A Touch of Darkness

I shy away from writing about dark subjects in my blog. It’s strange because I’ve had several dark times in my life. I don’t want people to think I’m pandering for attention, even though the reason writers post their works in the first place is to get attention.

I won’t write dark for dark’s sake, nor will I use gratuitous trauma as a shortcut to character development. Yes, someone’s past will contribute to their character. But I won’t use trauma as the only character trait or even the main one, and only if it’s pertinent to the story. (See also the “fridging” phenomenon—killing a girlfriend character to motivate the main male character.)

Writing about dark topics in my stories is something I must work my way up to every time. For example, the body count in Apocalypse. I had trouble killing anyone, but a developmental editor told me that the last battle had to look hopeless, so I killed eight characters. I also, ironically, edited that book for gratuitous darkness because I had tried the cheap way to make it darker.

Sometimes an entire book is dark. Carrying Light, one of the two I’m currently writing, is a dark novel, being that it’s written at the cusp of the collapse of the United States. Apocalypse is dark, because the fate of humanity hangs in the balance. But it was hard to write these dark enough at first.

In the end, I think darkness needs to balance light. That’s just me; I know there are people who write dark all the time, with lots of death, depersonalization, and alienation. I can’t write there, because all my writing adopts a quote from ee cummings: “The single secret will still be man.”

How It’s Going Book-wise

Kringle Through the Snow is going pretty well. I keep writing on it, and it’s lively and fun. Sierra and Wade are about to have a nice evening analyzing The Grinch. And sitting next to each other on the couch because Shadow Lord, the immense Newfie, will take up the rest of the couch. Shadow Lord has an agenda.

Carrying Light is languishing in the bottom of my To Be Written pile. I just don’t know why that isn’t flowing, except it has nothing to do with characters. I don’t think it is plot. It is picky little details, like “Where is Janice going to work if the gift shop is no longer open and she’s getting no orders for pottery?” I feel sorry for Janice, but the collective can’t fix that problem for a while, for the good of the plot.

Okay, one book at a time, 750-1500 words at a time. I’ll finish the Kringle book first, then worry about Carrying Light. Oh, and fix the other book, the one I want to publish in December. Who, me busy?

All of Me

My husband asked me today if there’s a distinction between “writer me” and “non-writer me”. Do I perceive them as different personas? Do I keep them separate in my mind?

The answer is “no”. Perhaps it is because I don’t use a pen name, or because I’ve been writing for so long. But I’m a writer and a college professor and a partner to one of the most interesting people I’ve ever met. And a few other things as well. I don’t see a contradiction in any of them, which is disappointing, because I so love contradictions.

I would hate to think that some other persona of mine was getting the recognition for my hard work. Or sitting at my breakfast table. That would be disconcerting.

Playing with the Pen

According to National Pen, handwriting has benefits over typing. From higher cognitive engagement to memory recall, the slower process of handwriting engages the mind more. Admittedly, National Pen may have a bias, given that they’re in the business of selling pens. However, a recent report in Frontiers in Psychology spells out similar findings.

As a writer of novels, I find writing 70,000 plus words by hand painful (literally — arthritis) and the thought of typing all that handwriting into its necessary digital form is daunting. I foresee handwriting the first draft of a novel doubling my process time, and I don’t feel like my writing is suffering that much by typing the story.

I think there has to be a way I can harness the power of handwriting. I used to do free writing when I was stuck with a scene or a character, and I haven’t done that as much recently because I haven’t felt I needed to. But what if I free-wrote before sitting down at the computer as a general practice, to gather my thoughts and project them forward? A writing ritual?

My husband bought me two composition books to start the ritual. I have fountain pens to write with, which gives this more of a ritual air. The idea is to consider and write about the upcoming scene and free-write, then see if it makes getting those words more smooth.

I’ll let you know how it goes.

Using Templates to Shape a Book

I use templates to remind me of the shape of a book as I’m writing it.

Templates are scripts of a sort that one can use to structure writing to fit readers’ expectations. Readers expect a story structured such that the action rises to climax and then subsides. Other techniques can be added to this, such as interactions between a character and other characters to highlight tensions.

Well-written book guides offer plotting systems. Save the Cat Writes a Novel is an example of one, and one I highly recommend as a method to organize one’s plot. But I go one step further with templates that writers can load into Scrivener, the writing software I use.

One of these is Romancing the Beat by Gwen Hayes. In twenty chapters, she lays out a romance novel’s structure with uncomplicated prompts for the reader. For example:

The column at the left shows the chapter outline with evocative titles. In the notecard view here, you can see each chapter’s prompt. When you are in chapter view (writing the chapter), you will see the full prompt in the upper right corner area called synopsis (seen below).

