock to the system; I don’t feel that old. Moreover, I think it’s affecting my ability to write romance, because I’m not getting those looks anymore. You know, THOSE looks. (Not lustful, but playful. That’s just how I roll.) It’s not bothering me; it’s just weird, like I’ve lost a color in my vision (say magenta) and I barely remember having it.
If I didn’t have a third item in this list, you would feel vaguely dissatisfied. That’s because three is a magic number. It’s not universally magic, but in a list, we feel satisfied when there’s a third item. Two becomes magic because of its connection to ‘either … or’. And couples, of course.

That’s enough. It’s time for me to write for a while. But first, a cat: