Need Ideas for Writing!

Where do my ideas come from?

Most of my ideas, strangely enough, come from dreams, and I haven’t had any inspiring dreams lately (except for the one last night where Jason Momoa helped me with an awkward yard task and then winked at me.) I write fantasy and science fiction with a strong relationship (one might call it romance) element, so dreams about unusual happenings or intriguing strangers (not counting Jason Momoa) tend to provoke my dreams.

My imagination of course fuels and expounds upon these dreams. A certain “what if” element comes into play. What if there was a collective in the middle of nowhere that had to keep its reality secret? What if a woman’s annihilating power was disguised as a mental illness? What if the end of the world could be triggered by killing one person?

The well has run dry

Here’s my frustration — I haven’t come up with any new ideas lately. This could be because I’m just coming off a semester; it may be because I’m doing very well with my moods; it could be because nobody intriguing has visited my dreams (not counting Jason Momoa). I have been assigned by an editor I met to start writing short stories for submission until I can get some traction on my novels.

LOS ANGELES, CA – DECEMBER 12: Jason Momoa arrives at the premiere of Warner Bros. Pictures’ “Aquaman” at the Chinese Theatre on December 12, 2018 in Los Angeles, California. (Photo by Kevin Winter/Getty Images)

What are the solutions?

One thing I’ve done is write new stories based on the already written ones. This is why I have four novels and 10 short stories dealing with the universe of Archetypes. I have been charged with writing short stories, however, and I need to get out of my world and write standalone stories rather than “reader magnets”. One solution writers often use is writing prompts, or phrases/sentences providing an idea for the writer to go forth with. a couple of my favorite short stories were written on prompts (not about Jason Momoa). Another solution, one that I will be using today, is bouncing ideas off my husband (who is not Jason Momoa).

My request to you

I would love it if you threw me some story prompts to write with, hopefully fantasy (and not with Jason Momoa).

My Favorite Writing Retreats

As we say in this house, I have 50% cattitude. Girlie-Girl , a senior citizen at 13 is sleeping next to me, and Me-Me, another senior at 13, sleeps on the back of the loveseat where I sit. Cats sleep a lot, it turns out, but they don’t sleep soundly. Either one of these little critters will wake up grudgingly.

The loveseat is not only the favorite of the cats, but it’s my favorite. I do all my writing here, because the stereo is here, there’s a window next to me, a Nespresso pot in case I have a coffee emergency. And my husband sits on the couch and I bounce ideas off him.

Is this the perfect place to write? It’s close. I don’t like writing in the office, because it’s really cluttered and small, and there’s a sort of sensory deprivation.

My perfect place to write? In the lobby of a boutique hotel. There’s just enough movement that I feel comfortable writing, yet not enough to disturb me. These are my writing retreats, and here are a few of my favorites:

Starved Rock Lodge’s Great Hall
  • Starved Rock Lodge, Starved Rock State Park, Utica, Illinois. The CCC-built, log construction lodge is the gem of the Midwest, sitting in the middle of the best state park in Illinois. The Great Room, rustic and towering, attracts visitors who have just come in from hiking or just come out from the lodge-inspired restaurant. The chairs are just comfortable enough that sitting in front of the fireplace makes a cozy writing place. The old section of the hotel part of the lodge has, tucked in a corner, old-fashioned writing desks. Book one of the fireplace cabins (if you can) for added ambiance, although they’re too small to comfortably write in. Massages are optional. Highly recommended, especially at Christmas, when it’s beautifully decorated and families come to exchange gifts
  • The Elms Spa and Hotel, Excelsior Springs, Missouri. This has to be my favorite writing retreat. A lobby which evokes the 1930’s, seats by the fireplace, and a spa with a relaxation room and a hot tub/sauna/steam room/hot shower room called the Grotto, this is the place where I not only write, but recuperate. Facials, massages of various types, and hydrotherapy (I might be wrong about the last part) are available. There’s a cafรฉ on site and an excellent restaurant that plays Sinatra music, as it should. Again, rooms are a little small to write in, but they are light and elegant.
  • Lied Lodge, Nebraska City, Nebraska. Lied Lodge honors the founder of Arbor Day, and is located on Arbor Day Farm. As one might expect, the theme is trees, and the lobby has high ceilings, wooden beams, and world-affirming quotes on the walls. Although the massive fireplace makes the lobby a little crowded, the section behind the fireplace yields comfortable rocking chairs and just enough neighbors in seats to stimulate thought in those who prefer background noise. The restaurant is excellent and inspired. Lied has the most spacious rooms of the three, with more wood beams to provide ambience, but still too small to write in in my opinion.