This is my go-to for writing romance novels. My go-to for writing fantasy novels is a template that no longer can be found on the internet (or if you can find it please let me know so I can give the writer credit). It’s based on the timing of Save the Cat templates, but it does the math for you. It looks like this:

In the left-hand column are the basic parts of the book, and the number of chapters is their relative weight in the book. Given roughly equal chapters, these distributions of chapters should give you the recommended pacing.

The template also gives guidance:

At the far right, there is a description in each section for what should happen in a section.

These are the templates I currently use for writing. I like using templates because I’m a plantser — someone who likes some structure but likes to flow within the structure. These templates allow for that. I write my chapter synopses within the guidance of the template and I’m ready to write.

Realism in Fantasy

I write fantasy romances and romantic fantasies. Obviously, fantasy is part of what I write. But does fantasy mean unrealistic?

Not really. Fantasies have their own internal rules so that they don’t stretch realism past incredulity. For example, any magic user will not be invincible — that will make the story unrealistic. The character has to have magic for a reason, which the writer can reveal as simply as “he’s a magic-user” to a long, descriptive back story.

There has to be internal consistency to the magic system. Readers will balk at inconsistencies, especially convenient inconsistencies that favor the hero or villain. If you defy gravity, do so consistently.

I write contemporary fantasy, which means a lot of realism as modern culture, geography, physics and the like. So there’s a lot of reality around the fantasy, but I still have to make sure there’s some internal consistency in the structure. Nephilim fly, Archetypes teleport. Humans don’t get more than one gift from the trees. Archetypes can’t teleport split-second and everyone’s gifts have practical limits. Gaia’s presence does not pass beyond the borders of the Garden.

World-building accomplishes a lot of these rules and boundaries. I do a lot of world-building in conversations with my husband in conversations like: “Do you think Forrest can knit wool if he can knit bones together?” (We decided yes.)

Fantasy is more fantastic when there’s a point of reference, when there are winners and losers (even with the possibility to change in the story), and no power goes completely unchecked.

Two Books

I’m writing two books simultaneously right now. One is a Kringle Chronicle story, with the two main characters a classy event planner and The Grinch. No, not really, although he’ll play one at the Holiday Gala. Which our event planner needs to keep as high-class as possible given that it’s a $100-a-plate dinner for charity.

The other is a Hidden in Plain Sight book, taking place at the cusp of American society’s collapse.

Two very different books. Two very different moods.

Getting in the mood to write is going to be vital right now. I can’t write the Kringle book in the somber mood the other book requires. I can’t be effervescent when writing about the dwindling light of a country.

Music may help. Rereading what I’ve written will really help, especially when I’m listening to generic classical motivation playlists or something.

So I’m working on ways to get these both written without losing anything of either of them. Wish me luck!

Today is a Snow Day!

I’m taking an unexpected day from teaching at the university. Today was supposed to be my first class day of the semester (I teach Tuesday/Thursday and keep office hours on Monday). Instead, I am sitting at home listening to Classical Motivation and typing this in my sweats. I am enjoying a snow day, the dreams of children and teachers of all ages.

It feels strange to hype myself up for teaching only to not teach. I feel disorganized, although I can teach this stuff with my eyes closed. Though it’s nice to have an accidental break. And the snow is pretty.

I sit at my computer and write this blog, feeling ahead of the writing-related things I do. I have written character sketches for my two main characters for Kringle Through the Snow, so I’m closer to writing that book. (Next, break my procrastination. Or take a nap, because this day is a gift.)

I Guess I WILL Write Another Christmas Romance

Last November, I decided I would not write another Kringle romance, and I spent my NaNo time finishing and editing Avatar of the Maker, and then beginning Carrying Light (which I am currently struggling with).

Two things have happened that made me change my mind about continuing the Kringle books. First, at the Maryville Public Library book sale, I sold several copies of the Kringle books. The library has added all of my Kringle books to their collection. They seem to know their readers well, as they’re not as interested in the fantasy books. Apparently, people are reading my books.

The second thing that happened was that one of my readers plugged the series on her Instagram. That felt good, and very encouraging.

And there is a third — I feel stalled out on Carrying Light, and even more stalled out on the other book I have an excerpt written on, Walk Through Green Fire.

So, it looks like my winter project is another Kringle book, which needs to be written and cleaned up by October 1. I came up with the plot for it in about 5 minutes chatting with my husband. Whew! When am I going to do this?

Happy Christmas Eve from The Elms

I’m sitting in the lobby of The Elms in Excelsior Springs, Missouri celebrating a very mellow Christmas Eve. Having no children or grandchildren, this is how our holidays go.

We eat at the local restaurants, we shop, we soak up local history. We got our massages yesterday (and that was marvelous!) and have had time to write. We’ve had time to relax, and heaven knows I needed that.

I’m posting my Christmas greetings to you now, because I will probably be busy watching Christmas movies tomorrow in-between writing and the buffet.

Merry Christmas!