I haven’t been on retreat for a year, having kept much to myself during COVID. Now that I’m vaccinated, I feel safe enough to schedule a writing retreat at The Elms for just before Memorial Day. Whew! All I need now is something to write.

I need ideas!

I made 50k (50 editing hours) for Camp NaNo yesterday, and I’m almost done editing Reclaiming the Balance, which is in part a parable about how “woke” people can sometimes get caught being prejudicial of a new situation. It’s also a story about a love affair between a sculptor and a beautiful, truly androgynous being who was “born yesterday” as an adult. I guess it’s also a story about how our pasts cripple us in the present.

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I feel a need for more ideas. Short stories this time, because I have enough novels, or so I’ve been told. My idea of stories, though, are mystical, mythical, and at times provocative.

I need some good, weird dreams as material to write. That’s how I’ve gotten my best novels. I need something new to write stories about — most of my short stories are about the world around Barn Swallows’ Dance (the fictitious ecocollective that keeps many secrets); one takes place in the Kringle world. I need to write some standalones to submit to journals and other outfits.

What I need is some time to think. I should have some of that this summer.

My Longest Hobby

I have spent my life developing “project obsessions” where I completely immerse in a hobby and then, inexplicably, give it up. I hit a moderate level of proficiency, and then I get stuck, and then I give up. I did this with embroidery, beadwork, gardening (I couldn’t keep up with the weeds and my gardens didn’t look beautiful. I hit the wall.

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Writing has been an exception. I have been writing for — six? seven? years, and I don’t seem to be ready to stop. I learn, and I improve, and I don’t seem to hit the wall. I’m not sure why; possibly because it doesn’t take hand-eye coordination (which I’m severely lacking) or lots of money (which I don’t have). Writing for me is at the optimal level of challenge with opportunity to improve.

With writing goals. it’s best to set internal goals. I’ve made the mistake of setting the goal of getting traditionally published which is an external goal I have little control over, especially in the overloaded publishing market. If I set internal goals, I’m much more motivated. Not that I’ve given up being traditionally published; I’ve just decided that I have to set it as a secondary goal.

I guess writing is with me as a part of my life.

Read Me!

I have a friend who happily beta-reads all of my writing. This, of course, makes me very happy in return. She’s very sharp at picking out things that need to be clarified or rewritten, and she likes my work, no matter how low-key strange it is. In fact, the more low-key strange it is, the more she likes it.

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The way I got this friend to read was pretty simple: I asked a bunch of my friends if they’d like to beta-read a novel, and she was the one who answered. I didn’t single anyone out and ask, because I didn’t want to pressure anyone to say yes. Some people don’t read, and they don’t want to be singled out as non-readers. Others aren’t reading what you’re writing. It would be nice to have more than one beta reader so we could discuss what’s happening, but it’s okay.

If you have a friend who’s a writer, one of the best gifts you can give them is to read their stuff. Even if they haven’t hit it big — especially if they haven’t hit it big! Writers need readers to feel like they’ve accomplished something. We may write for ourselves, but we know that writing/reading are a transactional model, and we crave being read. So give us a present!

What I’ve Learned from Failure

I didn’t have to deal with failure in my childhood (except for those crushes that were never requited). I wasn’t quite a child genius, but I was gifted. I managed to get to college almost entirely on scholarships including a National Merit Scholarship. I got on the honor roll despite the most perfunctory study habits.

I came to failure late and hard. Particularly in submitting my writing, particularly novels. I have received enough rejection to paper my room.

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What I have learned about rejection:

  • Don’t take it personally. If I have given my best, after reading guides on how to write, writing, editing, beta-reading, revising, and the like, it’s probably that my writing doesn’t fit the agent’s list or the journal’s theme I have learned, for example, that my poetry is not High Concept, as it doesn’t get published in high concept journals. This doesn’t surprise me because my Ph.D. is not in English/Creative Writing. My short stories are also not High Concept, being firmly lodged in the category of fantasy, romantic fantasy, and space opera. There are some places I’m more likely to get published in than others.
  • See what you can learn from it. I have had to grow as a writer by asking myself, “What is the takeaway from this?” I had to get rid of my perfunctory habits once I realized that one didn’t turn in one’s first draft (in my defense, it had very few grammatical or spelling errors). I read a lot of material on writing because of rejection.
  • Try again. Always try again.

What I’ve Learned From Editing

Sorry I’ve been gone for almost a week, but I’ve been busy with Camp NaNo. I’ve been putting 3 hours a day in editing Reclaiming the Balance, which means almost no free time to journal. Today I will make my 30k goal for camp, but I will likely continue editing once I’m done with the goal, because I haven’t yet gotten Reclaiming the Balance where I think it can be.

I’ve done a lot of editing lately between Gaia’s Hands and Reclaiming the Balance, but these are a couple of my first books, so it’s expected.* I’ve learned much about writing novels from editing previous novels and don’t want these past novels to go to waste because their characters deserve to see the light of day.

So what have I learned about writing from editing? Let me think …

  • Structure really helps guide the reader and satisfies their expectations. I use two systems now:
  • Save the editing for later — get the ideas down
  • Don’t repeat first names in your characters (there are some exceptions, such as Senior and Junior)
  • Don’t make people follow too many characters in a third person omniscent**
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And some things I’ve learned about editing from editing***:

  • Sometimes I have to cut one of my favorite scenes or chapter because it didn’t fit the flow of the book. This happens more if I didn’t use a structuring scheme
  • Sometimes a sentence that made perfect sense to me when I wrote it makes no sense when I read it later
  • I need help — developmental editors, sensitivity readers, beta readers.****


* I’ll admit that both novels are basically romances with somewhat “non-standard-reality” plots. I really don’t know how to classify the fantasy version. Contemporary fantasy? Magical realism? I certainly don’t write elves, sword and sorcery, or vampires. I like to think of my stuff as anthropological fantasy.

** The collective featured in Apocalypse, Gaia’s Hands, and Reclaiming the Balance has 60-70 members given the time period. Apocalypse was a third-person omniscient point of view. I had to pare point of view characters to about 9.

*** I’ve learned more than I’ve written here (action verbs, some description, because vs since, transitions) but those are more about words than writing

**** I proofread really well after the second or third pass, so copy editors and proofreaders are not on my list. They might be on yours.

PS: If anyone can help me with the footnote add-in (Easy Footnotes), I would greatly appreciate it!

My One-Day Spring Break

I’m having trouble waking up this morning, probably because this is my long-awaited Spring Break. Yes, my long-awaited one day of Spring Break.

What am I going to do with it? Edit Reclaiming the Balance. Look longingly at a picture of the beach. Nap, apparently. Drink coffee. Possibly make another couple submissions of short story stuff on Submittable. Take a nice long bath and put on a face mask.

But I will not work.

I will not answer a single student email all weekend.

This is my Spring break, and if I cannot have a spa weekend/writing retreat, I will make it a retreat at home.

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Daily Warmup

Every morning (well, almost every morning) I sit in front of my computer staring at the WordPress site and its little white button that says “Write”. And I write.

In a way, this blog is the warmup exercise for everything else I do in a day, whether it be writing or work. This blog loosens my fingers up and loosens my mind up. There is a full day ahead of me to make of it what I will.

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Sometimes that is merely existing, moving myself toward the door with my computer case for a day of work. Sometimes it’s gleefully playing with my cats. Sometimes it’s a productive day at home writing or at work teaching.

But the blogging in the morning is essential, framing my inspirations for the day.

Today’s tasks are monitoring and answering email from students and prepping for Camp NaNo. I have already answered five at 6:20 AM. (This is rare because my students generally abhor mornings.)

It feels like a good day, although one that would benefit from coffee. (Lots of coffee).

Remaking Myself

I want to remake myself. This is the reason I think I try so hard to get published, because I want to think of myself as an author. It would give me an identity beyond the one I have currently (professor) that I will lose when I retire.

It’s not a good reason to write, but I think it’s a fine reason to try to get published. I think remaking oneself is a noble pursuit, unless one is trying to remake oneself as Harley Quinn (As opposed to Harley Quin, for all you Agatha Christie fans).

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I admire people who make themselves and remake themselves, flowing with the changes in the world. On the other hand, I believe that my writing is good and worthy of publishing, but I’m not apparently writing what agents want. Changes to flow with. Do I learn how to promote myself better and self-publish? Do I try to tailor my writing to the market — no. Then it would not by my writing. I will not remake myself by becoming someone else.

Have I already remade myself? I have written five or so books — Kringle in the Night, The Kringle Conspiracy, Apocalypse, Gaia’s Hands, Reclaiming the Balance, Whose Hearts are Mountains, and Prodigies. Ok, that’s seven, not five. I have put them through developmental editors and (most of them) through beta/alpha readers. One of them (The Kringle Conspiracy) has been self-published. Maybe I am already an author. Maybe I have remade myself.